Frederick Delius' Double Concerto for Violin Cello and Orchestra with orchestral Piano reduction by Philip Heseltine.

L'Isola Della Citta for Violin Cello Piano and Orchestra (2104-15) by Bent Sørensen. Commissioned by the Danish Radio Trondheim Symphony Orchestra and Trondheim Chamber Music Festival. Written for Trio con Brio Copenhagen.

Partie de Violoncelle. Par GLASS PHILIP. Philip Glass?s Double Concerto for Violin, Cello and Orchestra was composed in the spring of 2010 as a commission from the Netherlands Dance Theater, premiered by the Hague Philharmonic (Residentie Orkest) conducted by Jurjen Hempel on April 22, 2010 with violinist Cecilia Bernardini and cellist Maarte-Maria den Herder. / Date parution : 2022-04-26/ Répertoire / Violon et Violoncelle

Three Nocturnal Movements - For Violin Solo Violoncello Solo And Orchestra by Per Nørgård (2015). Based on Remembering Child for Viola and Orchestra(1986). Premiered by Peter Herresthal (violin) and Jakob Kullberg (cello) with Bergen Philharmonic June 6th 2015 in Bergen Norway. The original version was premiered by Pinchas Zukerman and the St. Paul' s Chamber Orchestra conducted by Arturo di Mecke on September 12th 1986.Programme Note:The news of the tragic death of Samantha Smith reached me in the early stages of preparation for the commissioned work for viola and chamberorchestra. Already an admirerer of this childworker for peace and nuclear disarmament I completed my work strongly inspired by this unique and uniquely symbolic fate of our time. Music from humble sources - including my composition Beach Poppy a choral work from 1960 - are woven into the texture of the composition. I was guided by the original meaning of the word 'remembering' (making whole healing) in opposition to 'dismembering' (tearing apart): The healing power of the child.(Per Nørgård)

Deux nouvelles ?uvres de Beethoven furent donn?es pour la premi?re fois ? Vienne au printemps 1804 lors de deux repr?sentations priv?es pour le prince Lobkowitz. Il s?agit de sa 3e symphonie op. 55 et du triple concerto op. 56 pour piano violon violoncelle et orchestre. M?c?ne et grand amateur d?art Lobkowitz eut ainsi l?opportunit? de d?couvrir deux ?uvres fra?chement compos?es tandis que ces auditions permettaient ? Beethoven de proc?der ? quelques am?liorations avant impression. La premi?re repr?sentation publique du triple concerto n?eut vraisemblablement lieu que quatre ans plus tard en f?vrier 1808 au Gewandhaus de Leipzig. Depuis l??uvre appartient au r?pertoire deconcert habituel de tout orchestre symphonique. La r?duction pour piano de cette ?dition urtext s?appuie sur la partition de l??dition compl?te des ?uvres de Beethoven ?galement pr?par?e par Bernard van der Linde. La pr?face de l??diteur donne des informations d?taill?es sur l??tat des sources relativement complexe de ce concerto pour trois solistes.

(Innocents in Love) For Clarinet in A Violin Cello Piano-(Innocents in Love) For Clarinet in A Violin Cello Piano. This 15-minute work composed in 1989 was commissioned and premiered by the Aeolian Chamber Players. The quartet is a set of variations based on two melodies: Les Niaisde Sologne by Rameau and a fragment from Rodriguez's first opera Le Diable Amoureux hence the composite title Les Niais Amoureux.

C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part.Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions