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ORCHESTRA - BAND
Orchestra, Violin
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Concerto (GUARNIERI ADRIANO)
Orchestra, Violin
[Score]
Ricordi
Per Violino E Orchestra (1985) - Partitura. Par GUARNIERI ADRIANO. / oeuvre sol...
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Per Violino E Orchestra (1985) - Partitura. Par GUARNIERI ADRIANO. / oeuvre solo et Orchestre / Date parution : 1905-06-25/ Répertoire / Violon et Orchestre
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Cançoneta A Major (RODRIGO JOAQUIN)
Orchestra, Violin
[Reduction]
Schott
Par RODRIGO JOAQUIN. Un mouvement morceau complet de l'atmosphère du stylet de ...
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Par RODRIGO JOAQUIN. Un mouvement morceau complet de l'atmosphère du stylet de la com-poser espagnol plus important du XXe siècle. La partie solo qui est très facile intonates une mélodie siciliano ressemblant./ Répertoire / Violon et Orchestre à Cordes
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Deutsche Gesangstraktate Des 17. Jahrhunderts
Orchestra, Violin
[Sheet music]
Barenreiter
Daniel Friderici, Johann Andreas Herbst, Johann Crüger. / Recueil / Violon et O...
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Daniel Friderici, Johann Andreas Herbst, Johann Crüger. / Recueil / Violon et Orchestre
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Haflidi Hallgrímsson: Poemi For Violin And String Orchestra (Full Score):
Orchestra, Violin
[Sheet music]
Chester
Poemi is based on three allegorical paintings by Marc Chagall each of which is ...
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Poemi is based on three allegorical paintings by Marc Chagall each of which is a masterly depiction of a well-known text the Old Testament: The Dream of Jacob The Sacrifice of Isaac and Jacob in Combat with the Angel. Hallgrimsson's intention in writing the work was to compose a virtuoso piece for violin and string orchestra which would recreate in music the poetic essence of Chagall’s paintings.The soloist is at the centre of the ‘musicalstage’ throughout with the orchestra providing a constantly changing ‘scenery’. The music progresses from the tranquillity of the Dream in the first movement through the drama of the Sacrifice in the second to the fast andtense Combat with the Angel which forms the final movement.'Poemi' was awarded the Nordic Council Prize in March 1986.
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Tzigane: Violin: Score
Orchestra, Violin
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Anders Hillborg: Violin Concerto No.1: Orchestra: Score
Orchestra, Violin
Faber Music Limited
Full Score-Hillborg’s first Violin Concerto composed in the early 90s i...
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Full Score-Hillborg’s first Violin Concerto composed in the early 90s is a pivotal work in his oeuvre. Composed in the wake of his highly experimental Clang & Fury and Celestial Mechanics both of which employ complex and unconventional tuning systems the concerto displays a more pragmatic approach though the drama it sets up is far from conventional with a very fluid soloist-orchestra relationship. Esteemed conductor and composer Esa-Pekka Salonen who has recorded the concerto in 2002 has described it as one Hillborg’s best pieces.
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Poul Ruders: Violin Concerto No.2: Violin: Score
Orchestra, Violin
[Sheet music]
Wilhelm Hansen
Ruders writes: My second concerto for violin and orchestra is a ‘reverseâ...
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Ruders writes: My second concerto for violin and orchestra is a ‘reverse’ cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way but whereas the cello concerto is composed as one uninterrupted stretch the violin concerto is formally completely different: there are 4 movements each of them combined via a ‘ritornello’ a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape i.e. the length varies from time to time.
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Konzert Nr. 1 (SZYMANOWSKI KAROL)
Orchestra, Violin
[Study Score / Miniature]
Universal Edition
Par SZYMANOWSKI KAROL. 'Eastern exoticism, French impressionism and perfumed lyr...
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Par SZYMANOWSKI KAROL. 'Eastern exoticism, French impressionism and perfumed lyricism: Polish composer Karol Szymanowski in war-torn Europe in 1916 providing ecstasy without the agony in what he called 'a new style and new type of expression for the violin'.' (Andrew McGregor's BBC review) From its controversial beginnings, the Szymanowski Violin Concerto now evokes arguments only about whose performance is preferred! Its importance in modern repertoire is confirmed by its inclusion in UE's ongoing New Study Score Series. Dur.: 24'/ Répertoire / Violon et Orchestre
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Philip Glass: Violin Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
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Intermediate/advanced
Dunvagen Music Publishers
This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who prese...
