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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...
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Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto In C Minor K.491: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
for Piano and Orchestra-Mozart’s Piano Concerto In C Minor K.491 is one o...
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for Piano and Orchestra-Mozart’s Piano Concerto In C Minor K.491 is one of his best-known works in the genre not least because of the special character of its minor key (rarely encountered in Mozart’s music) and the dramatic contrast between the soloist and Orchestra.
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Maurice Ravel: Concerto: Piano: Score
Piano and Orchestra
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
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Concerto For Piano (Harpsichord) And Orchestra F Major Hob. XVIII:3
Piano and Orchestra
G. Henle
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur...
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Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3 écrite et composée pour Violon et plus précisément pour Violon 2 vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon 2 / Chanson En Séparée
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Piano Concerto No. 1 (HAWES PATRICK)
Piano and Orchestra
[Sheet music]
Hawes Music
(Solo Piano Part). Par HAWES PATRICK. ?It?s very direct, it?s very honest, it?s ...
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(Solo Piano Part). Par HAWES PATRICK. ?It?s very direct, it?s very honest, it?s very melodic and it?s very beautiful.? Peter Jablonski, pianist. A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and ? above all ? majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope. / Date parution : 2022-10-12/ Répertoire / Piano
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73
Piano and Orchestra
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
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Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score
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Concerto Italiano (VLAD ROMAN)
Piano and Orchestra
[Score]
Ricordi
Per Pianoforte E Orchestra. Par VLAD ROMAN. / Date parution : 2022-07-30/ Répe...
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Per Pianoforte E Orchestra. Par VLAD ROMAN. / Date parution : 2022-07-30/ Répertoire / Orchestra and Piano
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Ludwig van Beethoven: Concerto No. 3 in C minor: Piano: Score
Piano and Orchestra
Barenreiter
for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is t...
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for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.Piano reduction with a separate solo Piano part.A must for pianists orchestras and Beethoven scholars.
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Wolfgang Amadeus Mozart: Piano Concerto No.25 In C K.503: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute ...
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for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.25 In C K.503: Piano: Study Score
Piano and Orchestra
[Study Score / Miniature]
Barenreiter
Concerto for piano and orchestra-Piano Concerto No.25 in C major K.503.Piano Sol...
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Concerto for piano and orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. TheStudy Scores are distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano and Orchestra
[Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...
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for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Frédéric Chopin: Concert Works For Piano And Orchestra: Piano: Instrumental
Piano and Orchestra
Concert Works For Piano And Orchestra
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Frédéric Chopin: Concerto In E Minor Op. 11: Piano: Score
Piano and Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
Historical Version-Characterised by an extensive in terms of Chopin's concert p...
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Historical Version-Characterised by an extensive in terms of Chopin's concert pieces orchestral part. The melody here is less ornamented and more fluid the sketch of the cantilena very noble and clear the highly virtuosic element is exposed but not to the extent of overwhelming the logic of the design. Critical source-edition edited by Jan Ekier and Pawe Kami ski based on manuscripts copies approved by Chopin himself and first editions. Its purpose is to present the works of Chopin in authentic form. The present score is composed of parts from the first edition. The concert version of the score recreated by taking into consideration also other sources which present Chopin`s intention constitutes volume 33 B VIIIa. The Concerto in an authentic arrangement for one piano makes up volume 13 A XIIIa. The version with the second piano containing the reduction of the orchestra part forms volume 30 B VIa. The historical scores are purer with regard to editorial interference yet contaminated by the involvement in the sources of foreign hands. The historical scores show that which for various reasons Chopin agreed to have published.
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Score
Piano and Orchestra
Barenreiter
For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a se...
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For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
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Wolfgang Amadeus Mozart: Piano Concerto No. 21 in C Major KV 467: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...
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KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
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Paganini Variations for solo Piano and Orchestra (Lutoslawski, Witold)
Piano and Orchestra
[Sheet music]
Chester
Nouvelle partition à partir des Variations pour deux pianos (1941), faite...
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Nouvelle partition à partir des Variations pour deux pianos (1941), faite à la demande d'une amie du compositeur, Felicja Blumenthal, qui donna la première représentation à Miami en novembre 1979 avec le Florida Philharmonic Orchestra, dirigé par Brian Priestman. Durée : environ 9 minutes. Partition complète et matériel orchestral disponible à la location auprès des éditeurs. / Classique / Partition /
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Sergei Rachmaninov: Piano Concertos Nos. 1 2 and 3 In Full Score: Piano: Artist
Piano and Orchestra
[Score]
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Advanced
Dover Publications
Just as Serge Rachmaninoff ranked among the greatest pianists of the 20th centur...
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Just as Serge Rachmaninoff ranked among the greatest pianists of the 20th century his compositions for Piano and Orchestra won him an important position among modern composers.The major works that made his reputation include the first three Piano concertos reprinted here in a single volume from authoritative full-score Russian editions.
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Olivier Messiaen: 7 Hai-Kai: Orchestra: Study Score
Piano and Orchestra
[Sheet music]
Leduc, Alphonse
1.Introduction; 2.Le Parc de Nara et les Lanternes de Pierre; 3.Yamanaka Cadenza...
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1.Introduction; 2.Le Parc de Nara et les Lanternes de Pierre; 3.Yamanaka Cadenza; 4.Gagaku; 5.Miyajima et le Torii dans la Mer; 6.Les Oiseaux de Karuizawa; 7.Coda (for piano and orchestra)
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