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ORCHESTRA - BAND
Flute and Piano
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Eric Ledeuil: Fête A Camelot (Flute/Piano or Harp). Sheet Music for Flute Piano Accompaniment Harp
Flute and Piano
[Sheet music]
Leduc, Alphonse
Teacher soloist chamber musician conductor and composer ? Flautist Eric Ledeu...
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Teacher soloist chamber musician conductor and composer ? Flautist Eric Ledeuil a student of Patrick Gallois and Benoît Fromanger wears many hats. This diversity continually enriches his educational work as can be seen by the success of his flute method La flûte imaginative published by Leduc in two volumes (AL 30 365 and 30 367). Fête à Camelot a piece for Flute and Piano (or Harp) for fourth-year students reconnects with the Knights of the Round Table an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in hisLes Méandres de Viviane (AL 30 495 Beginner) and Les Mystères de Brocéliande (AL 29 589 Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy.
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Georg Friedrich Händel: Arrival Of The Queen Of Sheba: Flute: Score
Flute and Piano
Peters
George Frideric Handel's Arrival of the Queen of Sheba for Flute and Piano.
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Concertino Op. 107
Flute and Piano
Schott
The great talent of Cécile Chaminade (1857-1944) showed very early: At the age ...
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The great talent of Cécile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda. / Flûte Et Piano
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Mark Tanner: Flute Pastilles Grades 1-3 Vol.1: Flute: Instrumental Album
Flute and Piano
[Sheet music]
Spartan Press
With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other...
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With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.
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Heather Hammond: Neat Beat: Flute: Instrumental Album
Flute and Piano
[Sheet music + CD]
-
Beginner
Kevin Mayhew
15 fun pieces for flute and piano-Fifteen fun pieces for Flute by Heather Hammon...
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15 fun pieces for flute and piano-Fifteen fun pieces for Flute by Heather Hammond using only seven notes!Here are three books designed to inject fun into any young flautistâ??s repertoire. Neat Beat is a progressive series ofcarefully graded books that work well alongside any Flute tutors. Book One uses up to four notes Book Two up to seven and Book Three up to nine.Heather Hammond is a prolific and immensely popularcomposer whose work is published by Kevin Mayhew. She studied Piano and Clarinet at Leeds College of Music. Postgraduate studies followed in Education at Bretton Hall College Wakefield and Music Technology at YorkUniversity.Contents: Medieval march Strange horizon Monday morning waltz Frisbies Lord Henry's hornpipe Bluebirds Rock pool bay Sleepy eyes 60 seconds ballad Clowns' picnic Just a reggae man Lazy weekend waltz Wishing on a star Butternut bossa and Wonderful.
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Romania! Fantasy for Flute and Piano: Flute and Accomp.: Instrumental Work
Flute and Piano
[Sheet music]
Ricordi
In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's...
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In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai or panpipes. The result was Romania! Fantasy for Flute and Piano a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures this new edition is bound to bring years of enjoyment to all those who have it.
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Charles LeThiere: Maritana Fantasy: On V. Wallace's Opera: Flute and Accomp.:
Flute and Piano
Southern Music Ltd
for Flute and Piano-Charles Le Thiére's Maritana Fantasy is a lyrical and drama...
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for Flute and Piano-Charles Le Thiére's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three-act opera Maritana the first of six operas composed by William Vincent Wallace. The plot which is often cited as the inspiration for Gilbert and Sullivan's comic opera The Yeoman of the Guard tells the story of Don Caesar an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise and soon realizes that she is the gypsy street singer he'd first heard in the public square the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway and includes helpful performance and breathing advice from the world-renowned flute artist and teacher.
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Dona Gilliam: Hymns For Flute And Piano Made Easy: Flute: Instrumental Album
Flute and Piano
[Sheet music + Audio access]
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Easy
Mel Bay
With this collection of easy-to-play hymns for the Flute you can practice your ...
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With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.
