SKU: BP.JH566
Here is a gentle lullaby in minor mode which describes the paradox of the great hope found in a tiny baby. Suellen Scott does a wonderful job of linking Jesus' presence in the manger to His presence in our hearts today. Each verse is followed by an emphatic refrain which declares the attributes of the Christ Child and urges us to respond in praise and adoration.
SKU: BP.BP2189
Printed product. A gentle back-and-forth rhythm, reminiscent of a weaver working a loom, paints a picture of the weaving of a life of loving and faithful service. This graceful SATB setting for choir and piano is accessible for even a small choir and will be perfect on those occasions of celebration of a life well-lived.
SKU: XC.HRMG2152
UPC: 785147107651.
This humble prayer is simply and beautifully set for a cappella choir. The vocal lines remain completely on the staff, making the vocal ranges approachable for most choirs. Excerpted from Trotta’s major work Te Deum, it may be performed in Latin or English.
SKU: XC.HRMG1948
UPC: 785147100652. Latin. Text source: Traditional.
This a cappella piece is excellent for groups looking to explore cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an optional descant put this sophisticated-sounding piece within reach of many ensembles. The second half of the piece may be extracted for use as an introit or benediction to open or close your service or concert. Â .
SKU: OU.9780193530027
ISBN 9780193530027. 10 x 7 inches.
For SATB (with divisions) and piano or small orchestra Originally published in Carols for Choirs 2, Rutter's arrangement of this well-known carol is energetic and joyful. The memorable and buoyant melody is supported and driven by lively piano accompaniment, making it well-suited for Christmas concerts and services.
SKU: GI.G-9808
UPC: 785147980803. English. Text Source: 2. African American spiritual.
SKU: BT.DHP-1115074-050
9x12 inches. English-German-French-Dutch.
Ravel's ballet, Daphnis and Chloé, was commissioned by Sergei Diaghilev and premiered with the Ballets Russes in Paris in 1912. The ballet is now rarely performed, but its Suite No. 2 remains popular. It consists of three movements, Lever du jour, Pantomime and Danse générale, that are played without interruption. Tohru Takahashi makes no compromises in his transcription, which calls for at least 60 musicians and an optional mixed chorus!De Suite Nr. 2 uit Daphnis and Chloe bevat de muziek uit het derde deel van het ballet en bestaat uit de delen Lever du jour, Pantomime en Danse générale. Zonder onderbreking worden deze na elkaar gespeeld.In zijn nieuwe transcriptie voor blaasorkest deed Tohru Takahashi geen enkele concessie. Om het werk precies volgens de partituur uit te voeren, hebt u een orkestbezetting van zestig of meer muzikanten nodig. Een gemengd kooris ook wenselijk, maar dankzij de stichnoten (cue notes) is het werk ook zonder koor uit te voeren.Die Suite Nr. 2 aus Daphnis and Chloe enthält die Musik aus dem dritten Teil des Balletts und besteht aus den drei Sätzen Lever du jour, Pantomime und Danse générale, die ohne Unterbrechung nacheinander gespielt werden. In seiner neuen Blasorchester-Transkription ging Tohru Takahashi keinerlei Kompromisse ein. Um das Werk gemä� der Partitur aufzuführen, ist eine Orchesterstärke von 60 oder mehr Musikern, sowie ein gemischter Chor erforderlich; dank der Stichnoten ist es auch ohne Chor spielbar.La Suite n°2 correspond au troisième tableau du ballet Daphnis et Chloé. Lever du jour, Pantomime et Danse générale sont interprétés sans interruption. Cette nouvelle transcription pour orchestre d'harmonie ne fait aucun compromis. Non seulement il vous faudra réunir un ensemble de 60 musiciens ou plus afin de respecter la partition, mais un choeur mixte est également essentiel. Cependant, si les notes secondaires (ou petites notes) sont jouées par les musiciens, le choeur est alors ad libitum.La Suite Nr. 2 da Daphnis and Chloe contiene la musica della terza parte del balletto. Essa è composta da tre movimenti: Lever du jour, Pantomine e Danse générale, eseguite senza interruzione. Nella sua nuova trascrizione per banda, TohruTakahashi non è sceso a compromessi: per eseguire il brano sono necessari 60 o più musicisti come anche un coro misto. Se però le note secondarie (o piccole te), sono eseguite dai musicisti, il coro diventa ad libitum.
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