Edited From The Autographs And First Editions. Par MOZART WOLFGANG AMADEUS. Format: New Edition portrait/ Répertoire / Piano 4 Mains

Par MOZART WOLFGANG AMADEUS. / Niveau : Elémentaire / classique / Date parution : 1994-06-30/ Répertoire / Piano 4 Mains

Deuxième partie : II. Andante – III. Rondo - Pour piano quatre mains. Par MOZART WOLFGANG AMADEUS. Deuxième Partie : Ii. Andante - Iii. Rondo - Pour Piano Quatre Mains / Date parution : 1905-06-24/ Répertoire / Piano 4 Mains

La collection s?agrandit et vous propose une selection de 8 grands thèmes de la musique classique. Le principe reste inchangé, des adaptation 4 mains niveaux 3 à 5 ans de piano avec sur le CD les parties séparées enregistrées de façon à pouvoir répéter seul sa partie avant de jouer en duo.
Titres : A Midsummer Night's Dream [Mendelssohn], Eine Kleine Nachtmusik [Mozart], Liebestraum [Liszt], Minuet In G [Beethoven], Serenade [Schubert], Sheep May Safely Graze [Bach], Symphony No.40 In G Minor K.550 [Mozart], Symphony No.5 In C Minor Op.67 [Beethoven] / Classique / Partition /

6 thèmes bien connus de la flûte de Mozart ' Magic ', dans des arrangements faciles par enseignant de Beethoven C.G. Neefe - avec ces trois noms, nous sommes juste au milieu du classicisme viennois. La caractéristique des arrangements authentiques du temps traitent de thèmes / Piano 4 Mains

Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. 2-Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editorswhich include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? is more than just a label ? it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Written in 1785 during one of the most amazingly productive and creatively brilliant periods in the composer's life here are three of Mozart's best piano concertos in authoritative two-piano playing editions. Each of the works is of very different character from the intensity and passion of No. 20 to the grace and maturity of No. 22.Reprint of the G. Schirmer Inc. New York 1901 editions.

Contents: Daniel Gottlob Tuerk: Sei mir gegruesst Erik Satie: En plus Erik Satie: Redite Theodor Kirchner: Albumblatt in e Op.7 No.5 Alec Rowley: Two Dances from Op.41 Christian Gottlob Saupe: Sonatina in g William Walton: Hop-scotch Ane Scholl/Rolf Anderson: Boogie Express Franz Schubert: 6 Laendler from D366 Wolfgang Rihm: 2 Waltzes Anonymous: 2 German Dances Michael Proksch: Ein Spanier fuer Elise Giles Farnaby: The old Spagnoletta Thomas Peter-Horas: Nachtfahrt Mike Cornick: Conga (from Latin Suite No.1) Witold Lutoslawski:Ungehoerte Melodie Carl Maria von Weber: Andantino in c Op.10 No.2 Luis Andriessen: Nuit d'ete Wolfgang Amadeus Mozart: Sonata in C K19d (Allegro) Ruth Schonthal: A Bouquet of Wild Flowers and the Butterfly Robert Schumann: Two Pieces (Op.85 No.3 6) Claus Kuehnl: Korona (Chromatic Study) Max Reger: Waltz in c-sharp minor Op.22 No.4 Eberhard Werdin: Ketusa

[Werke für Klavier zu vier Händen] / Classique / Editeur : Ewald Zimmermann / Doigtés : Walther Lam / Partition / Relié toilé / Edition Urtext