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Anne Boyd: Goldfish Through Summer Rain: Flute
Flute and Piano
Faber Music Limited
Composed in 1979 Goldfish Through Summer Rain is a piece for flute and piano by...
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Composed in 1979 Goldfish Through Summer Rain is a piece for flute and piano by Australian composer Anne Boyd. Boyd studied music at the University of Sydney where she was one of Peter Sculthorpes first students. Her music is regularly performed world-wide. The hallmarks of her musical style are its transparency gentleness and delicacy – attributes whichreflect her long involvement with Asian traditions especially those of Japan and Indonesia.
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Angela Morley: Valse Bleue For Flute And Piano: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Novello & Co Ltd.
'A fragment of the main theme came to me one day during a visit to Switzerland i...
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'A fragment of the main theme came to me one day during a visit to Switzerland in August 2004. I filed it away in my memory and developed it into a piece when I got home. The 'bluesy' harmony in the fourth bar of the theme suggested that the piece should be called Valse Bleue.' Angela Morley was born in Leeds Yorkshire England in 1924. She was a professional woodwind player in her teens and twenties and at twenty-six after studying harmony counterpoint and composition with Matyas Seiber and conducting with Walter Goehr gave up playing and embarked on a career as an arranger and composer.
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Musique Française: Flute: Instrumental Album
Flute and Piano
Leduc, Alphonse
Between the late 19th century and the early 1960s French music experienced a Go...
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Between the late 19th century and the early 1960s French music experienced a Golden Age during which the flute played a prominent role: this age-old instrument played by fauns and shepherds spun numerous arabesques whose sensuous contours seemed to celebrate ?the mysterious connections between nature and the imagination? (Debussy). It was therefore quite tempting to draw on the rich catalogue of French works from the Editions Leduc and Heugel and put together this collection of pieces for flautists in the fourth year of study and up. It?s simply impossible to resist the compelling lyricism that floats up from such celebrated pages asFauré?s Sicilienne or the Pièce en forme de Habanera a composition by Ravel superbly transcribed by Theodore Doney. Philippe Gaubert?s Orientale and Sicilienne ? two bestsellers ? are also included. Original pieces such as the Aria for flute and piano by Roussel rub shoulders with delightful arrangements such as the one by Marcel Moyse based on Jacques Ibert?s gentle Histoires or the successful adaptation of Hahn?s À Chloris; while famous pieces ? like Debussy?s Le Petit Nègre ? nestle against a few rare gems (Pierné Bozza) that are utterly charming.
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La Flute De Pan: Flute and Accomp.: Score and Part
Flute and Piano
Southern Music Ltd
With an updated flute solo part edited by Sir James Galway this new publication...
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With an updated flute solo part edited by Sir James Galway this new publication introduces Mouquet's whimsical work to a new generation of flutists. In 3 movements: I. Pan Et Les Bergers (Pan and the Shepherds) II. Pan Et Les Oiseaux (Pan and the Birds) III. Pan Et Les Nymphes (Pan and the Nymphs)
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Albert Roussel: Joueurs de Flûte Op. 27: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Durand
Quatre Pieces pour Flûte et Piano-A suite in four movements capturing the ch...
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Quatre Pieces pour Flûte et Piano-A suite in four movements capturing the character and spirit of four contrasting flautists from the world of literature. As follows: Pan a shepherd-god known for playing the pan-pipes. Tityre was one of the shepherds in Virgil's Bucolica. Krishna is the Hindu god. In his youth Krishna played the flute. M.de la Pejaudie is the hero of the novel La Pecheresse by Henri de Regnier.
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A Festive Christmas: Flute: Instrumental Collection
Flute and Piano
De Haske Publications
for Flute and Organ or Piano-Les douze noëls rassemblés dans ce recueil ont é...
