Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Flûte Traversière

Vester's famous collections of studies are an ideal introduction to the stylistic aspects of music from the 17th - 20th c. Selected from the works of famous flautists such as Devienne Bohm and Kohler Vester's compilations are quite unique and are standard repertoire.

This is a fabulous book of studies in Romanticism by Italian Flute maestro Ernesto Kohler. These studies are to test and hone the ornamental stylistic and technical demands that are required in playing music from and in the style of the Romantic era. These twenty-five exercises are wonderful pieces in their own right and are a delight to play as well as having a practical use in improving and progressing. A description of the requirements and the purpose of each of the twenty-five exercises is given in the introduction in French English and German languages. These are wonderful pieces in their own right and are a delight to play as well as having areal practical use.

These sixteen accomplished pieces by Johann Joachim Quantz form a scholarly and practical edition of studies for solo Flute. Stylistically they demand a variety of expression light and shade and a various articulations. The technical requirements are detailed in the preface and this is a great introduction to some of the more advanced ornaments. Suitable for players of Grades 5-7.

TO ALL LOVERS OF CUBAN FLUTE MUSIC (A TODOS LOS AMANTES DE LA FLAUTA CUBANA) This book dedicated to the flute in popular Cuban music is a method in which I have tried to include all the technical and stylistical aspects that are of interest to the musician who wishes to become acquainted with the world of Latin music. On the one hand, the book presents the most important genres of our music where the flute plays an outstanding role as a solo instrument; on the other hand, it introduces the most essential characteristics of the individual genres the flutist should be familiar with when performing Cuban music. This method mainly focusses on technical aspects comprising the knowledge of the clave, articulations, embellishments and the like, presented along with exercises, examples and the analysis of flute solos. I would like to recommend you this book written with deeply-felt dedication by one of Cuba?s greatest contemporary flute players. This excellent work, I have had the pleasure of viewing before its publication, has been created by supreme effort by a good friend of mine who I have worked with at work sessions, on stage and in the recording studio for a long time. I hope that this wonderful concept will help to give worldwide publicity to an instrument of fundamental importance to Cuban music of all times. (Orlando Valle ?Maraca?)

While the wooden simple-system flute is traditionally used in playing Irish music a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time The Complete Irish Flute Bookpresents the silver or Boehm flutist with a method for learning authentic Irish ornamentation! This thorough guide provides detailed fingering charts exercises and technical essays for learning to execute ornaments in the in theIrish style. Through a wealth of hornpipes reels jigs set dances and slow airs and songs. This book focuses not only on musical accuracy but stylistic authenticity as well. The companion audio download available onlinecontains 26 of the 101 tunes from the book.

Media Type : Book/CD Set Level : Beginning Musical Genre : Celtic/Irish Series : Complete Number of pages : 192 While the wooden simple-system flute is traditionally used in playing Irish music, a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time, The Complete Irish Flute Book presents the silver or Boehm flutist with a method for learning authentic Irish ornamentation! This thorough guide provides detailed fingering charts, exercises, and technical essays for learning to execute ornaments in the in the Irish style. Through a wealth of hornpipes, reels, jigs, set dances, and slow airs and songs. This book focuses not only on musical accuracy, but stylistic authenticity as well. The companion CD contains 26 of the 101 tunes from the book.

These interesting new studies embrace specific technical stylistic and rhythmic problems whilst being essentially enjoyable concert pieces.Grade: 6 - 8