Par SCHREKER FRANZ. Franz Schreker had a long and close association with choral music. As founder and director of Vienna's Philharmonic Chorus he led world premieres and first performances of works by contemporary composers. It is surprising, therefore, that Schreker wrote relatively few independent choral works; only three of these works [with various scorings] were published in his lifetime. Now, for the first time this critical edition, prepared by Christopher Hailey, director of the Franz Schreker Foundation, makes available a body of works that sheds new light on Schreker’s musical evolution and, in its own right, constitutes a notable addition to twentieth-century choral literature. / Mottet / Répertoire / Choeur Mixte

Par HAYDN FRANZ JOSEF. German/English Urtext Edition, edited A. Oppermann. The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life. The text, translated from the English original by Baron van Swieten, Prefect of the imperial court library in Vienna, combinesprose texts of the creation story in Luther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost. Instrumentation: Soprano solo, Tenor solo, Bass solo, Mixed Choir-SATB, Piano reduction accompaniment/ Répertoire / Solistes (STB), Choeur Mixte (SATB) et Orchestre

Hob XXI:3. Par HAYDN FRANZ JOSEF. Joseph Haydn's oratorio 'The Seasons' was composed directly after the first successful performances of 'The Creation'. 'The Seasons' has been greatly overshadowed by 'The Creation' for a long time and yet this work has far greater changes of style between popular Singspiel and great oratorio than 'The Creation'. 'The Seasons' continues to impress and remains part of the core repertoire to the present with its overwhelming richness of musical character and its immense formal variety. This choral score supplements the existing performance material (BA 4647). It is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn'./ Répertoire / Choeur Mixte SATB

Hob Xxii 11 Nelson Mass Soft-Cover Score. Par HAYDN FRANZ JOSEF. Haydn's Missa in Angustiis, also known as the 'Nelson Mass', was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation' and 'The Seasons'. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn./ Répertoire / SATB, Choeur Mixte à 4 Voix et Orchestre

Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB

Par SCHUBERT FRANZ. Even for small choirs, Schubert’s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus, the solo parts are limited to short interpolations. Relatively easy choral and solo writing Straight-forward organ arrangement Ideal for church services The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists, choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases, the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists, singers and organist alike. / Classique / Répertoire / Solistes, Choeur Mixte et Orgue

Par SCHUBERT FRANZ. Schubert simple mais poignant les quatre premières strophes du texte ensuite est un bijou. Edition de Brian Newbould, préparée à partir de manuscrit original du compositeur, est accueillie par les chorales, petits et grands, cherchant le répertoire fraîche concert ou l'église utilisation./ Répertoire / Chorale

Par WILLMS FRANZ. Langue: German, Format: Schott Choral Publishing (C-Order Numbers)/ Feuillet / Choeur Mixte

Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referred to it as 'Missa in Angustiis'. Joseph Haydn's Missa In Angustiis (Hob. XXII:11) for SATB. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Trompettes, Timbales

Tonalité : C-Dur -. Par GOUNOD CHARLES. Messen, lateinisch - Reihen bei Carus: Französische Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes TB (SA), Choeur SATB et Orgue

Tonalité : E-Moll -. Par ROSSLER FRANZ-GEORG. choralgebundene Orgelmusik, Instrumentalmusik zu Kirchenliedern - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB et Orgue

Offertorium. Par SCHUBERT FRANZ. Tonalité : a-Moll - D 181/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Tonalité : G-Moll - D 175. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,