Raccolte ed elaborate da A. Parisotti - Collezione completa-Volume 2 of this fabulous Aria collection contains 30 arias by various composers for Voice and Piano as compiled and edited by A. Parisotti.

Rodelinda Regina de' Longobardi HWV 19; Opera in three acts.After Giulio Cesare and Tamerlano Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket London on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty. Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel operamovement.The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas. Handel returned to Rodelinda on two occasions in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers. For example Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance doubtless to accommodate the needs and wishes of the singers also improve the work’s dramatic substance.Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.Urtext of the Halle Handel Edition.Full score (BA4064) & vocal score (BA4064-90) available for sale.Performance material (BA4064-72) available for hire

Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Lied 2 is a collection of repertoire for young singers and pianists with songs from a wide range of countries and cultures. There are songs in eight languages, all of them with sung English translations. Text interpretation and storytelling, social and musical interaction skills together with instrument and performance skills are activated when children themselves take the active role in devising interpretations. A thorough pedagogical introduction and a large collection of downloadable versions of the songs in various keys make this collection a valuable tool for all educators willing to open the door to the world of Lied for kids and teens./ Recueil / Chant et Piano

Riduzione per canto e pianoforte. Par . On 17 November 1868, Verdi made a proposal to Tito Ricordi to form a commission to select thirteen of the most representative composers of the era, asking each of them to compose a movement of the mass to be performed on the first anniversary of the death of the composer from Pesaro. The first performance, scheduled for the following November in Bologna, had to be cancelled because of disputes and organizational differences. The manuscript of the Rossini Mass lay largely forgotten in the archives of Casa Ricordi until 1970, when it caught the attention of the musicologist David Rosen. This was followed by various studies aimed at reconstructing the performance materials, carried out by musicologists, musicians and institutions, including the Istituto Nazionale di Studi Verdiani and Casa Ricordi itself. / Date parution : 2021-12-09/ Répertoire / Chant et Piano

“Les Fêtes de l’Hymen et de l’Amour” was performed on 15 March 1747 on the occasion of the second marriage of the Dauphin Louis Ferdinand de Bourbon and Maria Josepha of Saxony in the Manège de la Grande Écurie in Versailles. This second collaboration between Rameau and Cahusac makes use of the “ballet héroïque” genre, usually known today as “opéra-ballet” based on various story lines which run independently of each other. The score is based on a libretto inspired by Egyptian mythology and freemasonry. • Milestone of French Baroque opera in performance practice orientated vocal score • With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition Edition no.: BA 8858-90 ISMN: 9790006544264 Editor: Soury, Thomas Arranger: Saint-Yves, François Language(s) of work: French Language(s) of text: English, French Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XIV, 249 S. - 27,0 x 19,0 cm

The opera ?Na s? was premiered on 22 April 1749 at the Académie royale in the Palais-Royal Paris in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau?s death and achieved great success as the ?opera of peace ? even though it did not appear in print during the composer?s lifetime.In numerous arias Rameau provides his singers ample opportunity to shine while he reveals his orchestral mastery in particular in the chaconne and the various other ballets.The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis ofthe new critical edition by Pascal Denécheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.This edition is the result of a meticulous comparison of all known musical sources. In the main section it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival. Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen First practical performing edition with a keyboard reduction Based on the complete edition Opera Omnia Rameau (OOR)- Full score (BA8857)

Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition.

Michel Legrand: The Piano Collection is a definitive compilation of 25 best-loved songs by the award-winning songwriter arranged for piano and voice.Michel Legrand has been a seeminglyinexhaustible songwriter film score