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ORCHESTRA - BAND
Choral SSAA
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Lute (10)
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CD (10)
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Score (5)
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Cloudlifter (5)
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Lap Steel Guitar (5)
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Fake Book (3)
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Violon I (3)
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Voice (3)
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Pater Noster: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Boosey and Hawkes
Pater Noster was originally part of Fjellheim’s album Aejlies Gaaltije - ...
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Pater Noster was originally part of Fjellheim’s album Aejlies Gaaltije - The Sacred Source released in 2004. This SSAA choral version was created for the choir Cantus for their album Northern Lights (2017). The idea behind Aejlies Gaaltije - The Sacred Source was to combine parts of the traditional Latin Mass with elements of the Sami yoik tradition other Norwegian folk music and the finnish music tradition.
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John Corigliano: One Sweet Morning: Children's Choir: Vocal Score
Choral SSAA
SSAA
[Sheet music]
Schirmer
Transient Glory Series-The composer writes: Set to a text by E.Y. Yip Harburg l...
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Transient Glory Series-The composer writes: Set to a text by E.Y. Yip Harburg lyricist of the film The Wizard of Oz and the musical Finian's Rainbow this work looks forward to one sweet morning when out of the flags and the bones buried under theclover spring will bloom and _x001A_Peace will come. It is an exalted prayer for the future and when sung by young people who are the future has special meaning.
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Béla Bartók: Choral Works: Upper Voices A Cappella: Vocal Score
Choral SSAA
SSAA A Cappella
[Vocal Score]
EMB (Editio Musica Budapest)
For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15...
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For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.
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Wolfgang Amadeus Mozart: Missa Brevis In C K.220 Sparrow-Mass: SSAA: Vocal Score
Choral SSAA
Barenreiter
Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of t...
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Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.
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Ziles Zina
Choral SSAA
SSAA A Cappella
Schott
It is particularly in his choral music that Peteris Vasks reveals his strong att...
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It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella
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I Have Dreamed: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
-
Intermediate
Williamson Music
Lush vocal textures and expressive harmonies are the highlight of this well-craf...
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Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers and Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles this delightful setting for SSAA choir a cappella has been arranged by Kirby Shaw.
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Kirke Mechem: Blow Ye the Trumpet: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Schirmer
Blow Ye The Trumpet was originally composed as a chorus for as part of Kirke Mec...
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Blow Ye The Trumpet was originally composed as a chorus for as part of Kirke Mechem's Opera John Brown based on the life of the abolitionist campaigner of the same name. It was later popularised inSongs of the Slave a suite of works from the same opera. The text is adapted from a traditional hymn said to be Brown’s favourite with a new tune composed in the early American folk style. KirkeMechem (b. 1925) is an American composer who has found worldwide popularity with his collection of over 250 compositions in almost every form. Blow Ye The Trumpet has been arranged here for SSAA chorus andPiano with optional orchestral accompaniment.
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Richard Rodgers: My Romance: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Sheet music]
Barbershop Harmony Society
One of the most beloved standards of all time it is difficult to find a major a...
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One of the most beloved standards of all time it is difficult to find a major artist that hasn't recorded it. Szabo's setting is elegant understated and refined. A beautifully crafted ballad arrangement that keeps the average singer in mind groups of any level can sing this chart with success whether a high school quartet or a 100+ voice chours. A lovely moement in any show or quartet set.
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Viva La Musica!
Choral SSAA
SSAA A Cappella
Boosey and Hawkes
Viva La Musica! ( Long Live Music!) is a wonderful theme for any concert. And Da...
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Viva La Musica! ( Long Live Music!) is a wonderful theme for any concert. And David Brunner has crafted a wonderful concert opening with a strong, bold, unison exclamation to open the piece. Originally a top selling SATB voicing (BHI 48137) this is a welcome addition to the women's repertoire. / Choeur SSAA A Cappella
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There Is Nothing Like The Sun Ssaa
Choral SSAA
Alfred Publishing
An eloquent lyric and a soaring vocal line are seamlessly combined in this tribu...
