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String
ORCHESTRA - BAND
Lute
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Damiani Andrea - Method For Renaissance Lute (english Version)
Lute
Ut Orpheus
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Public...
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Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament
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Giles Swayne: Groundwork Op.80: Lute: Instrumental Work
Lute
[Sheet music]
Novello & Co Ltd.
A rare work for the Lute-based Theorbo. Below is the programme note from the com...
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A rare work for the Lute-based Theorbo. Below is the programme note from the composer.In July 1998 I decided that I would use a theorbo in Havoc a piece I was writing for the 1999 Proms (premiere September 8th 1999). Since my knowledge of the instrument was negligible I contacted David (The Orbo) Miller and appealed for help since I knew he would be playing in the Proms piece. He kindly and with admirable patience showed me how the instrument worked and I began writing groundwork as a technical exercise - hence one meaning of the title. The other is that it is a set of variations over a ground bass.Since the theorbo possesses eight diapason bass strings - whichare plucked like those of a harp not stopped with the left and - it seemed sensible to use these for the ground bass which consists simply of a rising eight-note scale using all diapason strings in turn. This ground is stated at the beginning and developed through 16 variations. Nos 1 to 7 are straightforward except that some of them compress the ground into itself. Nos 8 to 16 are in stretto: they are gradually overlapped with each other the new ground beginning one note earlier each time. The climax of the piece comes at variations 10 to 11; variations 12 to 14 bring it gradually down to earth; no. 15 is quiet and puts the decorated ground in relaxed canon with itself (in octaves using the top and bottom strings of the instrument). Variation 16 strips the ground of decoration putting tight scrunchy chords over it and the piece ends with the lowest diapason string (G) a quiet raspberry ripple of the other seven diapason strings and a final harmonic G to tell us that our little journey is over. I hope you enjoy the scenery.Giles Swayne
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Rob MacKillop: Introduction to the Lute: Guitar: Instrumental Tutor
Lute
[Sheet music + Audio access]
Mel Bay
This book is aimed at beginner lute and guitar players interested in playing Ren...
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This book is aimed at beginner lute and guitar players interested in playing Renaissance lutemusic on either instrument. Lute and guitar tablature are included along with notes on technique biographies of lute composers from the 16th century and general advice on buying stringing and tuning a lute. The book startswith single-line melodies before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland Francesco da Milano Alonso Mudarra Francesco Spinacino andothers with music from England Scotland Italy France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself an album worth owning. Includesaccess to online audio.
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Renaissance Lute Repertoire
Lute
-
Intermediate
Mel Bay
Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition c...
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Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to F♯.That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth
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Colour Flûte Book A Colourstrings (RAHIVAARA-TARKKA RIIKKA / LAASONEN JAANA)
Flute
Fennica Gehrman
Par RAHIVAARA-TARKKA RIIKKA / LAASONEN JAANA. Inspiré par la méthode Colourstr...
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Par RAHIVAARA-TARKKA RIIKKA / LAASONEN JAANA. Inspiré par la méthode Colourstrings ce tuteur prend comme point de départ le caractère de l'instrument et le monde de l'enfant. Elle vise à un contrôle flexible et polyvalent de l'instrument ainsi que les compétences de l'improvisation, les ensemble jouer et les musicalité globale./ Méthode / Flûte Traversière
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Yisrael (serdoura) Miguel - Methode De Luth Baroque, Guide Pratique Pour Luthiste Debutant Et Avance
Français
Lute
Ut Orpheus
Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicale...
