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Ike
ORCHESTRA - BAND
Cello, Piano
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The Piano Guys: The Piano Guys - LimitLess: Piano and Accomp.
Cello, Piano
Hal Leonard
The 2018 album by these popular YouTube instrumental stars is presented in this ...
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The 2018 album by these popular YouTube instrumental stars is presented in this matching folio of 13 songs arranged for solo piano/cello as performed by the Piano Guys. Songs include: DNA - Epiphany - First Dance - Flicker - In My Blood/Swan Lake - Limitless - A Million Dreams - Miracles - North Cape - Perfect - Rewrite the Stars - Something Just like This/Hungarian Rhapsody - Walking the Wire/Largo. Includes a separate pull-out cello part.
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Johannes Brahms: Sonata In E Minor Op. 38 For Cello & Piano: Cello: Instrumental
Cello, Piano
G. Henle
The E minor Cello Sonata is the first work for one solo instrument and Piano whi...
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The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose twoinstruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135) this early sonata is technically less demanding yet musically more striking at the same time sothat it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts besides in-depth comments a musical text revised according to the latest scholarlyfindings; as always the Cello part is enhanced with additional markings.
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Camille Saint-Saëns: Allegro appassionato op. 43: Cello: Score
Cello, Piano
G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...
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für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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César Franck: Sonate für Klavier und Violine A-dur: Cello: Score
Cello, Piano
G. Henle
Version for Violoncello-César Franck's Sonata For Piano And Violin In A. Urtext...
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Version for Violoncello-César Franck's Sonata For Piano And Violin In A. Urtext edition for Cello.Unlike some of his other late works Franck?s Violin Sonata (HN293) composed in 1886 was well-received by thepublic and critics from the very start. The beautiful arrangement for Cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it.The cellistJules Delsart who had heard a performance of the sonata in Paris in December 1887 was so delighted by it that he asked Franck?s permission to make a transcription of the Violin part for his own instrument. Delsartremained close to the original; he left the Piano part unaltered and transposed the Violin part only where necessary and appropriate into the lower register.
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Gondoliera For Cello And Piano (SQUIRE WILLIAM HENRY)
Cello, Piano
[Sheet music]
Stainer and Bell
Cello and Piano. Par SQUIRE WILLIAM HENRY. William Henry Squire's Gondoliera for...
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Cello and Piano. Par SQUIRE WILLIAM HENRY. William Henry Squire's Gondoliera for cello and piano evokes the dreamy magic of Venice and the barcarolles of Chopin, Fauré, Liszt and Mendelssohn. Performers and audiences who enjoy the three 'Venetian gondola songs' in Mendelssohn's Lieder ohne Worte will certainly derive pleasure from Squire's illustration of the watery half-light of the lagoon at dusk or daybreak and the chiarascuoro of a contrasting, brighter middle section in G major. Though not challenged technically beyond an intermediate level of difficulty of around Grade 6, cellists ideally must project the melody with truly vocal poise and bel canto spirit in this short work that is a real treasure for amateur and professional players alike./ Répertoire / Violoncelle et Piano
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Schott Cello Library
Cello, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
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Christopher Bunting: Elegy For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
S J Music
Christopher Bunting the cellist and composer has given concerts broadcasts an...
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Christopher Bunting the cellist and composer has given concerts broadcasts and master classes throughout Europe Australasia and the United States. He gave the first BBC Broadcast of the Elegy with the Pianist Ernest Lush and also was the soloist in a broadcast performance of his Concerto for Cello and Strings. His Essay on the Craft of 'Cello Playing is highly valued internationally by teachers and students alike for its detailed discussion of a large range of technical questions.
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Sergei Rachmaninov: Sonata For Cello And Piano In G Minor Op.19: Cello:
Cello, Piano
[Score and Parts]
Boosey and Hawkes
Rachmaninov’s Sonata In G Minor Op.19 is a lyrically expressive and techni...
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Rachmaninov’s Sonata In G Minor Op.19 is a lyrically expressive and technically demanding piece for both the cellist and pianist alike. The contrasts in expression and character are outlined with beautiful melodies and supported by rich sonorous harmonies which altogether really make this piece stand out in the repertoire for solo cello. This piece serves as a wonderful enrichment to any cellist's repertoire. The piano score is also included on a separate insert.
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Gabriel Fauré: Romance In A Op. 69 For Violoncello And Piano: Cello: Score and
Cello, Piano
G. Henle
For Violoncello And Piano-This brief utterly charming and tuneful piece was pro...
