Music from the Motion Picture Soundtrack Voice with Piano Accompaniment-Frozen has been called one of Disney's greatest musicals of all time high praise indeed.Vocal lines with Piano accompaniment for nine songs from the mega-hit movie are presented in this collection including Do You Want to Build a Snowman? For the First Time in Forever Let It Go Love Is an Open Door and more.

The new single from the short Frozen Fever. This sheet music features an arrangement for Piano and Voice with Guitar chord frames with the melody presented in the right hand of the Piano part as well as in the vocal line. The sheet also includes access to online recorded backing tracks that you can play along with to sound like a pro.

Music from the Disney Show. Eight songs from the Disney TV miniseries based on Marvel Comics characters are presented in this collection for piano, voice and guitar. It includes the series end credits theme by original score composer Christophe Beck, ?Wanda's Theme? plus seven individual episode themes by the talented Disney Frozen and Coco songwriting team of Kristen Anderson-Lopez and Robert Lopez: Agatha All Along ? Let's Keep It Going ? Making It up As We Go Along ? A Newlywed Couple ? W-V 2000 ? WandaVision! ? and We Got Something Cookin'.

John Kincade's 1972 hit Dreams Are Ten A Penny for Voice and Piano with chord symbols. English text.

A Song For Christmas was written in 1958. It is a setting of a 15th century Scottish poem sometimes attributed to William Dunbar scored for Soprano or Tenor solo with Piano accompaniment. It was commissionedby BBC Scotland and is one of the few pieces to date from the composer's brief phase of total serialism as testified to by the angular melody and declamatory texture.Thea Musgrave (b. 1928) is a Scottish-Americancomposer. Over a career spanning more than 60 years she has established herself as one of the leading contemporary composers on both sides of the Atlantic.

Herbert Howell's Requiem written for unaccompanied SATB chorus and soli. Although written in 1936, Requiem was not released for performance until 1980, held back by Howells following the death of his son in 1935. It is a harmonious and deeply Romantic composition, but restrained and it is at these moments we realise how affected he was by his loss. It was the composer's intention that Requiem should be performed a cappella, however he provided a limited organ part, for rehearsal purposes only, which is included here. / Chant Et Piano

While Robert Burns is celebrated today for his body of poetry the composer of Auld Lang Syne was also the composer or arranger of more than three hundred songs. A Rosebud by My Early Walk is set to the traditional tune The Shepherd’s Wife and it was a favourite of drawing room musicians for many years. According to at least one researcher the ‘rosebud’ was the daughter of a family with whom Burns lived while recovering from a broken leg. The girl was just twelve years old and as a young musician played Burns's songs to him on harpsichord. The sheet music includes a version in C and in D.

In F-A Brown Bird Singing (published in 1922) is second only to the Roses of Picardy in popularity among Wood’s vast oeuvre. With lyrics by composer Royden Barrie the romantic words are well matched to the touching melody. The songhas been recorded many times since it appeared including a version by jazz songstress Peggy Lee and one arranged for zither.Haydn Wood earned his reputation as a giant of British light music in the twentieth century through aprolific career that encompassed performance as Violin soloist and conductor and as well as composer of some of the nation’s favourite melodies. Wood was not only was a gifted and popular creator of Orchestral works and musicaltheatre but also the composer more than 200 songs in his lifetime -- perhaps inspired by his long and happy marriage to singer Dorothy Court -- many of them the greatest hits of their era.

A new life for the 1954 musical began with The Bridewell Theatre Company in London where it was given its world premiere production in 1997 with the blessing of the composer.

Imaginatively presented with fresh delightful Piano accompaniments by Mark Tanner these highly familiar folk songs take on an entirely original guise. Lying within a comfortable tessitura they will suit male and female voices alike.