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Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicales nécessaires à l’obtention d’une structure assez solide et complète du jeu du luth baroque. Et c’est là tout l’enjeu et le défi de l’écriture de cet ouvrage : donner, au plus grand nombre de passionnés, l’opportunité de s’exprimer à travers le luth baroque, et ce, indépendamment de leur niveau d’apprentissage. Notre livre est destiné non seulement à celui qui n’a jamais joué d’un instrument de musique, mais aussi au guitariste avisé qui veut s’initier aux mystères du luth baroque ! Mode d’emploi Notre Méthode de Luth Baroque est divisée en trois parties. La première partie, plutôt théorique, aidera à mieux comprendre la façon de jouer la musique écrite pour le luth baroque. Nous avons jugé indispensable d’avoir des connaissances élémentaires de solfège occidental mais aussi de la tablature (forme de notation musicale spécifique au luth). Ces connaissances, insuffisantes si étudiées de manière isolée, ont été enrichies d’un lexique des pièces instrumentales ainsi que de biographies de la plupart des compositeurs de musique pour luth baroque à 11 et 13 chœurs. En deuxième partie, nous avons dédié tout un chapitre à l’étude de la technique et de la production sonore du luth. Riche en photos et détails de toutes les étapes techniques que nous devrons franchir, ce chapitre est, sans aucun doute, le plus important de toute notre Méthode pour bien comprendre l’univers sonore du luth baroque ! Ensuite, nous vous proposons 21 exercices, tous d’un niveau élémentaire, mais progressifs, accompagnés de plusieurs pièces de musique. Vous allez d’abord jouer des mélodies pour ensuite ajouter les basses, et seulement après commencer à jouer les ornements. En troisième partie, nous avons choisi près de 250 pièces pour luth baroque à 11 et 13 chœurs. Ces pièces, divisées en trois niveaux, sont d’un degré de difficulté qui s’échelonne du niveau « débutant », « moyen » à « avancé ». Nous avons, tout comme à l’époque baroque, séparé ces pièces selon leurs tonalités et leur nom. Aussi, nous n’avons choisi que très peu de tonalités différentes, afin que le luthiste débutant puisse travailler l’essentiel de son instrument, au lieu de perdre son temps à essayer de s’accorder tout le temps et de jouer des morceaux bien trop complexes pour son niveau. Il n’y a pas de mauvaise musique mais, parfois, il y a de mauvais musiciens ! Faire de la musique n’est simplement pas jouer des notes et réaliser quelques acrobaties, souvent sans intérêt. Un musicien « mûr » se plaît le plus souvent à jouer une simple mélodie et à jouir des merveilles sonores de son instrument ! Nous espérons que cette méthode pourra aider ceux qui n’ont pas accès à un professeur (même si nous leur conseillons d’aller en voir un le plus régulièrement possible), mais aussi tous les professeurs n’ayant pas suffisamment de matériel pour faire travailler, d’une manière systématique, leurs élèves. Bon courage à tous ! Miguel Yisrael - formerly Miguel Serdoura, now carrying the surname of his mother - was born in Lisbon, where he began his musical and artistic career, earning his Diploma in Classical Guitar in 1994. In 1995, he moved to Paris, where he studied the lute with Claire Antonini in the Early Music Department of the Conservatoire Supérieur de Paris - CNR. He also took part in several master classes in his discipline, with Rolf Lislevand and other prestigious artists. From 1999 to 2004, he completed his musical education at the Schola Cantorum Basiliensis in Basel, Switzerland with the grand maestro Hopkinson Smith. As a soloist, Miguel Yisrael has given recitals in France, Portugal, United-Kingdom, Germany, Belgium, Switzerland, China and USA. In 2000, he took part in a television documentary devoted to the lutenist Hopkinson Smith, broadcast by Arte, Mezzo, Classica, RTBF and TSR. He currently lives and teaches baroque and renaissance lute in Paris, where he gives frequent concerts/lectures in the framework of the “Musicien au Musée” program of the Musée de la Musique - Cité de la Musique in Paris. Miguel Yisrael performs on lutes built by Cezar Mateus, Princeton, USA, and with strings from Mimmo Peruffo, Vicenza, Italy. He recorded his first solo CD for the Dutch Label Brilliant Classics in 2008.
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Wolfgang Amadeus Mozart Stamitz: Quartet in F Major Kv370: Flute Solo:
Flute
[Sheet music + CD]
Music Minus One
Flute Play-Along Pack-Two quartets from two masters of the form Wolfgang Amadeu...
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Flute Play-Along Pack-Two quartets from two masters of the form Wolfgang Amadeus Mozart and Karl Stamitz. The Mozart KV370 quartet is often considered one of Mozart's greatest compositions. These two quartets were originally written for oboe and strings but are often played - as here - by flute because of their fine effect on that instrument. Both demonstrate a thorough command of the wind and string sonorities and they form perfect projects for the chamber-minded flutist. Includes a newly engraved music score printed on high-quality ivory paper and a compact disc containing a complete performance of the concerto in split-channel stereo with the soloist on the right channel and a secondperformance in full stereo minus the soloist. Accompaniment: Members of the Beaux Arts String Quartet
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Jindrich Feld: Konzert: Flute: Instrumental Work
Flute
Barenreiter
fur Flote Streichorchester Klavier Harfe & Schlagzeug-Jindrich Feld (1925-200...
