I Saw Eternity is a choral work for mixed voices with soloists from within the choir. It was first performed by the London Philharmonic Choir in 2003. It is based on a text by Henry Vaughan ' I saw Eternity the other night Like a great Ring of pure and endless light All calm as it was bright......' a text which makes this piece suitable for a variety of contexts both sacred and secular.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering athrilling array of varied styles.

2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity Organ music his choral compositions form another major part of his oeuvre.This edition contains a selection of his sacred a cappella choral works. Their scoring level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale Op.110 motets. For the first time the selection of works includes the previously unpublished Acht Grabgesänge (1900). The pieces are arranged in chronological order culminating in the well-known cycle of Acht geistliche Gesänge op. 138 (1914).ContentsTantum ergoSacramentum (1895)Maria Himmelsfreud! (1899-1900)Acht Grabgesänge (ca. 1900)Acht Marienlieder op. 61d (1901)Sechs Trauergesänge op. 61g (1901)Palmsonntagmorgen (1902)Vier Kirchengesänge (1904)Easter motet: Lasset uns den Herren preisen (1911)Abschiedslied (1914)Acht geistliche Gesänge op. 138 (1914)The EditorMichael Chizzali has been a scholarly assistant at the Institute of Musicology in Weimar-Jena (Germany) since 2014. His dissertation on Reger?s contemporary the Tyrolean composer Josef Gasser (1873-1957) was published in Innsbruck in 2014.All extant sources consultedEdition for the first centenary of Reger?s deathCross-section of Reger?s music for a cappella choirForeword (Ger/Eng) and Critical Commentary (Eng)

Edward Elgar’s The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano Tenor and Bass with Chorus and Orchestra. It is based on the epic poem The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood and also includes helpful notes on thebackground to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history sources and editorial proceedure.

Composed in 1996 Swayne's The Silent Land Op.70 is a huge work for eight 5-part choirs and solo cello with texts partly in English and Latin. Available here are the choral parts for the 8 SSATB Choirs. This set contains of one copy of each vocal score.

A setting of Christina Rossetti's poem for Soli SATB Quartet and SATB (divisi) chorus. Although this work would tax the most accomplished chamber choirs the composer remains true to rhythmic style and harmonic colour of previous works.

incl. Chorus SATB. Par EBB F. / KANDER J.. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Herbert Howells was an English composer organist and teacher well-known for his Anglican church music. Stabat Mater was written in 1963 for the Bach Choir and is scored for Tenor Solo SATB Choir and Full Orchestra.The Vocal Score is available:  NOV070479

Vocal Score of Giles Swayne's 'Cry' for 28 amplified voices. (SATB) a capella. Duration 78 minutes. Composed in 1978-79 and first performed by the BBC Singers under John Poole.

Hans Werner Henze's An Den Wind for SATB choir and instruments. Piano reduction by Raimonds Zelmenis.This piece incorporates text by Christian Lehnert.

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Arrangement: Parson Ted. Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Arrangeur: John Glenesk Mortimer. Par VERDI GIUSEPPE. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Arrangement: Saurer Marcel. Par SAURER MARCEL. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent