for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.

Schattenlinie - 5 movements for Clarinet Viola and Piano (2005-2010) by Bent Sørensen. Commissioned by and composed for the Risør Festival of Chamber Music Norway.The completed work premiered by Martin Fröst Lars Anders Tomter and Leif Ove Andsnes Nov 20 2010 in Oslo Norway.

Fine edition contains all eight Piano trios the two Piano quartets and the Piano quintet reprinted from the definitive Breitkopf and Hartel editions. All of these works display the melodic richness inventiveness and inimitable grace that characterize Mozart's finest compositions. Indispensable for pianists and chamber musicians.

Par HINDEMITH PAUL. Hindemith 'pièces très faciles pour basson et violoncelle' ont été créés à New Haven, probablement entre 1941 et 1944. Il était en particulier dans ses années d'exil qu'il aimait à faire de la musique à la maison avec sa femme Gertrud qui joue du violoncelle. Hindemith lui-même l'a accompagnée sur divers instruments, étant connu comme un bassoniste qualifiée entre autres. 'Lag Ich in einer Nacht und schlief 'La vieille chanson folklorique est effectuée en six variantes, disposées d'une manière choral, humoristique ou polyphonique. Les pièces sont enrichissants pour les deux joueurs. Première édition sur la base du Hindemith Complete Edition. / Niveau : Facile à Intermédiaire / Répertoire / Musique de Chambre

Some of Mozart's most enduring and popular music was composed for relatively minor occasions ? parties weddings and more ? including these multi-movement instrumental pieces. 'Eine kleine Nachtmusik ' K.525 'Posthorn' Serenade K.320 Serenade in E-flat Major K.375 Serenade in B-flat K.361/370a Serenade in D Major K.203/189b and more. Reprint of selections from Series 9 10 and 13 from Wolfgang Amadeus Mozart's Werke Breitkopf

The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.