Lauridsen's O Nata Lux is a serene a cappella motet celebrating the Redeemer and is part of the larger Lux Aeterna for Chorus Orchestra and Organ. The changes in meter accommodate the natural rhythm of the chant. This piece is from Faber's Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for Soprano and Tenor Soli SATB chorus and orchestra. Now available for the first time in print this score has been prepared from the known sources revised and edited with critical commentary and includes a preface by Paul Spicer and introductory notes by Sir David Willcocks. Four of the choral movements (II-V) are settings of Latin and English texts. These are drawn from the Psalms and the 'Miss pro defunctis' the book of Common Prayer and are immemorial reflections upon the transient griefs and indestructible hopes of mankind. All are appropriate to the mood and purpose ofa Requiem. Movement VI is a setting of lines from the Salisbury Diurnal used here in the translation by Dr G. H. Palmer appearing at the end of Robert Bridges' Anthology The Spirit of Man. The first performance was at the Three Choirs Festival at Gloucester on 7th September 1950 which the composer conducted. The Bach Choir gave the first London performance early in 1951 and recorded the work in 1970 with the Philharmonia Orchestra under Sir David Willcocks.

Thomas Adès' setting of a brooding text from Ecclesiastes this anthem is a powerful work full of dark beauty with an atmospheric organ accompaniment. A part of the Faber 'Choral Signature Series' dsigned to provide new and contemporary pieces to choirs seeking a challenge. SATB divisi with Organ accompaniment.

A sustained and stately choral chant in a quasi-Renaissance style for SATB chorus that combines today's evocative harmonic possibilities with the devout textures of early church music.

Four of the finest of all settings of the English language canticles. Over the past quarter of a century Howells has emerged as among the greatest and certainly most widely performed composers of choral liturgical works of the last hundred years.At last his most important Services appear in a series of four handsome collections that link geographically the cathedral choirs for which they were written newly edited with interpretative notes by David Hill.

A choral setting of 'Nimrod' from the Enigma Variations for SSAATTBB Choir as arranged by John Cameron. Piano for rehearsal only.

Tarik O'Regan's Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra awayfrom the main chorus. Although written with individual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part. SATB chorus SATB solo 3 Trumpets in Bb (3rd off-stage) Timpani Organ (optional) String Orchestra: (minimum desks – 2.2.2.2.1)

For soprano solo and SATB chorus (unaccompanied). Words from the Pageant of the Shearmen and Tailors Coventry 15th Century.

Arise! This Joyful Eastertide was a winner from the Novello Lent and Easter Composing Competition. Arise! This Joyful Eastertide takes an adaptation of the George Woodward text and is scored for SATB Choir and Organ.

A setting for SATB Choir A Cappella (divisi: 5 Sopranos 4 Altos 3 Tenors 3 Basses). The text Octavio Paz has been translated from the original Spanish by Muriel Rukeyser.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli SATB chorus and orchestra.This vocal score edited by Janet Beat includes a piano accompaniment.

All Wisdom Cometh From The Lord is a setting of text from Ecclesiasticus for unaccompanied SATB Choir.The work was commissioned by the University of St Andrews to celebrate its 600th anniversary and was premiered by St Salvator's Chapel Choir conducted by Thomas Wilkinson on 13 September 2013.All Wisdom Cometh From The Lord was composed by Paul Mealor. The Welsh composer who is most famously known for his composition Ubi caritas which was written for the wedding of Prince William and Catherine Middleton