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For Violoncello And Piano-This brief utterly charming and tuneful piece was probably committed to paper in 1894 though Fauré based it on an older version for cello and organ. The subsequent tempo change to ?Andante quasi Allegretto? made the work?soriginal title of ?Andante? obsolete. The change of name to ?Romance? was also better suited to its songlike nature. After its first performance in November 1894 the piece rapidly became popular and is a well-loved encore piece atconcerts today. This ?Romance? continues the Henle Urtext series of short pieces for cello by Fauré for which we have been able to engage David Geringas to add the performance markings.
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
Cello, Piano
[Sheet music]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Blue Baroque Cello: Cello: Instrumental Album
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Universal Edition
Blue Baroque Cello-Mike Cornick's Blue Baroque offers cellists the chance to ex...
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Blue Baroque Cello-Mike Cornick's Blue Baroque offers cellists the chance to explore adaptations from the Baroque repertoire in various modern styles. His selection includes items from the Orchestral Vocal and Keyboard repertoires of the period and can be welcomed and enjoyed by middle grade to more advanced players.
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A Kernis: Air: Cello and Accomp.: Instrumental Work
Cello, Piano
[Sheet music]
Associated
A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The co...
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A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The composer describes this piece as: songlike and melodic ... the 'purest' and sparest piece I've written in a few years.
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Faure G. - Sonata In A Major Op. 13 - Violoncelle Et Piano
Cello, Piano
Breitkopf & Härtel
Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight ...
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Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight In 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf & Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's œuvre, for the sonata soon became very popular, and in 1889, Breitkopf & Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.
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Take Seven
Cello, Piano
Schott
Take Seven is a tried and trusted showpiece with audience appeal. The title Take...
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Take Seven is a tried and trusted showpiece with audience appeal. The title Take Seven is of course a play on Paul Desmond's famous Take Five and its recording by the Dave Brubeck Quartet. As there, the rhythms in this piece are largely based on an asymmetric metre - in this case, 7/4 time. Unlike most jazz pieces with an uneven metre, however, Take Seven goes through various moods, sections and tempo changes, illuminating the main theme from different angles. / Violoncelle Et Piano
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Camille Saint-Saëns: Romance opus 36: Cello and Accomp.: Instrumental Work
Cello, Piano
Durand
pour violoncelle et piano. ?Musique française? is a series designed for student...
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pour violoncelle et piano. ?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. The second half of the 19th century saw the growth in popularity of instrumental Romances. These, which one could categorise as morceaux de salon, continued the characteristics of the vocal Romance, which was born in the middle of the Age of Enlightenment and which, at the beginning of the Romantic period, had achieved great success among composers, performers and audience alike.
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Kenneth Leighton: Partita For Cello And P. Op.35: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate/advanced
Novello & Co Ltd.
'This work was completed in 1959 and first performed during the following year b...
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'This work was completed in 1959 and first performed during the following year by Florence Hooton and the composer.The opening Elegy is an intense lyrical movement with two distinct themes and a final mysterious section in the manner of a slow march. This is followed by a brilliant and energetic Scherzo which is entirely dominated by the opening motive heard first on the Piano while the final movement Theme and Variations is more extended and carries the main emotional weight of the work. A bell-like theme constructed mainly of fourths is followed by variations which bear the titles - Allegro inquieto OSTINATO (a kind of passacaglia) March Appassionato Waltz and finallyCHORALE in this last variation the bell-like texture of the theme is developed and enhanced.'- © Kenneth Leighton
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Easy Concert Pieces
Cello, Piano
[Sheet music + CD]
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Easy
Schott
For use in lessons or for your first concert performances - Easy Concert Pieces ...
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For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano
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Alberto Ginastera: Sonata op. 49: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
Boosey and Hawkes
Corrected Edition 1997-This 1979 composition for Cello and Piano by Alberto Gina...
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Corrected Edition 1997-This 1979 composition for Cello and Piano by Alberto Ginastera was written for his young cellist wife Aurora Natola. A grand twenty-minute work made up of four distinct movements moving through aggressive passages and ponderous slower sections. It is rather typical of the late style of Ginastera though not as angular as some of his works it is imbued with folk-like rhythms and motives.
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Variations (KOEHLER WOLFGANG)
Cello, Piano
Schott
Par KOEHLER WOLFGANG. Wolfgang Köhler, professor of jazz piano at the Berlin Ja...
