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3 Clarinets (trio) (61)
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CD (58)
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Educatif (56)
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:: (49)
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2 Violas (duet) (43)
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Voice and Orchestra (38)
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Orchestre D'Instruments A Plec… (34)
Xylophone (34)
Lute (34)
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Lyrics only (32)
Flûte à Bec Alto ou Flûte T… (31)
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Flûte A Bec, Guitare Et Musiq… (29)
2 Violons, Cordes Et Basse Con… (29)
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Autoharp (29)
Flûte à Bec F1, C1, 2 Violon… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Flûte Traversière ou Hautboi… (28)
Ensemble Divers (28)
Clarinette et Quatuor à Corde… (28)
Voix et Instruments Divers (28)
Violin, Clarinet, Piano (trio)… (28)
2 Violons, Violoncelle Et Orch… (28)
Flute, Clarinet, Piano (trio) (27)
Solistes SATB, Choeur SATB, 2 … (27)
2 Trompettes, Cordes Et Basse … (27)
Livre Musical (27)
Lap Steel Guitar (27)
Cello, String Bass (duet) (27)
Soprano Saxophone and Piano (27)
Batterie et Percussions (27)
Partition D'Orchestre (26)
Handbells (26)
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Trompette, Cordes Et Basse Con… (26)
Livres (26)
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Orgue, 2 Hautbois, Basson Et C… (25)
Musique Légère (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Octuor A Vent (25)
Piccolo (25)
Flûte à Bec, 2 Violons, Alto… (24)
Quatuor de Cordes (24)
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Tuba and Orchestra (24)
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Ocarina (24)
2 Violons, 2 Altos, Violon ou … (24)
Musique de chambre (24)
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Guitar Tab, Voice, Bass, Drum (24)
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Guitare Tablatures Flatpick et… (24)
Quintette de Cuivres (24)
Percussions (24)
Flûte A Bec Soprano Et Flûte… (24)
Flûte A Bec Et Instruments Di… (24)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Hautbois, 2 Flûtes Traversiè… (23)
Brass Quartet: 2 trumpets, hor… (23)
Concert Band ou Harmonie et Ba… (23)
Duos (23)
Trio (2 Soli Avec Réduction D… (23)
Chamber Music (23)
Violin, Organ (23)
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Solistes SATB, Choeur SATB, 2 … (22)
Children choir, Instruments (22)
Violon, Instruments A Cordes E… (22)
Saxophone and Orchestra (22)
Electric bass, Drums (22)
String Quintet: 2 violins, vio… (22)
Bass Trombone and Piano (22)
Sextuor (22)
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2 Violons, Violoncelle et Bass… (21)
Flute Quartet: Flute, Violin, … (21)
Violon, Ensembles de Cordes et… (21)
Ensemble A 4 Parties (Clavier,… (21)
Viola da Gamba (21)
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Voix et Orchestre (21)
Tambour (21)
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3 Trombones (trio) (21)
Medium Voice (21)
2 French horns (duet) (21)
Instruments A Vent, Cordes Et … (21)
Chanson (21)
Edition Critique des oeuvres d… (21)
Flûte à Bec F1 (Hautbois), 1… (20)
Quintette à vent et Percussio… (20)
Flûte Traversière ou Violon)… (20)
Piano Trio: Violin, Viola, Pia… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Ensemble D'Altos (20)
4 Parties Mixtes, Instruments … (20)
Cor Des Alpes Et Orchestre A v… (20)
Quatuor à vent (20)
Violon, Violoncelle Et Orchest… (20)
2 Violons, Alto, Violoncelle e… (20)
String Trio: 2 violins, viola (20)
Flûte Traversière, 2 Violons… (20)
Oeuvres Théâtrales/Oratorios… (20)
Clarinet, Violin, Cello, Piano… (20)
Soprano (20)
2 Violons, Alto, Basses et Cla… (20)
2 Violons, Alto, Violoncelle E… (20)
Quatuor à Cordes ou Orchestre… (20)
Soli and Orchestra (20)
Clavier ou Orgue Electronique (20)
Brass Quartet: 2 trumpets, 2 t… (20)
Violin, Horn and Piano (20)
