versione originale per arpa. Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)

for Harp. Par VAJDA GERGELY. 'Come un meccanismo di precisione' (like a precision machine) - as György Ligeti wrote above one of his works. The two harp pieces by Gergely Vajda (*1973) also approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to the Ars Nova Ensemble and Collegium21, respectively. / Date parution : 2022-11-08/ Répertoire / Harpe

Par BUCHENBERG WOLFRAM. Die Fünf Phantastereien entstanden auf Anfrage von Charlotte Balzereit, der Soloharfenistin der Wiener Philharmoniker und an der Wiener Staatsoper, als Beitrag für ihre CD Fantasien für Harfe [GENUIN Musikproduktion]./ Répertoire / Harpe