Born in 1876 in Cadiz, the historical seaport town at the southern-most tip of Andalucia, Manuel de Falla is the greatest Spanish composer of this century.
The Ritual Fire Dance from the Ballet El Amor Brujo has been transcribed for two pianos, four hands by Mario Braggiotti. / [Manuel De Falla: Ritual Fire Dance (El Amor Brujo) For 2 Pianos] / Classique / Partition /

Composer : Bach, Carl Philipp Emanuel Instrumentation : 2Klav(Cemb)-4ms Edition : Urtext Editor : Zahn, Grete

The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczy?ski. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions. The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible. The full version of this edition includes 21 volumes. Chopin Fryderyk - Variations Op. 2 Chopin Fryderyk - Fantasia Op.13 Chopin Fryderyk - Krakowiak, Grand Rondeau de Concert Op. 14 Chopin Fryderyk - Grande Polonaise Brillante Op. 22

for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.2-Piano reduction.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly criticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale

[Konzert für Cembalo d-moll BWV 1052a] / Classique / Arrangement : Carl Philipp Emmanuel Bach / Editeur / Partition / Agrafé /

for Piano and Orchestra-The seven years that the Spanish composer Falla spent in Paris (from 1907 to 1914) marked a turning point in his compositions. His encounter with contemporary French Impressionist music made a big impact on him. From then on itwas to leave its mark on his oeuvre which was otherwise inspired by Spanish folk music. It was thanks to the advice of the pianist Ricardo Viñes and the composer Isaac Albéniz that Falla decided to expand his ?Nocturnes? for solopiano of 1909 into a three-part symphonic suite for piano and orchestra. He finally completed it in 1915 and named it ?Noches en los jardines de España? (?Nights in the gardens of Spain?). Yuja Wang kindly provided fingerings forthe solo piano part of de Falla?s enchanting musical evocation of his Andalusian homeland.