for Beginners Edited by Malina János Instrument: More Recorders Series: Music for Beginners Genre: Pedagogical performance pieces Language: Hungarian, English, German Extent: 24 pages First published: December 1996 1. Ismeretlen szerző: Domino fidelium 2. Ismeretlen szerző: Nato nobis hodie 3. Ismeretlen szerző: An heavenly song 4. Machaut, Guillaume de: Ballade 5. Landini, Francesco: Vaga fanciulla 6. Binchois, G. de B.: Ut queant laxis 7. Reson, J.: Rondelet 8. Gaffurius, F.: Bicinium 9. Othmayr, C.: Vom Himmel hoch 10. Lasso, Orlando di: Oculus non vidit 11. Morley, Thomas: La Girandola 12. Locke, Matthew: Saraband 13. Naudot, Jacques-Christophe: Sarabande 14. Naudot, Jacques-Christophe: Fanfare 15. Telemann, Georg Philipp: Largo 16. Telemann, Georg Philipp: Affettuoso 17. Telemann, Georg Philipp: Allegro 18. Gebauer, Michel-Joseph: Petite piŔce 19. Gárdonyi Zoltán: Bantering 20. Gárdonyi Zoltán: March 21. Papp Lajos: Angel from Heaven 22. Bloch, Tamar: Valsette

Arr.Collatti Diego. Par GARDEL CARLOS. The name of Carlos Gardel is synonymous with the Tango - his compositions in the genre have long been considered classics. Universal Edition's popular series of arrangements by Diego Collatti is expanded by this new edition for two recorders, expertly edited by the Austrian virtuoso, Thomas List. They can be played on two alto recorders, or alto and tenor, and are for intermediate to advanced players. Recorders might seem an unlikely voicing for this music but, on the contrary, Collatti believes they are exceptionally well suited to reflecting the glamour and fascination of the tango. Indeed, they could evoke the sound of the South American panpipes, not too far removed from the Argentinean heritage of the tango. These arrangements will also help introduce students to new elements of tone production and rhythm, while they enjoy the sheer vitality of the tango./ Recueil / 2 Flûtes à Bec ou Flûte à Bec Alto et Flûte Ténor

The Children's and Female Choruses were composed in a single burst of creative activity at the zenith of Bartók's career, in the summer of 1935, between such masterpieces as the String Quartet #5 and the Music for Strings, Percussion and Celesta. These short choral pieces are based on folk texts that Bartók further polished and stylized. The music, however, is wholly the composer's own, although it frequently includes motifs, rhythmic formulas and line structures reminiscent of Hungarian folk songs. Both editions contain nine of the two-part pieces of the set, transcribed idiomatically but faithfully for descant and treble recorders, respectively. / 2 Flûtes A Bec Soprano

The Children's and Female Choruses were composed in a single burst of creative activity at the zenith of Bartók's career, in the summer of 1935, between such masterpieces as the String Quartet #5 and the Music for Strings, Percussion and Celesta. These short choral pieces are based on folk texts that Bartók further polished and stylized. The music, however, is wholly the composer's own, although it frequently includes motifs, rhythmic formulas and line structures reminiscent of Hungarian folk songs. Both editions contain nine of the two-part pieces of the set, transcribed idiomatically but faithfully for descant and treble recorders, respectively. / Flûte A Bec Soprano