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You've Selected:
Wolfgang Amadeus Mozart
ORCHESTRA - BAND
Piano, Voice
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Mozart-Jahrbuch 1984/85
Piano, Voice
[Sheet music]
Barenreiter
Mozart 1784. Bericht über die Tagung 1984, Teil 1. / Recueil / Livre
72.00 EUR - Sold by LMI-partitions
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Requiem
Piano, Voice
[Sheet music]
Ricordi
Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort ...
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Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition REQUIEM tout le talent de Mozart. Cette partition a été composée pour Voix Et Piano. C'est l'éditeur Ricordi qui a publiée cette oeuvre. / Voix Et Piano / Partition
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Finta Semplice
Piano, Voice
[Sheet music]
Ricordi
Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort ...
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Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition FINTA SEMPLICE tout le talent de Mozart. Cette partition a été composée pour Voix Et Piano. C'est l'éditeur Ricordi qui a publiée cette oeuvre. / Voix Et Piano / Partition
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The Magic Flûte
Piano, Voice
[Vocal Score]
Boosey and Hawkes
Le Mariage de Figaro, Don Giovanni et La Flûte enchantée sont trois des opéra...
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Le Mariage de Figaro, Don Giovanni et La Flûte enchantée sont trois des opéras les plus aimés et réalisé par Wolfgang Amadeus Mozart, mis à livrets de Lorenzo da Ponte et Emanuel Schikaneder. Disponible depuis de nombreuses années, ces trois partitions vocales avec des réductions de piano dans 'La Royal Edition des opéras de la série chez Boosey and Hawkes disposent traductions chanter en anglais par Edward J Dent à côté du texte chanté original et les notes liminaires. / Voix Et Piano
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The Marriage Of Figaro
Piano, Voice
[Vocal Score]
Boosey and Hawkes
Le Mariage de Figaro, Don Giovanni et La Flûte enchantée sont trois des opéra...
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Le Mariage de Figaro, Don Giovanni et La Flûte enchantée sont trois des opéras les plus aimés et réalisé par Wolfgang Amadeus Mozart, mis à livrets de Lorenzo da Ponte et Emanuel Schikaneder. Disponible depuis de nombreuses années, ces trois partitions vocales avec des réductions de piano dans 'La Royal Edition des opéras de la série chez Boosey and Hawkes disposent traductions chanter en anglais par Edward J Dent à côté du texte chanté original et les notes liminaires. / Voix Et Piano
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Wolfgang Amadeus Mozart: Idomeneo K. 366: Mixed Choir: Vocal Score
Piano, Voice
[Vocal Score]
Barenreiter
Dramma per musica in three acts (Hardcover)-?Idomeneo?(KV 366) erstmals aufgefÃ...
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Dramma per musica in three acts (Hardcover)-?Idomeneo?(KV 366) erstmals aufgeführt am 29. Januar 1781 im Münchner Cuvilliés-Theater ist nach der Opera buffa ?La finta giardiniera? von 1775 Mozarts zweite Oper für den Münchner Hof. Der Opernstoff (?Idoménée? von Antoine Danchet) und dessen Umformung zu einem Libretto war in einer schriftlichen Anweisung dem leider verschollenen ?Plan? wie sie im Briefwechsel zwischen Vater und Sohn genannt wird fixiert worden. Der Bärenreiter-Klavierauszug enthält im Anhang die Striche und Änderungen anlässlich der Uraufführung in München und der Wiener Revision 1786. Vorschläge für Kadenzen oder zur Auszierung von Fermaten in den Singstimmen sind als Fußnoten wiedergegeben.
62.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Complete Songs for Medium Voice & Piano: Voice: Vocal
Piano, Voice
Barenreiter
Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to ...
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Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again at irregular intervals down to the final year of his life. None the less Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder published in 1799 by Breitkopf
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Wolfgang Amadeus Mozart: The Marriage Of Figaro: Voice: Vocal Score
Piano, Voice
[Vocal Score]
Dover Publications
A critical and popular success from its 1786 debut Mozart's musical comedy elev...