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fur Flote Streichorchester Klavier Harfe & Schlagzeug-Jindrich Feld (1925-2007).Concerto for Flute and String Orchestra Piano Harp and Percussions.The Flute Concerto by Jindrich Feld (1925-2007) belongs among the most frequently performed compositions of its author.It was created in 1954 in close cooperation with the Czech Philharmony flutist Lutobor Hlavsa and its first interpreter was the famous French flutist Jean Pierre Rampal.The Orchestra arrangement is very special; the solo Flute is accompanied by Strings Piano Harp and Percussions. The Piano part of the concerto was prepared by the composer himself and it is now published in its fourth edition. The pocketversion of the musical score was printed in 1960.
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Charanga For Flute Solo (COLQUHOUN MICHAEL)
Flute
Alry Publications
Par COLQUHOUN MICHAEL. Salsa is a popular Hispanic-American urban dance music wi...
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Par COLQUHOUN MICHAEL. Salsa is a popular Hispanic-American urban dance music with deep African and Cuban roots. Charanga is a style of Salsa which was popular from the 1920's through the 1970's. What made Charanga unique was that along with the usual percussion section (congas, bongos/cowbell, timbales, maracas/guiro and clave) there was a string section and a flute lead. When the music was cocinando (or 'cooking”), the percussion, piano, bass and strings would play a powerfully swinging, polyrhythmic patter over which the Charanga flutist was free to improvise complex and intricate riffs. These days, while Salsa is popular as ever, the Charanga as a separate entity is rare. The flute, however,continues to be an important solo instrument. This piece is a cubist portrait of Charanga, and is dedicated to all the great Latin Charanga flutists./ Répertoire / Flûte Traversière
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Play-Alongs For Flûte
Flute
[Sheet music + CD]
Universal Edition
Play Alongs for Flute - selected pieces from Bach to Satie - provides the opport...
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Play Alongs for Flute - selected pieces from Bach to Satie - provides the opportunity to play well-known pieces from the Baroque to the Romantic era with accompaniments on the enclosed CD, each presented as a performance to listen to followed by a version to play along to, as well as original pieces from the flautist's repertoire. There are also arrangements of famous works by Haydn, Amadeus Mozart, Schubert, Satie and many more. Live recordings of string instruments, flute piano and guitar will further encourage young musicians to play in ensembles. - 21 well-known melodies from the Baroque to the Romantic era including famous works by Haydn, Mozart, Schubert, Satie and more - Moderately difficult arrangements for flute lessons and ensemble playing at home - Live recordings on the CD (with string instruments, guitar, flute and piano) as full versions to listen to and play-along versions on the same track / Flûte
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Solos For Flute
Flute
Carl Fischer
36 Repertoire Pieces with Piano Accompaniment Flute and Piano editor: Peck, Dona...
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36 Repertoire Pieces with Piano Accompaniment Flute and Piano editor: Peck, Donald Harpsichord and String Orchestra) - Siciliano (from Sonata No. 2 in E-flat Major) - L. v. Beethoven: Minuet - Serenade - G. Bizet: Minuet (from L'Arlésienne) - Entr'acte (from Carmen) - C. Bohm: Calm as the Night (Still wie die Nacht) - J. Brahms: Waltz - A. Caplet: Petite Valse - Reverie - A. Corelli: Guige - C. Debussy: Reverie - J. Donjon: Adagio Nobile - Pan! (Pastorale for Flute) - G. Fauré: Berceuse - Sicilienne (from Pelléas et Melisande) - C. W. Gluck: Minuet and Dance of the Blessed Spirits (from Orfeo) - B. Godard: Allegretto - F. J. Gossec: Gavotte - Tambourin - C. Gounod: Meditation (sur le 1er Prélude de Bach) - G. F. Handel: Bourrée - Giga (from Sonata in F Major) - F. J. Haydn: Serenade (Andante Cantabile from String Quartet No. 8) - B. Barcello: Sonata in F Major - W. A. Mozart: Adagio (from Flute Quartet) - S. Rachmaninoff: Vocalise - C. Saint-Saens: Pavane - The Swan (Le Cygne from Carnival of the Animals) - E. Satie: Gymnopédie No. 2 (from Trois Gymnopédies) - F. Schubert: Musical Moment (from 6 Moment musicaux) - Trockne Blumen (Ihr Blümlein alle) from Die schöne Müllerin (Introduction, Thema and Variation) - R. Schumann: Romance - Träumerei (from Scenes from Childhood/Kinderszenen) - P. I. Tchaikovsky: June (Barcalolle from The Seasons) - G. P. Telemann: Minuet (from Suite in A minor)
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Easy Play-Alongs For Flûte
Flute
[Sheet music + CD]
Universal Edition
From Vivaldi's Spring to Dvorák's famous 'From the New World' theme, this book ...