Cor en Fa (20)
3 Trumpets (trio) (20)
Solistes s TB, Choeur SATB, Pi… (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Choeur Mixte (SATB), Instrumen… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Solistes (SATB), Choeur Mixte … (19)
Clavier Electronique et Ligne … (19)
Chorale (19)
Voix Et Orchestre A Vent (19)
Trumpet, Trombone (duet) (19)
Saxophone Baryton (19)
Instruments Cuivre (19)
Flûte Traversière, Violon et… (19)
Saxhorn and Piano (19)
Viola, Cello (duet) (19)
Bagpipe (19)
Orgue Et Orchestre (19)
Quintette Variable (19)
Harpsichord and Strings (19)
2 Recorders, Basso continuo (t… (19)
2 Trompettes (duo) (18)
Libretto (18)
Solistes SATB, Choeur SATB, 2 … (18)
Baritone Saxophone (18)
Brass ensemble, Organ (18)
English horn, Piano (18)
Flûte à Bec ou Alto et Clavi… (18)
Sextuor A Cordes (18)
Solistes STBB, Choeur SATTBB, … (17)
Cello, Organ (17)
Solistes SATB, Choeur SATB, Ba… (17)
Clarinette, Alto et Piano (17)
Violon, Instruments à Cordes … (17)
2 Recorders, Piano (17)
Flûte Traversière, Violon, A… (17)
Voix Mixtes SAB et Piano (17)
Quatuor A Vent (17)
Snare drums, Piano (17)
2 Violons, Violoncelle et Cont… (16)
Trompette Et Orchestre (16)
2 Hautbois, 2 Violons, Alto, V… (16)
2 Flûtes A Bec (SA) Et Piano (16)
Flûte à Bec F1, Hautbois et … (16)
Trio à Cordes ou Autres Instr… (16)
Solistes SATB, Choeur SATB, 2 … (16)
2 Petits Choeurs Mixtes A 4 Vo… (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Trumpet ensemble (16)
Organ, Piano (duet) (16)
Trio de Cordes (16)
Accordion - Piano, Voice, Guit… (16)
Petit Ensemble Contemporain (16)
Baritone Ukulele (16)
Trompette et Concert Band ou H… (16)
Flûte Traversière, Clarinett… (16)
2 Violons, 2 Altos et 2 Violon… (16)
Ensemble De Cuivres Et Percuss… (16)
Euphonium and Orchestra (16)
5 A 9 Instruments A Vent (16)
Violon 2 (16)
1 Ou Plusieurs Flûte(s) A Bec… (16)
Baryton et Orchestre (16)
Choeur Mixte A Cappella (Satb)… (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Instrument A Cordes (15)
Violoncelle (Partie Séparée)… (15)
5 Instruments A Vent (15)
Flûte Traversière, Violon, V… (15)
Choeur SSATB et Basse Continue… (15)
Flute, Viola and harp (15)
Choeur et Orchestre (15)
Flûte à Bec Alto ou Flûte T… (15)
Drums-Marching band (15)
Quatuor avec Piano (15)
Solistes SATB, Choeur SATB, 2 … (15)
Quatuor De Flûtes A Bec (Quat… (15)
Flute, Oboe, Clarinet, Bassoon… (15)
Saxhorn or Euphonium (15)
Soprano, Piano (15)
Quintette à Cordes (15)
Hautbois Et Orchestre A Cordes… (15)
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3 Percussions (15)
Piano, Bass, Drums (trio) (15)
4 Voix (SATB) (15)
Partition D'Orchestre In 16 Po… (15)
2 Bassoons (duet) (15)
Book (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Solistes ATB, Choeur SATB, Fl… (14)
Choeur D'Enfants (MezMezMez) A… (14)
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SB, 4 Parties Mixtes et Orches… (14)
Clarinette, Violon Et Piano (14)
Flûte A Bec, Chant Et Percuss… (14)
Bass Trombone (14)
Choeur D'Enfants (Ou De Jeunes… (14)
3 Ensembles Instrumentaux A 4 … (14)
Flûte Traversière, Violon, I… (14)
Flute, Clarinet and Bassoon. (14)
Clarinette, Cor Et Piano (14)
Solistes et Choeur SATB/SATB, … (14)
Ensemble A 4 Parties et Piano … (14)
Choeur SATB/SATB, 2 Violons, 4… (14)
Flûte Traversière, Clarinett… (14)
Vocal duet (14)
Violine und Orchester (14)
Choeur SATB a Cappella (14)
Flûte Traversière Hautbois, … (14)
2 Clarinets, Piano (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Clarinet and Strings (14)
Solistes SATB, Choeur SATB, 2 … (14)
Flûte A Bec Alto (14)
Tenor Banjo (14)
Violon 1 (14)
2 Percussions (14)
Guitare Tablatures Electrique (14)
Viola, Guitar (duet) (14)
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Clarinette, Violoncelle et Pia… (14)
Soprano Saxophone (14)
Organ and Orchestra (14)
Timbales (14)
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2 Flûtes A Bec Soprano Et Pia… (14)
Voice, Organ (14)
String quartet: 4 violins (14)
Percussions Diverses (14)
Saxophone, Clarinet (duet) (14)
4 Cellos (14)
Quatuor (2 Trompettes, Trombon… (13)
