12 Pieces For Descant Recorder And Keyboard. Par PURCELL HENRY. Henry Purcell est devenu un compositeur prolifique de plus en plus de la musique de scène pour le théâtre dans les années 1680 fin et les années 1690. Gwilym Beechey, suite à son premier et deuxième Sets de théâtre Tunes (ED 12232, ED 12294) a habilement sélectionnés et arrangé 12 de ces oeuvres de théâtre pour le lecteur enregistreur de descant intermédiaire. Pièces comprennent un Rondeau, Borees, Hornpipes, Airs et un mars composée comme musique de scène pour les pièces de la mariée Beau (1694), Bonduca (1695), The Double Dealer (1693), The Gordion Knot délier serait (1691), The Rival Sisters (1695) et l'épouse vertueux (1694)./ Répertoire / Flûte à Bec Soprano et Piano

29 easy and enjoyable works for recorder and piano from four centuries that includes both original pieces for recorder, as well as arrangements of many popular melodies by famous classical composers, such as Mozart's The Bird Catcher's Aria or Für Elise by Beethoven. Many of these pieces are suitable for students in their second year of lessons. The pupils can play along with the accompanying CD or with easy piano accompaniment. / Flûte A Bec Soprano Et Piano

7 Pieces for Descant Recorder and Keyboard-As well as being a successful church and court composer Purcell wrote extensively for the stage composing several operas semi-operas and masques. Now Gwilym Beechey has made seven of these fantastic works accessible to the instrumental player carefully choosing and arranging a selection of these pieces for descant recorder and keyboard. Included in this edition are dances airs and jigs from Purcell’s popular opera King Arthur (1691) and semi-operas The Fairy Queen (1692) and The Indian Queen (1695). A Purcell Suite also features one of his most famous pieces the Rondeau in D minor from the incidental music he wrote for Abdelazer.

La référence GB4457 de l'éditeur Billaudot dont l'auteur célèbre est Bernard Patrice, qui a pour titre SILHOUETTES - 8 PIECES - FLUTE A BEC SOPRANO ET PIANO, a été écrite et composée pour Flûte à bec et plus particulièrement pour Flûte A Bec Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte A Bec Et Piano / Partition

L'édition fait partie du syllabus Trinity 2007 (catégorie 2) / Flûte A Bec Soprano Et Piano

A Selection of Renaissance Tunes Instrument : treble recorder and piano Nombre de Pages : 56 Steven Rosenberg writes in the preface: This book is intended to give recorder players a repertoire of solo pieces from the Renaissance. Solo literature for the recorder is often dominated by music of the baroque era, while the music of Renaissance is primarily preformed by consorts. I hope that this collection will expand the solo repertoire by bringing to recorder players some of the most beautiful melodies of this period. I have performed all of these pieces in public and have taken care only to include music that is of performance quality. Some of the pieces are grouped in suites, but you should feel free to play them in the order of your choice. For those of you equally at home on descant (soprano) and treble (alto), fell free to intersperse pieces from the companion book for descant recorder. The edition is part of the ABRSM Summer 2006 syllabus (grades 1-3) and the Trinity syllabus 2007 (grade 6). Content : Four Elizabethan Masque Dances: 1. The Fairy Masque (Johnson) - Four Elizabethan Masque Dances: 2. Wilson's Love (Anon) - Four Elizabethan Masque Dances: 3. The Witches - Second Dance (Anon) - Four Elizabethan Masque Dances: 4. The King's Mistress (Anon) - Three English Country Dances from John Playford's Dancing Master: 1. The Merry Milkmaids - Three English Country Dances from John Playford's Dancing Master: 2. Dissembling Love (or The Lost Heart) - Three English Country Dances from John Playford's Dancing Master: 3. Newcastle - Two Country Dances from John Playford collection: 1. Bellamira - Two Country Dances from John Playford collection: 2. Pell-mell - Allemande (1) (Susato) - Allemande (2) (Susato) - Lady Bannings Almand (Sturte) - Le coeur est bon (Susato) - Pass et medio (Susato) - Pavane Mille regretz (Susato) - Recercada quinta (Ortiz) - Recercada segunda (Ortiz) - Recercada segunda sobre 'O Felici Occhi Miei' (Ortiz) - Ronde Mon amy (Susato) - Ronde III (Susato) - Ronde IV (Susato) - Ronde V (Susato) - Ronde VI (Susato) - The Leaves be Green (Phalese) - What if a Day (Dowland) - Woodycock (Anon)

The second part of a two-volume anthology providing a graded selection of well-crafted and idiomatic arrangements for Descant/Soprano Recorder and Piano. All the works ranging from 14th century Renaissance music to contemporary pieces have been selected and edited by Kathyrn Bennetts and Peter Bowman.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

Par WOODCOCK ROBERT. La version originale du concerto no 3 du compositeur anglais Robert Woodcock est écrite pour la flûte en ré, dite « flûte de sixte ». Pour la présente édition, l?accompagnement a été transposé afin de permettre de jouer la partie soliste sur flûte à bec soprano en ut actuellement d?usage. Les instrumentistes pourront se faire accompagner en live au piano ou utiliser les enregistrements de l?accompagnement disponibles en ligne au format MP3. Cet accompagnement est proposé dans une version lente et dans une version de tempo intermédiaire enregistrées au piano pour s?entraîner, ainsi que dans une version orchestrale au tempo original. / Date parution : 2022-05-17/ Répertoire / Flûte à Bec Soprano et Piano