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From Vivaldi's Spring to Dvorák's famous 'From the New World' theme, this book and play along CD offers flautists the chance to play gems of the classical music repertoire that are not too technically challenging for the beginner to intermediate player. Easy arrangements of famous works, along with selected pieces originally written for the flute are included, each presented as a demonstration performance for listening and again as a 'minus one' version for playing along. Live recordings of chamber ensembles, string instruments, guitar, harp and piano will also encourage young musicians to play in ensembles. - 16 well-known melodies from Vivaldi's Spring to Dvorák's famous 'From the New World' theme - Easy arrangements for first flute lessons and ensemble playing at home - Live recordings on the CD (with string instruments, guitar, zither and piano) as full versions to listen to and play-along versions on the same track / Flûte
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Really Easy Flute: Chart Hits: Flute: Instrumental Album
Flute
[Sheet music + CD]
-
Easy
Amsco Wise Publications
Fifteen hit pop songs from today's charts for Flute in easy melody line arrange...
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Fifteen hit pop songs from today's charts for Flute in easy melody line arrangements.Complete with song background notes and playing hints and tips.Have fun playing along with the specially recorded CD for a moreprofessional performance.Contents: U2 - Beautiful DayLeona Lewis - Bleeding LoveJames Morrison feat. Nelly Furtado - Broken StringsSnow Patrol - Chasing CarsColdplay - FixYouAlexandra Burke - HallelujahBeyonce - If I Were A BoyLady GaGa - Just DanceWill Young - Leave Right NowMichael Buble - LostSara Bareilles - Love SongTake That -ShineRihanna - Take A BowDuffy - Warwick AvenueWestlife - You Raise Me Up
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Flute Songs -Easy Familiar Classics with Orchestra: Flute Solo: Instrumental
Flute
[Sheet music + CD]
Music Minus One
Music Minus One Flute-A charming program of easy familiar classics orchestrated...
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Music Minus One Flute-A charming program of easy familiar classics orchestrated for a full symphony orchestra and minus the solo melody part your flute. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel and a second performance in full stereo minus the soloist. Includes: J.S. Bach - Air on a G String Beethoven - Minuet in G major Schumann - Träumerei Schubert - Serenata Raff - Cavatine Mozart - Minuet Divertimento Godard - Berceeuse Dvorak - Humoresque Brahms - Hungarian Dance. Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn
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José Serebrier: Flute Concerto with Tango: Flute Solo: Mixed Songbook
Flute
Peermusic Classical
Originally for flute and string orchestra Flute Concerto with Tango combines rh...
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Originally for flute and string orchestra Flute Concerto with Tango combines rhythmic punch with virtuosic flourishes.
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John Corigliano: Voyage: Flute: Instrumental Work
Flute
Schirmer
Score and Parts-Arranged for Flute and Piano from the original work for Flute an...
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Score and Parts-Arranged for Flute and Piano from the original work for Flute and String Orchestra by Mark Starr.
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Ultimate Movie Instrumental Solo: Flute: Instrumental Album
Flute
[Sheet music + CD]
Alfred Publishing
60 popular themes from the movies in arrangements for solo Flute (level 2-3). Th...
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60 popular themes from the movies in arrangements for solo Flute (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.
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André Jolivet: Chant De Linos: Flute: Instrumental Work
Flute
Leduc, Alphonse
André Jolivet (1905-1974) composed Chant de Linos for the Solo de Concours at t...
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André Jolivet (1905-1974) composed Chant de Linos for the Solo de Concours at the Paris Conservatoire in 1944. Initially written for Flute Harp and String Trio this version contains the scores for the Flute and the Piano. This piece is quite difficult to execute but will stand out in a competition or a recital. Inspired from what is called a Chant de Linos a threnody (or lament to the dead) in the Greek antiquity this piece is also about Linos son of Apollo. A good music player Linos taught Orpheus the Lyre and was killed by Heracles for criticising him too much. André Jolivet is a Frenchcomposer who was really inspired by the Antiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.
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Marin Marais: Fünf altfranzösische Tänze: Flute: Instrumental Work
Flute
Ricordi
für Flöte und Klavier bearbeitet von Elisabeth Weinzierl / Edmund Wächter-Mar...