4 Voix Mixtes (13)
6 Instruments Cuivre (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
3 Flûtes A Bec Alto (13)
Alto Et Orchestre A Cordes (13)
Solo A, Choeur SATB, 2 Hautboi… (13)
Soli (STB), Choeur Mixte (SATB… (13)
3 French horns (trio) (13)
Choeur Mixte (SATB) Avec Parti… (13)
Flûte Et Instruments Divers (13)
Music Theory Et Resources (13)
Flûte A Bec Alto, Cordes Et B… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Violon, Orchestre A Cordes Et … (13)
Quatuor De Flûtes A Bec (13)
Guitar and Bass Tablatures, Ch… (13)
Clavecin Et Orchestre D'Instru… (13)
Guitare (Fingerpick) (13)
3 Recorders, Piano (13)
Cornet et Brass Band (13)
Contrebasse (Partie séparée)… (13)
Double bass, Orchestra (13)
Guitare Tablatures Classique (13)
Harp and Piano (13)
Flûte A Bec Soprano, Cordes E… (13)
Bongos (13)
Choral SSATBB (13)
Flûtes A Bec (SSATB), Cordes,… (12)
Solistes SBar, Choeur SSATB, 2… (12)
Flûte à Bec F1, Violon et Ba… (12)
2 Flûtes A Bec Alto Et Basse … (12)
Mandoline, Cordes et Basse Con… (12)
3 Voix Egales a Cappella (12)
Violoncelle (Alto, Flûte Trav… (12)
Flûte Traversière, Hautbois,… (12)
Ensemble De Contrebasse (12)
2 Flûtes A Bec Alto, 2 Hautbo… (12)
Choeur De Femmes (SSA) Et Pian… (12)
Violon, Orchestre à Cordes et… (12)
Piano Quartet: piano, 2 violin… (12)
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3 Hautbois, 2 Violons, Alto et… (12)
Solistes SATB, Choeur SATB, (C… (12)
Choeur SATB/SATB, 2 Orgues et … (12)
Choeur Mixte (SATB, Partie(s) … (12)
Quatuor de Cuivres et Orgue (12)
Choeur SATB/SATB, (8 Instrumen… (12)
Clarinette, Violon, Violoncell… (12)
Woodwind Quartet: any 4 woodwi… (12)
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3 Violons et Basse Continue ou… (12)
Choeur SATB, 2 Violons, Violon… (12)
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2 Petits Choeurs A 4 Voix Et B… (12)
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OPERA::Op‚ra (12)
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Baryton ou Tuba et Brass Band (12)
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Johann Sebastian Bach: Violin Concertos In A Minor: Violin: Study Score
Partition de Poche
[Sheet music]
Barenreiter
Konzert a-moll BWV 1041 und E-dur BWV 1042-Study score format 22.5 x 16.5cmToday...
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Konzert a-moll BWV 1041 und E-dur BWV 1042-Study score format 22.5 x 16.5cmToday the three Violin concertos BWV 1041 3 are among Johann Sebastian Bach’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire.This Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing fingering and comments on performance by Andrew Manze.Full score and performance material Violin and Piano reduction and study score of BWV1041-1042 (TP269) available for sale.
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Johannes Brahms: A German Requiem Op.45: Mixed Choir: Miniature Score
Partition de Poche
[Sheet music]
Dover Publications
Scored for mixed chorus two solo voices and full orchestra this masterpiece of...
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Scored for mixed chorus two solo voices and full orchestra this masterpiece of choral music is Brahms’ greatest most ambitious vocal work. It reflects his virtuosic grasp of 19th-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. One of the most performed and recorded works in the repertoire of religious music A German Requiem appears here in full score with bar-numbered movements.
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Wolfgang Amadeus Mozart: Violin Concerto No.5 In A K.219: Violin: Study Score
Partition de Poche
[Sheet music]
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...
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for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart Edition.Full score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
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Ouverture De Fete
Français
Partition De Poche
[Sheet music]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition a pour titre Ouverture De Fet...
