Itine?raire d'un e?diteur de disques classiques, jalonnant un demi-sie?cle de passion, au travers de 500 productions re?compense?es par une multitude de distinctions.Des anecdotes, des rencontres, des te?moignages, des de?ceptions, des e?motions : un foisonnement de souvenirs e?maillant tous les tons de la gamme. Passionne? de musique classique, adolescent au moment de la naissance du microsillon, vendeur a? mi-temps chez le plus e?tonnant disquaire parisien, Pan, afin de financer ses e?tudes d'inge?nieur des Travaux Publics, Jacques Le Calve?, a? la fin de son service militaire en 1963, de?cide de bouleverser son itine?raire en rachetant le tout petit disquaire de Compie?gne.Subjugue? par Andre? Isoir lors d'un concert de l'orgue restaure? de Saint Jacques de Compie?gne, il franchit un nouveau pas en 1970 : ce seront quarante anne?es de productions avec les meilleurs preneurs de son, jusqu'a? son quatre-vingtie?me anniversaire et l'agonie ine?luctable du CD et des disquaires. / Livre

Prenez une classe de guitare rythmiques et du maestro de western swing ! Ray Benson vous aidera à ongles les techniques essentielles et les nuances subtiles de cette passionnante sound. Guitariste de s'endormir à la roue, Benson vous apprend comment construire des solos de plomb et de pièces de rythme innovantes par le biais de cet passionnant hybride du pays, de jazz et de blues. / Guitare

The Physiology Of Guitar Playing: Functional Anatomy And Physiomechanics-This comprehensive guide to the physiology of Guitar playing is the culmination of three decades of deep exploration of the guitarist's playing mechanism and is the most detailed presentation of Ricardo Iznaola'sthinking about these matters to date. Structured in three chapters Chapter 1 surveys basic anatomy and physiology of the upper limb with additional sections discussing general pedagogical considerations. Chapter 2 devoted to the right hand presents detailed information regarding digital joint behavior in general and as applied in actual activity on the guitar as well as introducing an analytical system to study and describe positionalattitudes or `frames' adopted by the hand in the course of playing. Chapter 3 discusses at length left-hand physiomechanics taking the concepts of shifting and mobility as fundamental categories encompassing all aspects ofleft-hand technique. Twenty-six anatomical figures over fifty photos and more than sixty musical examples with access to online video amply illustrate the text. 'In the spirit of ground-breaking scientific pioneers celebrated performer and pedagogue Ricardo Iznaola offers the guitar world the first volume of Summa Kitharologica a comprehensive and highly insightful examination of guitar technique in a remarkable mixture of soaring eruditionand down-to-earth practical and applicable approaches to the instrument. Like a modern-day Charles Darwin of the guitar his insatiable passion for discovery keen eye of the `naturalist' and relentless analytical mind havecarefully and methodically recorded previously little-known or little-recognized observations relationships and nuances about the natural principles at work in artful guitar playing. For guitar instructors serious students andeven advanced performers who desire to go beyond the `what' of guitar technique and delve into its `whys' and `hows' this may well be the definitive text.' - Henry Adams former editor Guitar and Lute

Parfait pour les débutants et les guitaristes de blues blues-rock, Début Blues Guitar est une introduction à la théorie de base de blues, de techniques de gauche, les styles rythmiques du Texas swing, blues lent, et le blues mineurs --- ainsi que les styles de grands noms du blues comme Muddy Waters et Buddy Guy. En savoir plus sur le phrasé d'appel et de réponse, des intros, retournements, fins, et même l'improvisation. La deuxième édition propose de nouveaux lèche dans les styles de certains des meilleurs artistes contemporains de blues, comme Joe Bonamassa et Gary Clark Jr., et comprend toute nouvelle vidéo --- hébergé par l'éducateur d'experts et de la guitare virtuose Jared Meeker --- avec démonstrations passionnantes d'exemples et de techniques. Début Guitar Blues est la meilleure méthode étape par étape pour l'apprentissage de la substance et le style de blues. / Guitare

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

And Novelty Instrumentals Of Rev. Gary Davis-Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopaedic memory driving passion deep faith araunchy and gracious sense of humour. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this book and accompanyingaudio Ernie Hawkins has transcribed 9 of Rev. Davis' best known rags minstrel shows tunes and novelty instrumentals. These are challenging and very rewarding to master. Included are: Buck Dance Devil's Dream Sally Where'd You Get Your Liquor From Fast Foxtrot St. Louis Tickle Darktown Strutter's Ball and his tour de forces Twelve Sticks and SoldiersMarch. The unique bottleneck/slide tune Whistlin' Blues is also presented played in an open D6 tuning.The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to

After originating in Buenos Aires at the beginning of the 20th century the Tango has become a characteristic familiar and widely loved dance form that captures the exoticism and passion of Latin America. Jorge Polanuer and Brian Chambouleyron present thirteen accessible solos for the early-intermediate guitar student accompanied by a CD with examples and play-along tracks. The music ranges from single-line melodies to full chordal solos - you'll find Waltzes Milangos Tangos and even a duet.

As playing funk styles is a passion of Andrew’s he has written this instructional book “100 Ultimate Soul Funk and R&B Grooves” based on the influences of the great Funk Soul and R&B artists such as: James Brown Herbie Hancock The Crusaders Average White Band Marvin Gaye Miles Davis Stevie Wonder Parliament Ramsey Lewis Booker T and The MG’s MFSB Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar bass drums keyboards and in many of the grooves percussion. There is also a three minute Play-A-Long track for each of the 100 grooves

Par JEWSBURY JORGE. Hilacha Cette zamba a été composée à partir de la trame qui intègre le bagage musical qui m\'habite : un dialogue amoureux à travers une danse très représentative et chère à l\'Argentine. La flor del cardo L\'image de la pampa, ses habitants, son silence infini et la fleur de la plante de chardon ont été les composants qu?il fallait pour interpréter musicalement cette milonga du sud, la région où je vis. Sembrar guitarras Cette danse typique du nord-ouest de l\'Argentine porte ce titre car elle a été écrite avec l\'intention de motiver mes élèves à interpréter la musique de notre pays. L\'art de la pédagogie m?a montré à quel point il est réconfortant de partager la passion pour la guitare. Tonada del Regreso Il s\'agit d?un air musical originaire de l\'ouest de l?Argentine connu sous le nom de région \'Cuyana\'. L\'idée de toujours retourner à la vie à travers la présence de nos enfants ou grâce au souvenir d\'une chanson a inspiré cette composition. / Date parution : 2023-01-06/ Répertoire / 1-2 Guitares

Bien avant le boom actuel de l'intérêt pour la musique celtique favorisé une génération de guitaristes en herbe celtiques, Duck Baker enregistré Kid On The Mountain, qui est resté le disque solo de guitare que de la musique irlandaise et écossaise depuis plus d'une décennie.Une silhouette familière aux sessions irlandaises autour de Londres, où il a vécu dans les années 1970, le Canard a appliqué ses talents considérables à organiser la musique qu'il entend autour de lui, l'extension du vocabulaire fingerpicking américaine comme il puisé dans les racines de la musique celtique.Arrangements Duck Baker s'efforcent de maintenir non seulement l'élégance mélodique de la musique irlandaise mais aussi son dynamisme et sa passion. Considéré comme un classique par les amateurs de guitare depuis son édition originale en 1980, Kid on the Mountain reste un moment fort dans la carrière de l'un des fingerstylists contemporains les plus importants. / Guitare