SKU: ST.H469
ISBN 9790220222528.
The celebrated composer of light music Haydn Wood died in 1959, and organists with a penchant for his smooth and distinctive melodies will delight in marking the occasion with Slumber Song. Arranged for the instrument by J. A Meale, it is also available for violin or cello and piano. With its polish and charm, this dreamy lullaby has a timeless appeal. Reissued in the prestigious Stainer & Bell Light Organ Music series, Slumber Song is suitable for a variety of instruments with pedals, and should present no difficulty to players of only modest technical ability.
SKU: SU.80101265
Fletcher's organ music is carefully composed for the instrument, taking advantage of its full capabilities. This collection of both hymn-based and free-ly composed pieces includes: Lullaby, Variations on Divinum Mysterium, Variations on Slane, Carnegie Fanfare. Moderate to difficult. Published by: Zimbel Press.
SKU: SU.80101266
Fletcher's organ music is carefully composed for the instrument, taking advantage of its full capabilities. This collection is a four movement suite, Meditations on Psalm 19. Moderate to difficult. Published by: Zimbel Press.
SKU: MN.12-121
UPC: 688670121210.
Confluence was commissioned by the Organ Artist Series of Pittsburgh in celebration of its twentieth anniversary in 1999. Christa Rakich gave the premier at the closing concert of the season at Calvary Episcopal Church by in April of 1999. It has been performed frequently since that time. The title was given to honor the joining together or confluence of the three rivers of Pittsburgh: the Allegheny, the Monongalela, and the Ohio. Confluence is a curious hybrid related to both the sonata and rondo forms. It is of the ABABA design with the final A quite extended by polyphonic games and a very noisy and triumphant epilogue. The first idea is driving, rhythmic, nervous and agitated. The second is quiet, gentle and pastoral, that slowly moves in its mysterious ways, closing with a plaintive row of a dozen different pitches. The composer delights in the challenge of making tone rows as approachable and sing-able as possible. Both ideas make slightly varied restatements. At the end, fugal exploitation of the first idea is followed by that row, entering with stentorian grandeur in full pedal, heralding the triumphant close. This row, like the month of March is referred to frequently as coming in like a Iamb, going out like a lion.
SKU: HL.14016522
14.25x10.0x0.43 inches.
The two Christmas Carols are 'First Nowell' and 'Good King Wenceslas'.
SKU: LO.70-2474L
ISBN 9780787789459.
This versatile collection by Robert Lau consists of 30 very short pieces designed as interludes and crafted for practical use in worship services whenever extra music may be needed: candle lighting, gospel processions, pulpit walking, communion, etc. Each work draws inspiration from well-known hymns, encompassing both seasonal and general selections. The simple registrations all emphasize a solo/accompaniment texture with a focus on the hymn melody.
SKU: HL.14032432
8.25x11.75x0.06 inches.
Eric Thiman was a 20th century composer, teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works, and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator, he was a professor at the Royal Academy of Music, and he wrote many books on harmony, counterpoint and musical form.
SKU: SU.80101120
Six contemporary composers were invited to write new hymn preludes for this collection. The result is a set of fresh, accessible compositions, highly suitable for worship or recital use. The six compositions are: Prelude on Wachet auf (Frederick Frahm), Prelude on Melita (John S. Dixon), Prelude on Kingsfold (Bruce Polay), Trio on Wareham (Sandra Gay), Prelude on Gelobt sei Gott (David W. Solomons), and Jubilee-Postlude on Converse (Carson Cooman). Published by: Zimbel Press.
SKU: HL.14015352
8.25x11.75x0.071 inches.
This chromatic work for organ, invoking the atmosphere of a French Cathedral, was written while Honegger was still a pupil of Widor.
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