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ORCHESTRA - BAND
Orchestra, Violin
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Biography (8)
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Electric bass, Drums (8)
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4 Parties Mixtes, 2 Violons, 2… (8)
Flûte Traversière, Clarinett… (8)
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Quintette à Cordes (2 Violons… (7)
2 Trompettes (duo) (7)
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2 Clarinets, Piano (7)
2 Choeurs Mixtes Et Orchestre … (7)
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voix soprano, voix alto (2)
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Violon 1 (2)
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WIND 5TET::Quintette · Vent (2)
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Jean Sibelius: Two Pieces For Violin And Orchestra: Violin: Score
Orchestra, Violin
[Sheet music]
Wilhelm Hansen
Two pieces 'Laetare anima mea' and Devotion for Violin (or Cello) and Orchestra...
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Two pieces 'Laetare anima mea' and Devotion for Violin (or Cello) and Orchestra.
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Per Nørgård: Helle Nacht - Violin Concerto No. 1: Violin: Score
Orchestra, Violin
[Sheet music]
Wilhelm Hansen
Per Nørgård's Helle Nacht (Light Night) - Violin Concerto No. 1 dating from 19...
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Per Nørgård's Helle Nacht (Light Night) - Violin Concerto No. 1 dating from 1986-87. Programme note: This is my third work for solo string instrument and orchestra the other two being 'Between' for cello and 'Remembering Child' for viola. The title 'Light Night' refers to the caracteristics of each of the four movements. The 'light' translucent quality of the melody sound and rhythm woven into a fine filigree; the Night revealed in the multi-layered possibilities of interpretation like/constantly/changing the aspect of a turning prism with each performing appearing differntly to the listeners. Ofcourse this is more or less the case with every musical work but in HELLE NACHT the ambiguity is made innermost principle. The first and last movements form a symphonic frame for the inner two more static interludes though even in these light is constantly breaking through. I wrote the concerto during 1986-87 at the request of Anton Kontra. Per Nørgård
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Peter Maxwell Davies: Concerto For Violin And Orchestra: Violin: Miniature Score
Orchestra, Violin
[Sheet music]
Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...
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This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance it asks to be measured in the company of Beethoven Brahms and Sibelius while there is also particularly in the middle movement a strong element of the Scots lament. The orchestra is generally muted in colour though there is a dramatic role for the timpanist.There are threemovements played without a break - this is only one of many connections with the Mendelssohn Violin Concerto.Duration c. 30mins.
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Camille Saint-saens Danse Macabre And Havanise Orch - Violin
Orchestra, Violin
[Sheet music]
Kevin Mayhew
Description Two of Saint-Saens most popular works appear together in this aff...
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Description Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volume contains the full score for violin and orchestra of both these magnificent pieces.
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Michael Nyman: Concerto For Violin and Orchestra: Violin: Instrumental Work
Orchestra, Violin
Chester
The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festiv...
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The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festival. It was first performed by Gidon Kremer (violin) and the Schleswig-Holstein Musik Festival Orchester conducted by DennisRussell Davies at the Musikhalle Hamburg Germany on 29 August 2003. Interpolated within this one-minute-one-movement layout is a recurrent refrain where the soloist articulates one of the basic harmonic foundations of anumber of the one minute sections (six dominant 7ths - on E F sharp C A B D) in an undisguised Bachian fashion. The slow arpeggios in the later variants of the refrain not unexpectedly find themselves sharing a bed with theopening of Berg's Violin Concerto. Nyman has effectively adopted Berg's orchestral template with two exceptions - the omission of the alto Saxophone and replaced Berg's Percussion section with Marimba and Vibraphone mallet instruments which intertwine with the soloist in the Concerto. Alban Berg's Violin Concerto was dedicated to 'the memory of an angel' Manon Gropius. Nyman's Concerto was dedicated to the memory of DanielToscan du Plantier a friend and neighbour - in Nyman's words 'certainly no angel but a major figure in the recording and film industries'. Arranged for solo Violin and Piano accompaniment the duration of thiswork is approximately: 25 minutes.
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Philip Glass: Violin Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
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Intermediate/advanced
Dunvagen Music Publishers
This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who prese...
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This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who presented the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo) two oboes E-flat clarinet two clarinetsand bass clarinet two bassoons four horns three trumpets three trombones tuba timpani percussion (snare drum bass drum triangle cymbal woodblock) harp and strings.Presented here in full score.
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Wolfgang Amadeus Mozart: The Mozart Violin Concerti: Facsimile
Orchestra, Violin
Dover Publications
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were p...
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A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.
81.20 GBP - Sold by Musicroom UK
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Jean Sibelius: Humoresques I - II Op. 87: Violin: Miniature Score
Orchestra, Violin
[Sheet music]
Wilhelm Hansen
This pocket sized book contains Humoresques I - II Op.87 Nos.1/2 the first two ...
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This pocket sized book contains Humoresques I - II Op.87 Nos.1/2 the first two of Jean Sibelius' Humoresques for Violin solo and Orchestra. This handy study score can be easily referenced. Duration 3 minutes.
11.50 GBP - Sold by Musicroom UK
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Kaija Saariaho: Graal Theatre (Violin Concerto)- Solo Violin Part: Violin: Part
Orchestra, Violin
Chester
The two-movement work was inspired by the title of a book by Jacques Roubaud and...
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The two-movement work was inspired by the title of a book by Jacques Roubaud and dedicated to Violinist Gidon Kremer whose playing and musicianship also inspired the work.Kaija Saariaho is a contemporary Finnish composer livingand working in Paris and Graal Thé tre is one of her principal works frequently performed in spite of its ferocious virtuosic requirements. Unlike many of her other works Graal Thé tre has no electronic extensions but exploresthe relationship fully between soloist and Orchestra. She gained international renown for her first opera l?Amour du Loin and continues a prolific compositional life with a wide range of international performances.
16.99 GBP - Sold by Musicroom UK
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Witold Lutoslawski: Chain 2 Dialogue For Violin And Orchestra (part): Violin:
Orchestra, Violin
[Sheet music]
Chester
Score. The title of the work relates to its form which consists of two structur...
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Score. The title of the work relates to its form which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: AD LIBITUM; A BATTUTA; ADLIBITUM; A BATTUTA - AD LIBITUM - A BATTUTAIn the AD LIBITUM movements the element of chance plays a part within fixed parameters.
13.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Romances In F And G For Violin And Orchestra: Violin:
Orchestra, Violin
Barenreiter
Beethoven's 'Romances' are performed all over the world yet how many conductors...
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Beethoven's 'Romances' are performed all over the world yet how many conductors performers and listeners are aware that op. 50 which was incidentally composed before op. 40 comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer.Bärenreiter?s new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven?s autograph with editorial markings clearly indicated the second score has beenedited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances.In addition to the Urtext solo part a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction.- Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing- The score to op. 50 available in two versions- Detailed critical commentary (Eng)Barenreiter no. BA9026A
12.00 GBP - Sold by Musicroom UK
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Best Of Belwin: First Year Charts - Bass
Orchestra, Violin
Alfred Publishing
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection o...
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The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI
11.60 EUR - Sold by Woodbrass
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