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An eloquent lyric and a soaring vocal line are seamlessly combined in this tribute to the power of the sun. Expressive and dynamic, the warm harmonies are well suited to the beautiful text. / Choeur SSAA
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Yesterday: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
The great and legendary arrangement by Bob Chilcott of this classic Beatles song...
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The great and legendary arrangement by Bob Chilcott of this classic Beatles song for The King's Singers has been adapted for 4 part choir and piano. Now nearly all SATB choirs can enjoy this iconic arrangement which was for so long limited to choirs who could sing 6 part a cappella music.
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Gabriel Fauré: Requiem Op.48: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Barenreiter
A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Re...
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A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.
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Where Can I Turn For Peace: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hinshaw Music Inc.
Looking for a work for advanced treble chorus? This a cappella work for SSAA (di...
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Looking for a work for advanced treble chorus? This a cappella work for SSAA (div) is successful in worship or concert settings alike. The thought provoking text is set to lush harmony with well-crafted part writing.
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Meredith Willson: May the Good Lord Bless and Keep You: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
The perfect way to end a concert or graduation ceremony this Meredith Willson c...
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The perfect way to end a concert or graduation ceremony this Meredith Willson classic has been artfully crafted by Mac Huff. Available for SATB SAB and SSAA. ShowTrax CD also available. Performance time: Approx. 3:30.
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Aejlies: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Boosey and Hawkes
Aejlies which means ?Holy? was originally composed as part of a commissioned w...
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Aejlies which means ?Holy? was originally composed as part of a commissioned work for the Sámi church festival in Norway in 2013. The theme for the festival was ?Holy Ground! Holy World? referring to the understanding among our Sámi ancestors as well as other indigenous groups that the land we are living on - Mother Earth - is Holy and should be treated with respect and honour. The theme is also inspired by the biblical words ?Take your sandals off your fee for the place where you are standing is holy ground!? (Exodus 3 5) which resonates with how indigenous traditions relate to nature.Only one word is sung in this work which takes inspiration from the Sámiyoik tradition where one often only uses very few words in combination with so called yoik syllables. These syllables have no linguistic meaning but are an important part of this ancient vocal tradition allowing the human voice to describe something without the limitations words and language sometimes have.
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Aaron Copland: Old American Songs (SA): Children's Choir: Vocal Score
Choral SSAA
SSAA, Piano
Boosey and Hawkes
Choral Suite-Introduce your choirs to the music of America's best known composer...
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Choral Suite-Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. For children's or female choir and piano.
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Sinner Man: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
This popular traditional spiritual Sinner Man has been arranged and adapted for...
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This popular traditional spiritual Sinner Man has been arranged and adapted for SSAA a cappella choir by Kirby Shaw. Performance Time 2.20 minutes.
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My Soul's Been Anchored in the Lord: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for...
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The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for treble voices by Rollo Dilworth. From the powerful opening chords to the exhilarating call and response sections this is a work that will bring downthe house! Available: SSAA a cappella. Duration: ca. 2:45.
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Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
The intertwining of women’s voices in Gustav Holst’s Tears Idle T...
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The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.
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I Sing To Use The Waiting
Choral SSAA
Alfred Publishing
Complementary vocal and piano writing combines in this distinctive treatment for...
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Complementary vocal and piano writing combines in this distinctive treatment for treble choirs. Artistic and impressive, well-suited for concert or contest/festival use. / Choeur SSAA
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Nicola Porpora: Credidi: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Novello & Co Ltd.
Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A riva...
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Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A rival of Handel he formed an opera company which performed his own compositions all over Europe. He was widely acclaimed during his lifetime both as a composer and also as a pedagogue counting Haydn among his students. Regrettably most of his compositions have largely fallen into obscurity since his death. Credidi Propter is a setting of Psalm 116 originally for SSAA Upper Voice Choir Strings and Organ Continuo with optional Viola part. It has been edited by D. E. Hyde and arranged with Piano accompaniment.
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Mark D. Sanders: I Hope You Dance: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Introduce your choir to the fun of a cappella singing with this accessible arran...