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for Flute and Organ or Piano-Les douze noëls rassemblés dans ce recueil ont été arrangés par Jan et Jacob de Haan. La version papier des accompagnements d´orgue est jointe au recueil. Sommaire : Ye My People ? Ich steh an deiner Krippen hier ? Vom Himmel hoch da komm ich her? Drei Könige (2 Variationen) ? Es ist ein Ros entsprungen ? See Amid the Winter´s Snow ? Tochter Zion ? He Shall Feed His Flock ? While Shepherds Watched Their Flocks ? The Spirit of Christmas (Medley) ? Infant Holy Infant Lowly ? Eine kleineWeihnachtsmusik (Medley).
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Henri Dutilleux: Sonatine: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Created in 1943 as part of the four exam pieces for the Paris Conservatoire thi...
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Created in 1943 as part of the four exam pieces for the Paris Conservatoire this charming Sonatine for Flute and Piano is part of the early works of Henri Dutilleux (1916-2013) a French Composer following the paths of Maurice Ravel and Claude Debussy. Even though the composer was later quite critical about it this Sonatine which lasts 9 minutes is the most recorded of his compositions and has become a standard in the flute repertoire. Composed of three movements it begins with a tempo “Allegretto” followed by a part more “Andante” and finishes with a cadence “Animé”. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes sonatas for piano and for oboe two symphonies the cello concerto Tout un monde lointain (A whole distant world) the violin concerto L'arbre des songes (The tree of dreams) and the string quartet Ainsi la nuit (Thus the night).
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Henri Büsser: Prélude et Scherzo Op.35: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
French composer Henri Büsser entered the Paris Conservatoire in 1889. He won t...
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French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Prélude Et Scherzo for Flute and Piano being no exception. As reflected in Prélude Et Scherzo Büsser's compositional style was sophisticated yet true to the 19th century French tradition. Elements of the Prélude include chromaticism use of a wide tessitura complex rhythms and virtuosic semiquaverflourishes. The Scherzo displays use of varying time signatures a quick tempo and scalic passages. For all advanced Flute players Büsser's Prélude Et Scherzo is essential to a varied repertoire.
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Henri Büsser: Andalucia: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
French composer Henri Büsser entered the Paris Conservatoire in 1889. He won t...
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French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Andalucia for Flute and Piano being no exception. As reflected in Andalucia which is named after the popular Spanish area of the same name Büsser's compositional style was sophisticated yet true to the 19th century French tradition. Elements of Andalucia include chromaticism exploitation of tonality complex rhythms and semiquaverflourishes amongst other aspects. For all advanced Flute players Büsser's Andalucia is essential to a varied repertoire.
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André Jolivet: Fantaisie Caprice For Flute And Piano: Flute: Instrumental Work
Flute and Piano
Leduc, Alphonse
André Jolivet (1905-1974) established his love for composition from a young age...
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André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life and he held the post of Professor of Composition from 1966-1970 at the Paris Conservatoire. Fantaisie Caprice for Flute and Piano was published in 1954 and remains highly regarded. Jolivet himself a cellist wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality and the desire to associate the everyday with the magical and the human with the universal. Jolivet draws on acoustics andatonality as heard in his Caprice Fantasy. The piece requires advanced skills due to its use of complex rhythms and exploited tonality. For all advanced flautists Jolivet provides an exciting alternative piece for the instrument's repertoire.
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Ballade (PERILHOU)
Flute and Piano
[Sheet music]
Heugel
Par PERILHOU. Written for Flute or Violin accompanied by a Piano, Ballade is a p...
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Par PERILHOU. Written for Flute or Violin accompanied by a Piano, Ballade is a piece by Albert Perilhou (1846-1936), dedicated to Paul Taffanel. This piece is one of the most famous by this author and could be chosen as a contest or a recital work. Composed in 1903, Ballad is a one-movement piece which begins with a slow part and alternates with an Allegro section. This latter is the section of the main theme which demonstrates the range of the flute with expressive runs. The melody of the slow part keeps coming back along the piece, which finishes on it. The difficulty of this piece would suit upper-intermediatelevel players./ Répertoire / Flûte Traversière ou Violon et Piano
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Elizabeth Maconchy: Colloquy For Flute And Piano: Flute: Instrumental Work
Flute and Piano
[Score and Parts]
Chester
Colloquy for Flute and Piano was commissioned by Ingrid Culliford with funds pro...
