The Grand Fantasia (The Storm) uses the drama of a physical storm to represent an emotional one. The opening ominous chords lead to thundering chords and a programmatic representation of a storm that could fill every corner of a cathedral with reverberation. The storm is quelled by a Chorale section entitled ‘Prayer’ followed by a swelling finale of grandeur and peace.Jaak Nikolaas [Jacques Nicolas] Lemmens was a Belgian Organist and composer of the 19th century. He was widely acknowledged to be the best Organist of his time with particularly beautiful legato and pedal technique some of which can be discerned from his compositions for his work Organ School. He wasinstrumental in bringing the works of Bach to France and Belgium and was influential as an educator.

Lemmen’s Fanfare in D is frequently performed and recorded. This work the Triumphal March also in D features dramatic dynamic changes and thrilling passages of fingerwork making it an effective piece.Jaak Nikolaas [Jacques Nicolas] Lemmens was a Belgian Organist and composer of the 19th century. He was widely acknowledged to be the best Organist of his time with particularly beautiful legato and pedal technique some of which can be discerned from his compositions for his work Organ School from which this march has been extracted. He was instrumental in bringing the works of Bach to France and Belgium and was influential as an educator.

Le belge organiste et compositeur Jacques-Nicolas Lemmens (1823-1881) se classe parmi les plus importants enseignants orgue du XIXe siècle. Un étudiant de Adolf Friedrich Hasse à Breslau, il était familier avec la tradition d'orgue de Bach, mais avait aussi un décisif je / Orgue

Cette partition DOMINE DOMINUS NOSTER... de Castérède Jacques a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB4823. Cette oeuvre d'une durée de 00:11:30 est idéale pour les musiciens pratiquant Orgue. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Orgue / Partition

Cette partition TON AME DANSE DANS LA LUMIERE de Castérède Jacques a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB6071. Cette oeuvre d'une durée de 00:03:00 est idéale pour les musiciens pratiquant Orgue. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Orgue / Partition

Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No. 2. Charles-Marie Widor (b. Lyons 1844, d. Paris 1937) first began his studies in his hometown, but later pursued them in Brussels, taking lessons with Nicolas-Jacques Lemmens on the Organ, and composition lessons with François-Joseph Fetis. In 1868, he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saë ns at the Organ of La Madeleine, and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupre. Followingthe death of Cesar Franck in 1890, it was Widor who was requested to direct Organ studies at the Paris Conservatoire, and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works, but it is above all his Organ music that is most performed today./ Répertoire / Orgue

A Treasury of European Service Music for Organ is a generous collection of music by many of the fine organist-composers who flourished in the 18th 19th and early 20th centuries.The style is romantic and ideallysuited for Service use: the pieces are just the right length sight-readable and delightful to the ear.Richard Lloyd has edited them expertly for playing on modern instruments.Contents:Adagio by FrançoisVerhelstAdoro te by Pierre-François BoëlyAndante by Arthur de HovreAndantino by Louis AndlauerAntiphon by Georges Debat-PonsanAria by Albert H. OswaldAve Maris Stella by François BenoistBenedicamusDomino by Pierre-François BoëlyCantilène by Paul FauchetCantilène by Arthur de HovreChorale by Louis BottazzoCommunion by Louis BottazzoCommunion by Marc DelmasCommunion by Adolphe d'HulstCommunion byAlfred MarichelleCommunion by Edouard TorresCoro Religioso by Orlando A. MansfieldDeux Canons by Ludvig Mathias LindemanDeux Interludes by Eugène GigoutElégie by Domenico BellandoElégie by RobertoRemondtElégie by August WiltbergerElévation by Domenico BellandoElévation by Adolphe d'HulstElévation by Jean HuréElévation by Otto MallingElévation by Edouard TorresFughetta by Oscar DepuydtFuguein E minor by Guillaume LasceuxFugue in E minor by Jean-Nicolas MarriguesFugue in G minor by Jean-Jacques Beauvarlet-CharpentierImprovisation by Gustaf HäggImprovisation by Joseph NesveraImprovisation by AugustWiltbergerInterlude by Santiago TafallInterlude by Emile WambachInterlude in E by Amédée ReuchselInvocation by Alexandre Winkel Kyrie 'Orbis Factor' by François BenoistLarghetto by J. SurzynskiLe Carillonde Balleroy by A. ManciniMeditation by A. ManciniNoël by Alphonse MaillyNoël Lorrain by Guillaume LasceuxNorwegian Song by Peter LindemanOffertoire by Louis BottazzoOffertoire by Oscar DepuydtOffertoire