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Gustav Holst: The Wandering Scholar Vocal Score: Mixed Choir: Vocal Score
Chamber Orchestra
Faber Music Limited
Gustav Holst's The Wandering Scholar a one-act chamber opera for Baritone Sop...
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Gustav Holst's The Wandering Scholar a one-act chamber opera for Baritone Soprano Tenor Bass and Orchestra. Edited by Benjamin Britten and Imogen Holst. Full score and Orchestral parts are availble for hire. The Wandering Scholar Holst’s last opera was written in 1929-30 and was first performed in The David Lewis Theatre Liverpool in 1934 conducted by Dr. J. E. Wallace and produced by Frederick Wilkinson. This was a few months before Holst’s death and he was too ill to go to the performance. He had no chance to revise the score which has remained unpublished until now. He leftseveral pencil queries in the margins such as ‘Tempo?’ ‘More?’ ‘More harmony?’ etc. And in one of his note-books he left queries about several words in the libretto which he had doubts about. The editors have answered these queries by making some alterations in speed and dynamics and by suggesting metronome marks throughout the work. They have also made several alterations in the libretto which they feel that Holst might have made himself if he had had the chance to revise the work with his friend Clifford Bax.
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Tom Coult: Four Perpetual Motions: Wind Ensemble: Instrumental Work
Chamber Orchestra
Faber Music Limited
For 10 players-These mature and well-crafted pieces for an ensemble of ten playe...
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For 10 players-These mature and well-crafted pieces for an ensemble of ten players showcase Coult’s ear for beguiling burnished sonorities and his ability to harness the most complex of technical devices to rich emotional ends. Whilst his musical schemas are often audacious and innovative the security and light touch with which Coult carries them out ensures that his Four Perpetual Motions are always as expressive as they are impressive. Coult was one of the winners of the 2012 Royal Philharmonic Society Composition Prize and was consequently commissioned to write this 13-minute work for the Philharmonia’s Music of Today Series.Scoredfor: fl.ob.cl - tpt - perc(1): vib/mar/glsp/crot/2 bongos - harp - vln.vla.vlc.db
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Niels Otto Raasted: Sonatine Op. 44: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Sonatine Op. 44 (1926) for Oboe (or Violin) and Piano by Niels Otto Raasted.
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Per Nørgård: Delta: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are c...
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Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are created in several stages where an earlier work or movement are reborn or recomposed as part of a new work. For instance “Suite for Martin” (1967) for saxophone amplified accordion and prepared piano - used in a Danish documentary film “Kongens Enghave” - was rearranged by me in 2004 in a new instrumentation for saxophone cello and piano and named MELANCOLIA (duration 12 minutes) which became the third movement (with the title MALINCONIA) in an enlarged version from 2005 with the title DELTA (duration around 20minutes). A delta is be nature moving outwards or rather downwards downstream.This movement is characteristic for all three works mentioned. EUFONIA. In the first movement of DELTA the music changes from the light hearted and harmonious towards a darker sound.In the second movement NOSTALGIA this darker colour is intensified dominating the whole movement. MALINCONIA the third and last movement completes the direction downwards – during six shorter sections – going towards a black edged pessimism (and a “black sound”). Per Nørgård (2005)
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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Hugh Wood: Marina Op.31: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wo...
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Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wood: 'I had for many years wanted to set Marina and the opportunity came to start work on it in mid August 1988. About a year later havingcompleted in the meantime the Horn Trio Opus 29 and the Cantata Opus 30 I turned back to the drafts of Marina and completed it on 10 September 1989. It is dedicated to the memory of my daughter who was murdered in Bavaria on 10September 1988.Marina is the heroine of Shakespeare’s Pericles a play remarkable for one of the most moving of all Shakespeare’s recognition scenes a dramatic situation which never failed to draw out his deepest expressionof feeling. This is the re-meeting of an ageing father with his long-lost daughter born at sea during the storm in which her mother is thought to have died and long believed to be dead herself. Eliot transforms the twocharacter’s mutual recognition into a transfigured mediation and surrounds it with a wealth of mainly marine imagery. In the words of Helen Gardener these images are: The prelude to a moment of ecstatic recognition. The voyagein Marina discovers in the ocean anisland and sees again a beloved face. Its theme is not the immortality of the soul but resurrection.
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César Franck: Panis Angelicus: Chamber Orchestra: Score & Parts
Chamber Orchestra
[Score and Parts]
Hal Leonard
This setting of César Franck's exquisite Latin hymn will enhance many concerts ...
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This setting of César Franck's exquisite Latin hymn will enhance many concerts with a high floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe harp and strings. Availableseparately: SATB/Solo SSA/Solo ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (hp ob vn 1-2 va vc db). Duration: ca. 3:15.
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kammersymphonie Op, 9 (SCHOENBERG ARNOLD)
Chamber Orchestra
[Study Score / Miniature]
Universal Edition
Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different ex...
