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ORCHESTRA - BAND
Cello, Piano
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Craig Duncan: Christmas Solos For Beginning Cello: Guitar: Instrumental Album
Cello, Piano
[Sheet music]
-
Easy
Mel Bay
Arrangements that are designed to be enjoyed in a number of settings. Companion ...
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Arrangements that are designed to be enjoyed in a number of settings. Companion books for violin and viola are available. Each offers the melody and harmony part along with piano accompaniment. Suggested uses are: solo cello withpiano accompaniment cello duets cello and violin duets trios with violin cello and viola duets and trios with viola.
16.99 GBP - Sold by Musicroom UK
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Johann Nepomuk Hummel: Sonata op. 104: Cello: Instrumental Work
Cello, Piano
-
Intermediate
Barenreiter
for Pianoforte and Violoncello-Famous in his day the Austrian composer and pian...
(+)
for Pianoforte and Violoncello-Famous in his day the Austrian composer and pianist Johann Nepomuk Hummel (1778 1837) studied with Mozart and befriended Beethoven. Among his many works is a relatively late sonata for Violoncello and Piano composed in 1824 and published in 1826 a delightful early Romantic piece in three movements supported by a capricious Piano part. The expressive Cello cantilena in the Romance will capture the heart of every cellist.Our edition edited by Mark Kroll is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript which served as a master copy for the engraving. A comparison of the sourcesbrought to light a number of details overlooked in the first edition especially with regard to dynamics.A must for all cellists and lovers of chamber musicNotes on performance practice in the Foreword (Ger/Eng)Detailed Critical Commentary (Eng)
16.50 GBP - Sold by Musicroom UK
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Animal's Pieces
Français
Cello, Piano
[Sheet music]
Billaudot
La référence GB1924 de l'éditeur Billaudot dont l'auteur célèbre est Amelle...
(+)
La référence GB1924 de l'éditeur Billaudot dont l'auteur célèbre est Ameller André, qui a pour titre ANIMAL'S PIECES, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
9.40 EUR - Sold by LMI-partitions
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Arioso (CALMEL ROGER)
Français
Cello, Piano
[Sheet music]
-
Easy
Combre
Par CALMEL ROGER. / Niveau : Assez Facile / classique / Répertoire / Violon...
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Par CALMEL ROGER. / Niveau : Assez Facile / classique / Répertoire / Violoncelle et Piano
8.60 EUR - Sold by LMI-partitions
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Le Bois Amical (CALMEL ROGER)
Français
Cello, Piano
[Sheet music]
-
Easy
Combre
Par CALMEL ROGER. / Niveau : 2ème Cycle / classique / Répertoire / Violonc...
(+)
Par CALMEL ROGER. / Niveau : 2ème Cycle / classique / Répertoire / Violoncelle et Piano
12.90 EUR - Sold by LMI-partitions
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Page D'Occitanie (CALMEL ROGER)
Français
Cello, Piano
[Sheet music]
-
Advanced
Combre
Par CALMEL ROGER. / Niveau : Difficile / classique / Répertoire / Violoncel...
(+)
Par CALMEL ROGER. / Niveau : Difficile / classique / Répertoire / Violoncelle et Piano
11.30 EUR - Sold by LMI-partitions
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Celliza (AMELLER ANDRE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par AMELLER ANDRE. / classique / Répertoire / Violoncelle et Piano
9.80 EUR - Sold by LMI-partitions
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Complainte (AMELLER ANDRE)
Français
Cello, Piano
[Sheet music]
Combre
Par AMELLER ANDRE. / Niveau : Fin Du 1er Cycle / classique / Répertoire / V...
(+)
Par AMELLER ANDRE. / Niveau : Fin Du 1er Cycle / classique / Répertoire / Violoncelle et Piano
8.60 EUR - Sold by LMI-partitions
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Sonata In F Op. 2
Cello, Piano
Simrock
Sonate de Bertold Hummel créé en 1950 captive l'auditeur à travers sa concisi...
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Sonate de Bertold Hummel créé en 1950 captive l'auditeur à travers sa concision. La combinaison des aphorismes mélodique du piano avec les phrases expressives de violoncelle (Hummel est un autodidacte en jouant violoncelle), la libre cantilena violoncelle dans le mouvement lent avec ses explosions de vives, la finale animée avec ses épisodes fugato contemplative - tout cela a été construite convaincante avec un sentiment de musicalité instinctive. / Violoncelle Et Piano
30.60 EUR - Sold by LMI-partitions
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Gerald Humel: Sonata: Cello
Cello, Piano
Bote and Bock
Cello Piano. Humel G
11.99 GBP - Sold by Musicroom UK
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Melodie 'In Limine'
Français
Cello, Piano
[Sheet music]
Billaudot
La référence GB2858 de l'éditeur Billaudot dont l'auteur célèbre est Legron...
(+)
La référence GB2858 de l'éditeur Billaudot dont l'auteur célèbre est Legron Léon, qui a pour titre MELODIE 'IN LIMINE', a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
6.20 EUR - Sold by LMI-partitions
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Melodie
Français
Cello, Piano
[Sheet music]
Billaudot
La référence EFM2112 de l'éditeur Billaudot dont l'auteur célèbre est Duclo...