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für Flöte und Klavier bearbeitet von Elisabeth Weinzierl / Edmund Wächter-Marin Marais the legendary gambist at the court of Louis XIV mainly left works for his own instrument which are entirely in the French ?taste?. Marais points out that although his works are written for viola da gamba they can equally be playedon flute violin or other melody instrument. Five pieces from his ?Quatrième Livre de Viole? are presented here in arrangements for flute and piano. These are based on a 1917 English edition for string instruments which lends the dances a certainromantic charm. The original articulation and dynamics from Marais? first edition of 1717 have been carefully reintroduced.
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Michael Nyman: Yamamoto Perpetuo (Flute): Flute: Instrumental Work
Flute
[Sheet music]
-
Advanced
Chester
Yamamoto Perpetuo was written by Michael Nyman for solo Violin in 1993 to a comm...
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Yamamoto Perpetuo was written by Michael Nyman for solo Violin in 1993 to a commission by fashion designer Yohji Yamamoto for his show that year in Paris. Following its success Nyman added a second Violin Viola and Celloto the solo line and turned it into his String Quartet No.4. This arrangement by Andy Findon for solo Flute restores the work as a stand-alone piece for one player in eleven sections drawing additionally upon material fromthe quartet version.
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Luigi Boccherini Antonio Vivaldi Wolfgang Amadeus Mozart: Boccherini Vivaldi
Flute
[Sheet music + CD]
Music Minus One
Music Minus One Flute-BOCCHERINI Concerto in D major VIVALDI Concerto No. 2 in ...
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Music Minus One Flute-BOCCHERINI Concerto in D major VIVALDI Concerto No. 2 in G minor 'La Notte' MOZART Andante for Flute and Strings On one album MMO we bring you two classic concerti of the Italian Baroque and one classical 'goodie' from Mozart. Boccherini's D-major concerto is magical Vivaldi's 'La Notte' is a well-known concerto full of its composer's trademarks and Mozart's well-known Andante for strings is a lovely work. A magnificent collection of music which will bring you years of enjoyment. Includes a high-quality printed music score and a compact disc containing a complete performance of the concerto in split-channel stereo with the soloist on the right channel and a secondperformance in full stereo minus the soloist. Performed by Jeffery Zook flute Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn
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Edward Elgar: Chanson de Nuit Op. 15 No. 1: Flute: Instrumental Work
Flute
Fentone Music
Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of...
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Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of the 'Enigma' Variations in 1899 he was considered a 'provincial' composer - and a largely self taught one at that.In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular indeed. Chanson de nuit is one such the second of a pair (Chanson de Matin the other being) which carried his name far and wide before his larger orchestra works appeared. It was published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was theoriginal version. This arrangement makes a useful addition to the repertoire for flute.
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Peter Lawrance: Winners Galore For Flute: Flute: Instrumental Album
Flute
Brass Wind Publications
Piano Accompagniment-Winners Galore is essentially a series for unaccompanied us...
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Piano Accompagniment-Winners Galore is essentially a series for unaccompanied use but whether for use in performance or for simply enjoying the experience of ensemble playing the addition of Piano accompaniment opens up a new playing experience for the beginner player. The 30 simple Piano accompaniments have been especially arranged:...'Blackadder Theme' 'Cornish Floral Dance' 'Flintstones Theme' 'Hava Nagila' 'I Do Like to be Beside the Seaside' 'In Dulci Jubilo' 'In The Mood' 'Irish Washerwoman' 'Last of the Summer Wine' 'Linden Lea' 'Little Donkey' 'Mairi's Wedding' 'March Slav' 'Minder Theme' 'Monty Python Theme' 'Morning from Peer Gynt' 'Muppet Show Opening' 'Portsmouth' 'Puppet on a String' 'Radetzky March' 'Russian Dance' 'Spread a Little Happiness' 'Teddy Bear's Picnic' 'The Ash Grove' 'The Elephant' 'The Entertainer' 'Tie Me Kangaroo Down Sport' 'Van der Valk Theme' 'Winter from The Four Seasons' 'Wombling Song'.'... a separate Piano accompaniment which even the pianistically challenged should be able to bluff their way around ...' - 'Music Teacher'
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The Flute Collection - Easy to Intermediate Level: Flute: Instrumental Album
Flute
[Sheet music + Audio access]
Schirmer
Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collectio...