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Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total harmonic structure, and they are chords like all others.' (Arnold Schoenberg, Theory of Harmony, 1911) The Chamber Symphony Op.9 heralded a breakthrough in Schoenberg's compositional style. While the work did not go hand in hand with the complete destruction of the old tonal system it does show an extension in chordal and melodic constructions. It's focus on the interval of the fourth rather than the third is stated right at the start with the horn fanfare and this leads into the use of the whole tone scale soon after. These two elements open up a new sound space which he would explore further in the works to follow. Certainly not a work to be missing from any library where contemporary music is one of the main focuses./ Répertoire / Ensemble de Musique de Chambre
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MARTINU BOHUSLAV - LA REVUE DE CUISINE - SUITE POUR ORCHESTRE - PARTITION and PARTIES SEPAREES
Chamber Orchestra
Leduc, Alphonse
Composed by the Czech composer Bohuslav Martinü in 1927, La Revue De Cuisine is...
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Composed by the Czech composer Bohuslav Martinü in 1927, La Revue De Cuisine is a ballet initially created for a sextet. This score was reviewed and tailored for an Orchestra.
This ballet, talking about the life of kitchen utensils, is divided in ten sections:
1. Prologue (Allegretto)
2. Introduction (Tempo de marche)
3. Danse du moulinet autour du caudron (Poco meno)
4. Danse du chaudron et du couvercle (Allegro)
5. Tango (Danse d'amour. Lento)
6. Duel (Poco a poco allegro. Tempo di Charleston)
7. Entracte (Lamentation du chaudron. Allegro moderato)
8. Marche funèbre (Adagio)
9. Danse radieuse (Tempo di marche)
10. Fin du drame (Allegretto)
The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick, and the music features some strong jazz influences.
Bohuslav Martinü(1890-1959) also wrote 13 other ballets, 15 operas and 6 symphonies and some orchestral and chamber music.
Instrumentation: Clarinet, Bassoon, Trumpet, Violin, Cello, Piano. / Partitions classique / Ensemble et orchestre / Musique de chambre / LEDUC
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Frédéric Chopin: Complete Works XVI: Chamber Music: Chamber Ensemble: Score and
Chamber Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for...
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for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.
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Niels Marthinsen: The Dreamers: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: ...
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The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
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Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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Knud Jeppesen: Little Summer Trio: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
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Intermediate/advanced
Wilhelm Hansen
Jeppesen's Lille Sommer-Trio in full score and parts for Piano Trio. The Violin ...
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Jeppesen's Lille Sommer-Trio in full score and parts for Piano Trio. The Violin parts is equally suited to the Flute.
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Subtilior Lamento: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a...
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for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc
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Nico Muhly: Doublespeak: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Book]
St Rose Music Publishing
The sheet music for Nico Muhly's Doublespeak arranged for Chamber Ensemble and...
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The sheet music for Nico Muhly's Doublespeak arranged for Chamber Ensemble and composed for the orchestral sextet 'eighth blackbird'. The piece is arranged for Flute (Soprano Recorder) Clarinet in B flat Percussion (Castanets Tenor Drum Pedal Bass Drum) Glockenspiel Piano Violin and Cello. It works for 2-6 players and this item includes the full score as well as the parts. Doublespeak had its debut at the Edlis Neeson Theatre in Chicago performed by the new musical six-piece 'eighth blackbird'. The piece is a slow and repetitive one punctuated bymoments of stark beauty. It is according to Muhly something of a tribute to the great Philip Glass the forefather of minimalist classical music. It takes implicit inspiration from his entire oeuvre but also explicitly incorporates portions of his most famous and valued works interweaving them inside a new composition that captures what 'eighth blackbird' do best. The Doublespeak sheet music would be ideal for Chamber Ensembles looking to perform or practise minimalist music drawn from the 1960s and 1970s. If you love Philip Glass or Nico Muhly or both this composition is a real treat.
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Canons classiques: Vocal Tutor
Chamber Orchestra
EMB (Editio Musica Budapest)
'...The present collection has been conceived right from the outset so as to for...
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'...The present collection has been conceived right from the outset so as to form an organic component of and a supplement to the teaching of solfeggio. The original text and their relevant translations have been omitted with the intention that the pedagogical aim namely that which is achieved through solmization could be proprely emphasized. There is hardly any need to recommend these pieces for cultivation. Luckily enough solfeggio has become so wide-spread and in particular singing canons has gained such popularity that its praise would suggest an irony of the same kind as Erasmus' eulogy of foolishness. Nevertheless it cannot be left unsaid how immensely this domaincontributes to raising the musical standards of the greatest number of people possibile.' (Antal Molnár)
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Chamber Symphony No.12 (STANKOVYCH YEVHEN)
Chamber Orchestra
[Score]
Hal Leonard
Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. ...
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Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. Inventory is currently available but may change due to the low quantities normally kept on hand. Dedicated to Valeriy Matyukhin, conductor of the National Philharmonic of Ukraine. Movements: I. Fresko of Maidan, II. Praying for Peace. Duration ca. 16\' / Date parution : 2022-07-23/ Répertoire / Orchestre de Chambre
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Anne Boyd: The Quiet Place: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubl...
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Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd
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Robert Schumann: Chamber Music: Ensemble: Score
Chamber Orchestra
[Score]
Dover Publications
Edited by Clara Schumann-Superb collection of eight works including the celebra...
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Edited by Clara Schumann-Superb collection of eight works including the celebrated 'Piano Quintet Op. 44' four 'Quartets' (Op. 41 Nos. 1-3 Op. 47) three 'Trios' (Opp. 63 80 110). Breitkopf
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