(+)
La référence EFM2112 de l'éditeur Billaudot dont l'auteur célèbre est Duclos Pierre, qui a pour titre MELODIE, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
6.09 EUR - Sold by LMI-partitions
(Seller in french langage)
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Sonata Brevis
Cello, Piano
Simrock
Créée en 1955, cette pièce, comme par exemple le violoncelle Sonate opus 2 co...
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Créée en 1955, cette pièce, comme par exemple le violoncelle Sonate opus 2 composé quelques années plus tôt, montre familiarité de Bertold Hummel avec ' son ' instrument dont il étudie avec Atis Teichmanis. La totalité de l'ouvrage est imprégné par son plaisir à jouer et une mélodie compréhensible - en particulier, le mouvement final brillant en 7/4 laisse une marque forte. La nouvelle édition nouvellement définie et soigneusement révisée sera un ajout intéressant au répertoire de jeunes violoncellistes. / Violoncelle Et Piano
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Female Composers
Cello, Piano
Schott
Le quatrième volume de cette série de compositeurs femelles est dédié aux oe...
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Le quatrième volume de cette série de compositeurs femelles est dédié aux oeuvres de la XIXe et XXe siècles. Les pièces par Violetta Dinescu, Caroline Ansink, Myriam Marbe et Lucie Robert-Diessel ont été composées spécialement pour cette anthologie. / Violoncelle Et Piano
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Melody Op. 3/1
Cello, Piano
Schott
Composé à l'origine pour piano solo, 'Melody' de Rubinstein OP 3/1 est le oeuv...
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Composé à l'origine pour piano solo, 'Melody' de Rubinstein OP 3/1 est le oeuvre la plus connue écrit par le compositeur russe. Grâce à la mélodie simple, mais tendre et son harmonie expressive, le nom du compositeur se souviendra pour toujours. La pièce a fait un excellent encore pour un concert. / Violoncelle Et Piano
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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Franz Schubert: Ave Maria From Three Melodies: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
Franz Schubert (1797-1828) was an Austrian composer working in the early Romanti...
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Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His ever-popular Ave Maria was composed in 1825 as No.6 of his Op. 52 a setting of seven songs from Sir WalterScott?s epic poem The Lady Of The Lake. The text came from a part of the poem called Ellen?s Song.The melody has been re-used many times and is often set to the Catholic Prayer that starts with the samephrase (?Hail Mary? in English). Most memorably it was adapted by Walt Disney for his 1940 film Fantasia. It has been transcribed here for Cello and Piano by the Italian cellist Alfredo Piatti as one of his ThreeMelodies.
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Sonate
Cello, Piano
[Sheet music]
Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...
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Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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George Gershwin: Play Gershwin For Cello and Piano: Cello: Instrumental Album
Cello, Piano
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Intermediate
Faber Music Limited
A collection of pieces that pay tribute to Gershwin's unique melodic genius whi...
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A collection of pieces that pay tribute to Gershwin's unique melodic genius which gave us such gems as Embraceable You Summertime I Got Rhythm 'S Wonderful and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. This book includes a separate Cello part.
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Bohuslav Martinu: Suite Miniature H192: Cello: Instrumental Work
Cello, Piano
Leduc, Alphonse
Composed by the Czech composer Bohuslav Martinü in 1930 Suite Miniature is a...
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Composed by the Czech composer Bohuslav Martinü in 1930 Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.
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Betty Roe: Epilogue: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Thames Publishing
Betty Roe's Epilogue is a quasi-Sonata written for Cello and Piano featuring an...
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Betty Roe's Epilogue is a quasi-Sonata written for Cello and Piano featuring an undulating melodic theme that continues to grow and embellish as the piece progresses. Suitable for the confident Cello soloist.
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Faure G. - Sonata In A Major Op. 13 - Violoncelle Et Piano
Cello, Piano
Breitkopf & Härtel
Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight ...
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Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight In 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf & Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's œuvre, for the sonata soon became very popular, and in 1889, Breitkopf & Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.
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Judith Weir: Three Chorales: Cello: Instrumental Work
Cello, Piano
Chester
These three pieces for cello and piano are meditations – personal secular...
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These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
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Sonate (POULENC FRANCIS)
Cello, Piano
[Sheet music]
Heugel
Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and ...
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Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier, the French cellist. Its four movements, mainly ternary, are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some orchestralworks./ Répertoire / Violoncelle et Piano
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A Kernis: Air: Cello and Accomp.: Instrumental Work
Cello, Piano
[Sheet music]
Associated
A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The co...
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A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The composer describes this piece as: songlike and melodic ... the 'purest' and sparest piece I've written in a few years.
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Louis Andriessen: Elegy: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
Boosey and Hawkes
Louis Andriessen is widely recognised as the leading composer working in the Net...
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Louis Andriessen is widely recognised as the leading composer working in the Netherlands today and is a central and influential figure in the international music scene. His music employs elemental harmonic melodic and rhythmic materials in totally distinctive instrumentation. This piece is arranged for either Cello or Double Bass with Piano Accompaniment.
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Elegy
Cello, Piano
Novello & Co Ltd.
The Elegy for Cello and Piano Op. 2 was the first piece written by Ian Venables ...
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The Elegy for Cello and Piano Op. 2 was the first piece written by Ian Venables for solo instrument and Piano. Written in 1980 for the 'cellist Anthony Gammage, it is as an elegy for an unreturned love, and has all the melodic and harmonic fingerprints of Venables's mature style: combining tender lyricism with passionate intensity. / Violoncelle Et Piano
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