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L'oeuvre musicale qui a pour support une Partition a pour titre Ouverture De Fete. C'est une partition musicale composée par Ibert Jacques et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre / Partition
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Sinfonia N.6 Op. 74 B Minor (TCHAIKOVSKI PIOTR ILITCH)
Partition de Poche
[Sheet music]
Dover Publications
Pathétique. Par TCHAIKOVSKI PIOTR ILITCH. The brooding melancholy that pervades...
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Pathétique. Par TCHAIKOVSKI PIOTR ILITCH. The brooding melancholy that pervades many of Tchaikovsky's compositions is perhaps most concentrated in his Symphony No. 6, the 'Pathétique, ' a remarkably innovative, highly personal, and deeply emotional work. A perennial concert favorite since its premiere in 1893, this symphony is also characterized by two of the composer's most consistent and memorable contributions: his effortless melodic invention and superb orchestration. This miniature-score edition of the work is complete in all respects, containing the original instrumentation with bar-numbered movements. Reproduced from the authoritative Breitkopf & Härtel edition, it is ideal for study in the classroom, at home, or in the concert hall — an affordable, high-quality, conveniently sized volume that will be the edition of choice for music students and music lovers alike. A perennial concert favorite since its premiere in 1893. This miniature-score edition is complete in all respects, containing the original instrumentation with bar numbered movements. Reproduced from the authoritative Breitkopf & Hartel edition./ Répertoire / Partition de Poche
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Mer, La (The Sea) (DEBUSSY CLAUDE)
Partition de Poche
[Sheet music]
Dover Publications
Par DEBUSSY CLAUDE. One of the most revolutionary and influential of modern comp...
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Par DEBUSSY CLAUDE. One of the most revolutionary and influential of modern composers, Debussy overturned traditional concepts of form, harmony and instrumental colour to create a unique body of music characterised by innovation, individuality of style and perfection of workmanship. Among his most popular, most performed, most recorded works, is La Mer, a complex masterpiece comprising three symphonic sketches. Published in full score, ideal for study purpose./ Répertoire / Partition de Poche
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Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Die Entführung Aus Dem Serail: Study Score
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[Sheet music]
Barenreiter
?I know for a fact that the Emperor is proposing to mount a German opera in Vien...
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?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)
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Franz Schubert: Complete String Trios: String Trio: Study Score
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Barenreiter
This study score of Franz Schubert’s complete string trios (Violin Viola ...
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This study score of Franz Schubert’s complete string trios (Violin Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert’s very first essay in the genre which only resurfaced in 1997: the draft trio in B-flat major D 111A (1814). Besides this draft two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions the first based on the autograph score the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form rhythm articulation and dynamics. - All of Schubert's string trios- All drafts and alternative versions for the first time in a study score- Urtext from the New Schubert Edition Contents:- Trio in B-flat major D 471 (movement 1)- Trio in B-flat major D 581 (versions 1 and 2)- Incomplete first movement to Trio in B-flat major D 111A- Incomplete second movement to Trio in B-flat major D 471
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Ensemble: Study Score
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Barenreiter
a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two cl...
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a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- Urtext of the New Mozart Edition- Parts sextet version (BA5333) octet version (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Wolfgang Amadeus Mozart: Don Giovanni K.527: Mixed Choir: Study Score
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Barenreiter
Dramma giocoso (Opera) in two acts-In early 1787 Mozart made his first visit to ...
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Dramma giocoso (Opera) in two acts-In early 1787 Mozart made his first visit to Prague where he attended a performance of Le nozze di Figaro on 17 January and conducted the performance five days later. Thoroughly impressed by the huge success of his opera and the personal triumphs he had enjoyed during his visit he and his wife left the city on 7 February but not before he had concluded a contract to write a new opera for the next season. This contract signed with Pasquale Bondini the director of Count Nostitz’s National Theater led to the composition of his first opera for Prague Don Giovanni (K. 527). Ever since its première on 29 October 1787 the opera has moved audiences over andover again and has occupied a special position in Mozart’s rich and variegated output for the stage.Urtext of the New Mozart EditionFull score (BA4550-01) vocal score (BA4550-90) study score format 22.5 x 16.5cm (TP279) available for salePerformance material (BA4550-72) available for hire
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Wolfgang Amadeus Mozart: Works for Flute & Orchestra: Flute: Study Score
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Barenreiter
Flute Concerto in G major K.313 (285c) Flute Concerto in D major K.314 (285d) An...