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Par KOEHLER WOLFGANG. Wolfgang Köhler, professor of jazz piano at the Berlin Jazz Institute, writes music in the border area between classical, jazz and contemporary music. His 'Variations' for cello and piano are cross-over music in the best sense of the word and a rewarding concert and examination piece of medium difficulty (use of thumb position demanded). The three variations on a vocal theme use different styles like Latin (var. 1), ballad (var. 2) to rhythm and harmony inspired by Prokofiev (var. 3). The recapitulation of the cantabile theme concludes the original, effective piece which has a duration of six minutes./ Répertoire / Violoncelle et Piano
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Concerto no (AHO KALEVI)
Cello, Piano
Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2...
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Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This has flashbacks to the opening movement, and they lead to a cadenza in which the soloist plays only flageolet notes and pizzicatos. The concerto ends with a virtuosic coda in 5/8 time evocative of the second movement. Arto Noras gave the concerto its first performance with the Lahti Symphony Orchestra conducted by Osmo Vänskä in Naantali on June 5, 2014. It was a joint commission from the Naantali Music Festival and the Lahti Symphony Orchestra. This product consists of the solo part (18 pages) and piano reduction by Kari Vehmanen (62 pages) - have a look inside by clicking “sample”. The concerto is scored for a fairly small orchestra. The instrumentation is 2(II=afl)2(II=ca)2(II=bcl)2-2200-bar-02-str and the orchestral material is available for hire from the publisher. / Date parution : 2022-05-31/ Répertoire / Violoncelle et Piano
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Ernest Chausson: Pièce Op.39: Cello: Instrumental Work
English
Cello, Piano
Faber Music Limited
Chausson's 'Piece Op.39' the composer's only work for solo cello was written d...
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Chausson's 'Piece Op.39' the composer's only work for solo cello was written during his final years and belongs with the intensity lyrical Poeme for violin and orchestra (1896) and the two quartets (1897 and 1899). Like these more 'classical' late works 'Piece' derives potency from its restrained lyricism but is rhythmically unusual with 5/4 and 7/4 the predominant time signatures. Neil Heyde's new edition the first authoritative one of the work is based on the composer's autograph manuscript and will be welcomed by cellists seeking fresh first-rate repertoire by major French composers. The edition includes an informative introduction and critical commentary.
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Edward Gregson: Serenata Notturna: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
'As the title suggests my Serenata Notturna evokes the atmosphere of night musi...
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'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfiguredinto something much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'.'Edward Gregson
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Sonate
Cello, Piano
[Sheet music]
Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...
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Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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Butt-Chen: Cellowise: Cello: Instrumental Album
Cello, Piano
[Score and Parts + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Micantia for Cello and Piano (KNOCKAERT PETER)
Cello, Piano
[Sheet music]
Metropolis Music Publishers
Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/s...
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Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/shimmering/shining/sparkling, ...?.. The inspiration for this piece is found in many sudden observations of beautiful sceneries like sunbeams shining through clouds, snow crystals in winter time or icy landscapes. In a way too hasty world, the piece is meant to slow down a little and give you a moment of reflection on how mesmerizing the world is around us. / Date parution : 2022-11-29/ Répertoire / Violoncelle et Piano
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Easy Concert Pieces Band 1: Cello
Cello, Piano
Schott
Easy Concert Pieces Band 1. Easy pieces from the Renaissance to the Modern Eras,...
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Easy Concert Pieces Band 1. Easy pieces from the Renaissance to the Modern Eras, carefully selected according to technical and musical demands. Includes CD of full performances. Volume 1 - 16 pieces in 1st position by Bach, Beethoven, Gretchaninoff, Heller,Schubert and more. Studio teachers will love the quality and diversity of the repertoire - kids will enjoy playing the pieces. This collection has 'fun' written all over it, but also offers serious opportunities for introducingadvanced concepts like syncopation, swing-time, and some avant-garde techniques. -American String Teacher
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Five Romances (KILLMAYER WILHELM)
Cello, Piano
Schott
Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt...
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Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt to entertain people.’ Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the “Impromptu” and the jaunty “Scherzo lento” which uses tap tones for example. The “Chorale” that follows allows the music to drift seamlessly into atonality. In the fourth romance ‘Im Schumannschen Ton’ (‘The Schumann Sound’), a diatonic melody is complicated so much that the ending distorts to the beginning, ‘just like man combines many different qualities’. In the concluding “Capriccio”, shifting time signatures and dynamic ?uctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players./ Répertoire / Violoncelle et Piano
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