Disney Favorites for Accordion. 13 songs from classic Disney animated films are included in this collection for solo accordion, including: Evermore (from Beauty and the Beast) · Hakuna Matata (from The Lion King) · He's a Pirate (from Pirates of the Caribbean) ·Into the Unknown (from Frozen 2) · Some Day My Prince Will Come (from Snow White

The Complete Guide To Mastering Left Hand Bass/Chord Patterns-The Mighty Accordion by David DiGiuseppe provides a unique and much-needed guide to playing the bass side of the Accordion. This book contains a comprehensive collection of exercises that guidethe student through bass/chord patterns. Suitable for beginners with little or no knowledge of the instrument The Mighty Accordion starts with the very basics by teaching students how to play simpleaccompaniment patterns.For the intermediate player numerous exercises are included. These use the major minor seventh and diminished chords to develop skill in executing various bass/chord accompaniment patterns.The Mighty Accordion also includes chapters dedicated to the more advanced player. These sections present exercises on the chord combinations needed to play sixth minor seventh major seventh ninthand other advanced chords. Throughout the book you will learn about the history of the Accordion and how it works as well as the relevant music theory. The price of the book also includes access to online audiotracks featuring many of the exercises played at both a slow and moderate tempo. A much-needed and complete guide to playing the bass side of the Accordion. A comprehensive collection of progressive exercisesfor learning bass/chord patterns on the Accordion. Beginner students learn simple accompaniment patterns and use of the major minor and seventh chords. Advanced students learn how to play sixth minor and majorsevenths and ninth chords and other advanced techniques. Online access to companion audio featuring many of the book's exercises.

Environ 100 de mélodies les plus populaires de tous les temps, arrangé pour l'accordéon, y compris : Aloha Oe · Ave Maria · Blue Danube Waltz · Fantasie Impromptu · Pierre et le loup · Vallée de la rivière Rouge · Le · vers luisants La Rose jaune du Texas · Mariage de la · vents et plus encore. / Accordéon / 48 pages / Partition

A lively and wide-ranging collection of great tunes from all around England, suitable for playing on piano accordion, melodeon and other squeezeboxes!

Included are many well-established favourites for dance bands and informal sessions, plus some lesser-known gems and recent compositions. Reels, jigs, hornpipes and slow airs drawn from the 17th Century to the present day, with chord suggestions, background information on the tunes and detailed guidance on how to get the best out of this vibrant music. / Musiques du monde / Partition CD / Agrafé /

In our new pop series for accordion, the experienced accordion player and music teacher Manfred Kaierle presents easy and well-sounding arrangements of hot chart hits, pop classics and evergreens. Timeless pop classics have been arranged specifically for this instrument and thus reinvented.Content: Atemlos durch die Nacht - Les Champs-Elysées - A Whiter Shade Of Pale - Rock Around The Clock - Wind Of Change - Take Me To Church and many more. / Accordéon

Né en 1948 à Rome, Philippe Hersant a accompli toutes ses études musicales au Conservatoire national supérieur de musique de Paris, notamment dans la classe de composition d?André Jolivet, avant d?être boursier de la Casa Velasquez de 1970 à 1972 puis de la Villa Médicis de 1978 à 1980. Depuis 1973, il est producteur d?émissions radiophoniques à France Musiques. À la tête d?un catalogue riche d?environ soixante pièces (sans compter ses partitions pour le cinéma ou la scène théâtrale), Philippe Hersant est largement reconnu par le monde musical actuel. Se refusant à ruser avec l?histoire, Philippe Hersant s?est forgé un langage qui prolonge le cours de toute la musique occidentale. Et sans jamais chercher à faire école, il fut l?un des premiers de sa génération à se situer, de nouveau, dans l?espace tonal et modal. Il n?en bannit pas moins toute inclination néo-classique. Au contraire, il revendique le maniérisme et la profonde subjectivité de sa mémoire comme sources et guides de creation.