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This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who presented the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo) two oboes E-flat clarinet two clarinetsand bass clarinet two bassoons four horns three trumpets three trombones tuba timpani percussion (snare drum bass drum triangle cymbal woodblock) harp and strings.Presented here in full score.
54.99 GBP - Sold by Musicroom UK
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Jonathan Harvey: Scena: Orchestra
Orchestra, Violin
Faber Music Limited
Scena is a quasi-operatic scene either for singer and ensemble or for a singer-l...
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Scena is a quasi-operatic scene either for singer and ensemble or for a singer-like solo instrument and ensemble. In this case of the latter the solo Violin proceeds through several dramatic events roughly signaled in the score as Lament Mystical Event (the arrival of woodwind) Romantic Event Dream (slow tremolando swells) and Metamorphosis (which takes and transforms a melody).
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Tarantella da concerto op.1 (AUER LEOPOLD)
Orchestra, Violin
[Set of Parts]
versione per violino e orchestra d'archi a cura di Andrea Piccone. Par AUER LEOP...
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versione per violino e orchestra d'archi a cura di Andrea Piccone. Par AUER LEOPOLD. / Date parution : 2021-11-30/ Répertoire / Orchestre à Cordes et Violon / Edizioni Notami
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Violinkonzert A-Moll Op. 129 (SCHUMANN ROBERT)
Orchestra, Violin
[Sheet music]
Breitkopf & Härtel
Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Violo...
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Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Violon et Orchestre
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Concierto De Estío
Orchestra, Violin
Joaquín Rodrigo
/ Violon Et Orchestre
49.90 EUR - Sold by LMI-partitions
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Concierto De Estío
Orchestra, Violin
Joaquín Rodrigo
/ Violon Et Orchestre
32.80 EUR - Sold by LMI-partitions
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Antonín Dvo?ák: Violin Concerto in A minor Op.53: Violin: Score
Orchestra, Violin
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Intermediate
Barenreiter
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 wit...
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A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
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Doremi
Orchestra, Violin
Schott
Die Struktur musikalischer Hierarchien in drei Sätzen: ?Do' für die westliche,...
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Die Struktur musikalischer Hierarchien in drei Sätzen: ?Do' für die westliche, ?Mi' für die östliche, pentatonische Musikkultur, ?Re' im Wechsel. Eötvös baut in seinem zweiten Violinkonzert komplexe Weltbilder - gewidmet ist das Werk der Geigerin Midori. / Violon Et Orchestre
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Concertino da camera (QUERLEUX ALAIN) (QUERLEUX ALAIN)
Français
Orchestra, Violin
Editions Buissonnieres
Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements...
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Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements, pour une durée globale de 18 minutes environ. L?essence de son propos est le dialogue concertant et chantant entre un violon soliste et un orchestre à cordes (pouvant se réduire à un simple quatuor à cordes ). Le premier mouvement est sous-titré « ..Par un chemin d?échos divers.. » : il évoque une promenade et ses sons, rumeurs, chants et bruits ? naissant, s?amplifiant, s?éloignant ou renaissant en échos. Plusieurs tempi modérés s?enchaînent au gré des tonalités de ré mineur, ré majeur, sol mineur et sol majeur. Les interprètes devront varier les climats, nuances et couleurs. Le mouvement central, très lent et expressif, est de facture plus classique : l?orchestre expose le thème principal, bientôt repris et varié par la cantilène du violon solo, dans le ton de la mineur.Le passage central module en la majeur, un grand crescendo s?en suit, jusqu?au retour du premier thème ? soliste et orchestre réunis. Le Finale apporte joie et détente, dans un tempo vif et spirituel.C?est une forme Rondo, avec un refrain apparaissant à cinq reprises, et quatre couplets énoncés par le violon solo. Quelques traits virtuoses participent de la fête, le ton de La hésitant entre mineur et majeur. La partie de soliste conviendra aux violonistes à partir de la fin du 2ème cycle des conservatoires. Les parties d?orchestre sont abordables à partir du second cycle./ Répertoire / Violon Concertant et Orchestre
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Ennio Morricone Andrea Morricone: Cinema Paradiso: Orchestra and Solo: Score &
Orchestra, Violin
[Score and Parts]
Hal Leonard
for Solo Violin and Orchestra. (Love Theme) Performance time - ca. 3:00
286.99 GBP - Sold by Musicroom UK
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