Count Basie’s arrangers would often take a minimalist approach to their writing. The essential elements were a riff-based melody and a shout chorus interspersed with creative soloists. Back Bay Breeze makes use of that formula in an easygoing happily swinging way. A shout chorus with a Basie-style tag makes the perfect ending to this gem from Bryan Kidd former chief arranger with the D.C. Navy Band.

As the title suggests this one is hot! Based on an up-tempo blues this solid chart has a catchy riff and involves the full ensemble. With very limited ranges and approachable swinging rhythmic figures Front Burner Blues is within reach of even very young ensembles. Written solos with changes are provided for all instruments so feel free to open this one up. A great way to introduce your students to the blues and to feature your talented soloists! (2:45)

This chart joins rock and fusion elements with ingenious harmonies to make music that is sure to please. The rhythmic feel changes from straight eighths to a funky half-time groove while the melody is traded throughout different parts of the ensemble. Some great auxiliary percussion keeps your students involved while adding some creative color to this unique composition.

Written to feature your drummer or percussionists this driving latin jazz chart can easily be expanded to showcase the set player the optional conga or any other latin instruments you might like to add. Strongly consider this chart for your festival or contest program.

A Medium-easy basie-type swinger marked at 120-126. The head features an ensemble of flute bari and trumpet or flugelhorn. Features a very effective outchorus. A great groove all the way and an excellent festival selection!