Commissioned by the Oshkosh (nickname ?Sawdust City?) Area Community Band for their 25th anniversary Sawdust City Celebration presents varied and creative settings of early American folk tunes commonly heardduring Wisconsinspioneer days. With styles ranging from dramatic and powerful to lighthearted and lyrical this is a rich-sounding and impressive work for the concert stage. Dur: 5:50

A lyrical and heart-warming choral work by John Rutter is expertly arranged for concert band by Jay Dawson.

Commissioned by the Sun City (AZ) Concert Band In the Valley of the Sun is composed in a three-part overture format opening with a rollicking and rhythmic Western-style theme. The slow middle theme musically depicts thebeauty of the Arizonadesert with a flowing yet angular melody. In the third section the Western flavor returns to draw the work to an exciting and driving conclusion. (Grade 3.5) Dur: 5:50

Score & Parts-Score and Parts for Percy Grainger's Lincolnshire Posy. For Concert Band Grades 4-5

The merger of the first Nation and modern Albertan cultures-Drums of the Saamis was commissioned by the Medicine Hat Concert Band Society of Medicine Hat Alberta Canada. The piece chronicles the merger of the First Nation (first natives) and modern Albertan cultures.The opening tribal drums followed by the haunting melody simulating the traditional wooden flute comprise two themes that are the foundation for the entire piece. Both elements are developed varied and enhanced throughout as the listener senses the increasing influence of modern day Alberta through the use of modern sounding chords and rhythms.By the end the marriage of the old and the new is complete. This powerful work closesas it began; a restatement of themes representing the musical and historical foundation of the region. Dur: 5:00

This popular song recorded by Sarah McLachlan draws its appeal from poignant melodies and meaningful lyrics. Michael Brown has skillfully created an effective concert piece for band using a variety of textures and emotional contours.

Version for Concert BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall New York in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement Saturday Serenade describes the city on a Saturday night. While writing the second movement Sunday Scherzo the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Eachmovement can also be played individually when a shorter solo is required.

Although this composition sounds like it came straight out of the Baroque period it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the 'diamond commercial' theme its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups.score and parts - 4 Flute I 4 Flute II 2 Oboe 4 Bb Clarinet I 4 Bb Clarinet II 4 Bb Clarinet III 2 Bb Bass Clarinet 2 Bassoon 2 Eb Alto Saxophone I 2 Eb Alto Saxophone II 2 Bb Tenor Saxophone 2 Eb Baritone Saxophone 2 F Horn I 2 F Horn II 3 Bb Trumpet I 3 Bb Trumpet II 3 Bb Trumpet III 3 Trombone I 3 Trombone II 2 Baritone B.C. 2 Baritone T.C. 4 Tuba I String Bass I Timpani 2 Percussion I 2 Percussion II - wind/concert band

Constructed between 1915 and 1928 the Tamiami Trail (U.S. Highway 41) provides over 260 miles of scenic Florida beauty between Tampa and Miami. On the Tamiami Trail reflects on this journey and pays tribute to the Suncoast Concert Band of Sarasota (along the trail) and its director emeritus Leo Laier. The opening fanfare sets the mood and leads to the energetic first theme. Subsequently a Latin influence is introduced along with an expressive middle theme before returning to the energetic flavor of the opening strains. A dynamic and varied overture for winds. Dur: 6:15

With a touch of high country ruggedness and Appalachian charm this original overture by Paul Murtha is an excellent choice for contest or concert programming. A single catchy melody is woven throughout the work in a variety ofstyles and settings. From the joyous opening and clarinet statement to the tender slower sections to the blazing full band passages this work packs plenty of variety into a very effective setting.

MusicWorks ? Grade 3Drawing its title from the Greek word for ?motion? this marvelously paced work from Michael Sweeney explores various forms of motion within the concert band setting. The fanfare-likeopening uses interplay between the brass percussion and woodwinds and is followed by a driving main theme. The ?slow motion? middle section uses a striking harmonic scheme stated first by the woodwinds and someunusual orchestration devices before returning to an expanded version of the main theme and dramatic ending. This rewarding and fresh-sounding composition will leave a lasting impression on players and listeners alike. (5:50)

Takaya Slulem. From a song shared by Squamish First Nation artist and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples. Using aleatory elements, ft.Wolf Song ft. flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting. Dur: 6:30

Using the familiar hymn A Mighty Fortress as a foundation Tim Waters weaves an ingenious set of variations to form a significant concert work for symphonic band. At times dynamic and rhythmic then contrasted with softer flowingsections this is an impressive addition to the repertoire. Dur: 4:20

From Amahl and the Night Visitors-Amahl and the Night Visitors was the first opera to be commissioned especially for television. Having its premiere in 1951 it has since become a holiday classic with an enduring story and unforgettable music. This setting of 'Shepherd's Dance' presents the charm and character of the original in an exceptional adaptation for concert band. (Grade 3) (3:00)

Michael Sweeney's arrangement for developing bands pays tribute to America's legendary song writer George Gershwin. Strike Up The Band Summertime and Rhapsody In Blue are skillfully arranged in this superb concert number.