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Introduce your choir to the fun of a cappella singing with this accessible arrangement of the Lee Ann Womack hit that topped the charts in 2001. Crafted for success this setting gives all the parts a chance to sing the melody while the background vocals are easy and create a perfect stylistic texture. Available separately: SATB a cappella SSAA a cappella. Duration: ca. 2:45.
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Impossible Dream The
Choral SSAA
Alfred Publishing
Inspirational lyrics, a lush accompaniment, and well-crafted vocal harmonies. Wh...
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Inspirational lyrics, a lush accompaniment, and well-crafted vocal harmonies. What more could you ask from this thrilling new arrangement by Mark Hayes? A real tour de force that is equally moving with either the full piano accompaniment or the complete orchestration. / Choeur SSAA
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Light of a Clear Blue Morning: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Now adapted for SSAA by Richard Gabrillo Craig Hella Johnson's setting of Dolly...
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Now adapted for SSAA by Richard Gabrillo Craig Hella Johnson's setting of Dolly Parton's Light of a Clear Blue Morning is infused with light and hopefulness as it opens with a solo soprano and gradually builds to a joyful overflowing of sound and vocal texture then gently relaxing into a reflective conclusion. With soprano recorder.
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There Is a Fountain: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Now available for SSA choirs! Patti Drennan's fresh approach to the arranging of...
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Now available for SSA choirs! Patti Drennan's fresh approach to the arranging of this haunting American folk hymn has made her setting a bestseller. This portrait of redemption is beloved by congregations everywhere and its presentation will be a special moment during Lenten or Holy Week worship services. A plaintive violin obbligato lilts over updated rhythms and harmonies giving us an anthem of rich beauty.
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Giovanni Pierluigi da Palestrina: Magnificat: SSAA: Vocal Score
Choral SSAA
[Sheet music]
Schirmer
Jameson Marvin through his work with Harvard and Radcliffe has re-established ...
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Jameson Marvin through his work with Harvard and Radcliffe has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat byPalestrina has been edited by Dr. Marvin to accommodate modern notation clefs and measure lines. He also maintains rhythmic groupings enabling the singers to move beyond the tyranny of the bar line and bring a beautifuland authentic performance to the stage.
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Johann Sebastian Bach: Cold and Fugue Season: Upper Voices a Cappella: Vocal
Choral SSAA
[Vocal Score]
Pavane Publishing
This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous ...
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This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous “Fugue in G Minor” that will have your audience in stitches! Your students will have a blast singing such funny words with such seriousBaroque music which has been simplified for young voices. From the first note to the resounding “A-Choo!” at the end this uproariously funny novelty is sure to be a big hit in your concert! Available: SATB SSAA TTBB 2-Part 3-Part.
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Laura Mvula Steve Brown: She: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Andrea Ramsey Choral Series-British singer/songwriter Larua Mvula has crafted a ...
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Andrea Ramsey Choral Series-British singer/songwriter Larua Mvula has crafted a song portraying the cycle of life of a female and the accompanying questions emotions and feelings of desperation. These emotions are captured beautifully in this arrangement for women's voices. The pop style is strong and free and a wonderful opportunity for your women's choirs to connect to these important lyrics in an arrangement that never gets in the way of the powerful emotions.
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Johannes Brahms: In Stiller Nacht In Still Of Night A Cappella: SSAA: Vocal
Choral SSAA
[Vocal Score]
Schirmer
For Four-Part Chorus of Women's Voices (SSAA) arranged Johannes Brahms. Edited a...
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For Four-Part Chorus of Women's Voices (SSAA) arranged Johannes Brahms. Edited and English text by Maynard Klein.
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Leonard Cohen: Hallelujah - SSAA a Cappella: Upper Voices a Cappella: Vocal
Choral SSAA
[Vocal Score]
Hal Leonard
This well-crafted a cappella arrangement emphasizes the plaintive haunting song...
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This well-crafted a cappella arrangement emphasizes the plaintive haunting song written by Leonard Cohen and alternates between a four-part texture and more fully voiced chords. Mesmerizing! Duration: ca. 3:15
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