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Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collection for a student performing in a contest or recital for the first time. Contents: Gavotte from the French Suite No. 5 BWV 816 (J.S. Bach) · Minuet from the Notebook for Anna MagdalenaBach (J.S. Bach) · Scotch Dance WoO 23 (Beethoven) · Sonatina (Beethoven) · Aria of the Shepherd from La liberazione de Ruggiero (Caccini) · Berceuse from the DollySuite (Fauré) · Tambourine from Iphigénie en Aulide (Gluck) · Allegro from the String Quartet in F Major Op. 74 No. 2 (Haydn) · Minuet from the Symphony No. 89 in FMajor (Haydn) · The Entertainer (Joplin) · Musette (Leclair) · Andante Espressivo Op. 58 No. 1 (Mendelssohn) · Gymnopédie (Satie) ·Andantino (Schubert) · Minuet (Schubert) · Romanze Op. 94 (Schumann). The book also includes access to online audio recordings of Piano accompaniments for each piece for download orstreaming.
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Classical Themes for Two Flutes: Flute Duet: Instrumental Album
Flute
[Sheet music]
-
Easy
Hal Leonard
Easy Instrumental Duets-24 favorite melodies from top classical composers in eas...
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Easy Instrumental Duets-24 favorite melodies from top classical composers in easy duet arrangements for two instrumentalists are featured in this collection including Air on the G String • Blue Danube Waltz • Canon in D • Eine Kleine Nachtmusik • Hallelujah Chorus • Jesu Joy of Man's Desiring • Minuet in G Major • Ode to Joy • Pictures at an Exhibition • Sheep May Safely Graze • Trumpet Voluntary • William Tell Overture and more.Arrangements work for two flutes or can be used with the other woodwind titles from this series.
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Zhou Long: Su (Tracing Back): Flute: Instrumental Work
Flute
Oxford University Press
The Chinese character su has the meaning of tracing back to the source or recall...
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The Chinese character su has the meaning of tracing back to the source or recalling ancient times. SU was inspired by the distinctive qualities of the ancient Chinese q'in a seven-string plucking instrument similar to the zither.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Instrumental Work
Flute
Barenreiter
D major-Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe ...
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D major-Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings. Flute & Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Antonio Vivaldi: 3 Concerti for Flute & Orchestra: Flute Solo: Instrumental
Flute
[Sheet music + Audio access]
Music Minus One
Music Minus One Flute-From the Italian master of Baroque music comes this collec...
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Music Minus One Flute-From the Italian master of Baroque music comes this collection of three magnificent flute concerti. The F-major concerto taken from Vivaldi's Opus 10 collection is particularly notable as in it Vivaldi slightly reworked his legendary RV442 treble recorder concerto using an accompaniment of muted strings throughout. All three of these are perfect for any flutist with a flair for the Baroque. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel and a second performance in full stereo minus the soloist. Performed by Vaclave Sykora flute Accompaniment: Czech SymphonyChamber Orchestra Conductor: Mario Klemens
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John Frith: Arabesque for Flute and Piano: Flute: Instrumental Work
Flute
Emerson Editions limited
John Frith's Arabesque for Flute and Piano is a beautiful addition to any Flauti...
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John Frith's Arabesque for Flute and Piano is a beautiful addition to any Flautists catalogue. This work is also Part of the 2018-2021 ABRSM Flute syllabus (Grade 6)John Frith has written extensively for wind brass strings and voices and has published many pieces some of which have been professionally recorded and broadcast by the BBC.
7.50 GBP - Sold by Musicroom UK
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Instrumental Solos
Flute
[Sheet music + CD]
Alfred Publishing
Michael Jackson - Instrumental Solos (Flute). By Michael Jackson. For Flute (Flu...
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Michael Jackson - Instrumental Solos (Flute). By Michael Jackson. For Flute (Flute). Instrumental Folio. Softcover with CD. 28 pages. Alfred Music #37178. Published by Alfred Music (HL.119495).ISBN 0739077953. 9x12 inches.CDs with fully orchestrated accompaniment tracks are the hallmark of these instrumental collections. Each book contains a carefully edited part that is appropriate for the Level 2-3 instrumentalist. The CDs include a demo track with a live instrumental performance, followed by a play-along track. Songs include: Beat It - Billie Jean - Black or White - Don't Stop Till You Get Enough - Human Nature - I Just Can't Stop Loving You - Man in the Mirror - She's Out of My Life - Thriller - The Way You Make Me Feel - You Are Not Alone.The woodwinds and brass books are compatible with each other and can be played together or as solos- the strings books are compatible with each other, but not with the woodwinds and brass instrument editions. / Flûte
20.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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