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Flute Concerto in G major K.313 (285c) Flute Concerto in D major K.314 (285d) Andante C major in K.315 (285e) Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert performance. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and evenconducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Format 16.5 x 22.5cm
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Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Study Score
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[Sheet music]
Barenreiter
Mass in Time of War-Haydn was in England in 1795 when he received word from hi...
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Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Hector Berlioz: Grande messe des morts op. 5: Mixed Choir: Study Score
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Barenreiter
The Grande mess des morts (Requiem) was composed in 1837 as the result of a comm...
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The Grande mess des morts (Requiem) was composed in 1837 as the result of a commission from the French Minister of the Interior Adrien de Gasparin. By means of annual commissions of this kind Gasparin intended to ?restore sacred music to the prestige which it had long ago lost in France?.Urtext of the New Berlioz EditionFull score (BA5449) vocal score (BA5449-90) and study score format 22.5 x 16.5cm (TP332) available for salePerformance material (BA5449-72) available for hire
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
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Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying sorrow sighing) BWV 12Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations androyal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale
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Georg Friedrich Händel: Messiah: Mixed Choir: Miniature Score
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Dover Publications
Messiah is the supreme example of the English Oratorio. A meditation on the life...
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Messiah is the supreme example of the English Oratorio. A meditation on the life of Christ the work is a brilliant amalgam of traditional Italian Opera English anthem and German Passion. Reprinted from the authoritative edition this full-score edition will be welcomed by all who want to study this masterpiece.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Study Score
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Barenreiter
Harmonie-Messe.-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph...
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Harmonie-Messe.-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Johann Sebastian Bach: Cantata BWV 18 Gleichwie Der Regen Und Schnee: Mixed
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Barenreiter
Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt ...
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Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18Cantata for Sunday Sexagesimae Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasionssuch as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Study
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Barenreiter
Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht!...
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Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Study Score
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Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 36 Schwingt Freudig Euch Empor: Mixed Choir:
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Barenreiter
Cantata for the First of Advent-Study Score Archive CopySchwingt Freudig Euch Em...
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Cantata for the First of Advent-Study Score Archive CopySchwingt Freudig Euch Empor BWV 36 (final version)Cantata for the First of Advent- Urtext of the New Bach Edition- Performance material (BA10036) vocal score (BA10036-90) and study score (TP1036) available for saleBärenreiter 's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sundayand festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
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Barenreiter
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: Mixed Choir:
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Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Franz Joseph Haydn: The Creation In Full Score: Mixed Choir: Miniature Score
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Dover Publications
Oratorio in three parts for five solo voices chorus with SATB soloists and orc...
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Oratorio in three parts for five solo voices chorus with SATB soloists and orchestra with continuo. Composed in 1796-8 The Creation is perhaps the most majestic achievement in the last phase of Haydn's musical career. Reproduced from an authoritative early edition this score appears with bar numbered movements and includes a text underlay in both German and English.
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Johann Sebastian Bach: Orchestral Suite - Overture No.1 In C BWV 1066: Ensemble:
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Barenreiter
Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group o...
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Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.
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Franz Joseph Haydn: Mass In B-flat Major: Mixed Choir: Study Score
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Barenreiter
Theresienmesse-Between 1796 and 1802 Haydn composed 6 great Masses to celebrate ...
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Theresienmesse-Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of Princess Maria Hermenegild the wife of his patron Prince Nikolaus Esterhazy II.The Theresa Mass was the fourth of these composed in 1799 and although the title page of the score simply has the word 'Missa' the nickname Theresienmesse remains a matter for speculation but is usually attributed to the work’s supposed association with Marie Therese the wife of the Emperor Franz II.- Urtext from Joseph Haydn Werke- Full score (with Nelson Mass) (BA4660) available for sale- Parts (BA4661) vocal score (BA4661-90) and study scoreformat 22.5 x 16.5cm (TP99) available for sale
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Johann Sebastian Bach: Cantata BWV 140 Wachet auf ruft uns die Stimme: Study
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Barenreiter
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140...
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Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach EditionStudy scoreformat 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale
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Johann Sebastian Bach: Orchestral Suite - Overture No.4 In D BWV 1069: Chamber
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Barenreiter
Overture-J.S. Bach?s Four Orchestral Suites belong to that select group of works...
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Overture-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Orchestral Suite - Overture No.3 In D BWV 1068: Ensemble:
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[Sheet music]
Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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