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Colloquy for Flute and Piano was commissioned by Ingrid Culliford with funds provided by the Arts Council of Great Britain. The first performance was given by Ingrid Culliford and Shelagh Sutherland as part of a recital at theWigmore Hall on 2nd June 1979.
19.99 GBP - Sold by Musicroom UK
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First Repertoire Pieces: Flute: Instrumental Album
Flute and Piano
[Sheet music + CD]
Boosey and Hawkes
22 pieces for Flute and Piano selected and edited by Peter Wastall now refreshe...
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22 pieces for Flute and Piano selected and edited by Peter Wastall now refreshed and repackaged to fulfil the needs of the next generation of musicians.Providing the perfect 'next step' for students reaching the end of Peter Wastall's award-winning Learn As You Play method books these collections of repertoire are ideally suited for students of Grade 3-5 standard.Each piece is now complemented by useful practice and performance tips. A newly-recorded CD of backing tracks is also included alongside the piano accompaniment.
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Gabriel Grovlez: Sérénade: Flute: Instrumental Album
Flute and Piano
[Sheet music]
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Intermediate/advanced
Spartan Press
From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively ...
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From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important
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Wilhelm Popp: Popp for Flute: Flute
Flute and Piano
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Easy
Schott
7 European Salon Pieces. In the 19th Century nationalist themes came into fashio...
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7 European Salon Pieces. In the 19th Century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, pot pourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his ?easily playable? compositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces ? with just a small number of printing errors and inconsistencies corrected without comment.
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Rae James - City Snapshots - Flute (accompaghnements Piano Seuls)
Flute and Piano
Universal Edition
James Rae: City Snapshots for 1-2 clarinets with CD or piano accompaniment UE21...
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James Rae: City Snapshots for 1-2 clarinets with CD or piano accompaniment UE21743 A musical tour for young players - ?City Snapshots? depicts 12 major cities and their music, in original compositions for clarinet(s) and piano. For beginners up to grade 2. Instrument: for 1-2 clarinets with CD or piano accompaniment Edition type: Sheet music with CD Composer: Rae James Theme: Jazz/Blues, Pedagogy, Play Along Edition info: The accompanying CD contains full performance and play-along versions. The piano part is included on the CD as PDF is available in print as UE21773. Manhattan Sunset (New York, U.S.A.) Belvedere Waltz (Vienna, Austria) Wembley Victors March (London, United Kingdom) Oktoberfest Ländler (Munich, Germany) Little Polka (Prague, Czech Republic) Monmartre Waltz (Paris, France) Cossack Dance (Kiev, Ukraine) Lotus Blossom (Shanghai, China) Tango Argentino (Buenos Aires, Argentina) Reggae Nights (Kingston, Jamaica) Dromedaries at Dusk (Cairo, Egypt) Liffey Jig (Dublin, Ireland)
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Donizetti Gaetano - Flute Sonata In C - Flute and Piano + Cd
Flute and Piano
[Sheet music + CD]
Peters
Instrumentation: Fl?Pf Editor: Meylan Format: Sheet Music
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Popp for Flute (POPP WILHELM)
Flute and Piano
Schott
7 European Salon Pieces. Par POPP WILHELM. In the 19th Century nationalist theme...
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7 European Salon Pieces. Par POPP WILHELM. In the 19th Century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, pot pourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his ‘easily playable’ compositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces – with just a small number of printing errors and inconsistencies corrected without comment./ Répertoire / Flûte Traversière et Piano
23.60 EUR - Sold by LMI-partitions
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