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A critical and popular success from its 1786 debut Mozart's musical comedy elevated the opera buffa to new heights. Le nozze di Figaro ('The Marriage of Figaro') ossia la folle giornata ('or The Day of Madness') reassembles characters from The Barber of Seville for a romantic romp involving mistaken identities remarkable coincidences and the triumph of true love.This authoritative practice and performance edition presents Lorenzo da Ponte's vocal score originally published by Casa Ricordi Milan. Ideal for study practice and performance it contains the complete vocal music with a piano reduction of the orchestral score. Vocalists voice majors and teachers andrehearsal pianists will rejoice in this high-quality low-cost edition of Mozart's masterpiece. Note: Lyrics are in the original Italian only.Dover (2001) republication of the vocal score from an authoritative early edition.
21.95 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Die Schuldigkeit Des Ersten Gebots K.35: Voice: Vocal
Piano, Voice
[Sheet music]
Barenreiter
This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrat...
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This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach was assigned to three Salzburg composers: W. A. Mozart (part 1) Michael Haydn (part 2) and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas perhaps taking Johann Ernst Eberlin and even his father Leopold as his models. The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701 1785) town councillor and mayor of Salzburg. Mozart wrote out many of theappoggiaturas in this early work thereby providing a useful guide to the vocal practices of his day. Aria No.2 has come down to us with an instructive passage in which the Vocal part is ornamented in the hand of Leopold Mozart.
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Wolfgang Amadeus Mozart: Requiem K.626: Voice: Vocal Score
Piano, Voice
[Vocal Score]
Dover Publications
The Requiem was Mozart?s final composition. It was commissioned by the widow of ...
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The Requiem was Mozart?s final composition. It was commissioned by the widow of the Countess von Walsegg who died in February 1791. After working on the Requiem through October and November however Mozart fell ill and died without completing it. Mozart's widow needing money asked Joseph Eybler to complete the work. Unfortunately he could not finish the work and it was handed over to Franz Xaver Sussmayr. However Sussmayr was a musician of limited capabilities and much of his contribution was in fact a copy of Eybler's work.
10.20 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: The Violet: Voice: Vocal Work
Piano, Voice
[Sheet music]
Edwin Ashdown
Das Veilchen-The elegant playful endlessly creative pen of Mozart wrote this s...
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Das Veilchen-The elegant playful endlessly creative pen of Mozart wrote this short song on 8 June 1785 in Vienna. The three-verse poem by Goethe had already been set to music by at least four composers before Mozart was inspired to write.While the poem has three equal stanzas the song has three distinct moods relating to the words. They tell the sad tale of a violet symbolizing a young man who loves a young shepherdess. The shepherdess carelessly tramplesthe violet who manages to die happily for love. Mozart himself added a final sympathetic line of text. The range is not demanding and there are useful notes in this edition on ornamentation making this a charming addition toa younger singer’s repertoire as well as to an experienced singer’s collection.
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Wolfgang Amadeus Mozart: Missa Brevis In D K.194: Voice & Piano: Vocal Score
Piano, Voice
Barenreiter
Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritati...
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Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative vocal score version features a piano reduction of the instrumental material as well as the complete score for Soprano solo Alto solo Tenor solo Bass solo and mixed SATB choir.
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Wolfgang Amadeus Mozart: Venite Populi In D Major: Mixed Choir: Vocal Score
Piano, Voice
[Sheet music]
Barenreiter
The 0ffertorium de venerabili sacramento “Venite populi” Ã 2 Chori ...
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The 0ffertorium de venerabili sacramento “Venite populi” Ã 2 Chori K. 260/248a – dated Salzburg 1767 by Mozart in his autograph score – clearly reveals a striving for more pronounced contrapuntal work. A short homophonic central movement is framed by two predominantly polyphonic movements that are fashioned from the same thematic material. The two-chorus texture offers many opportunities for interweaving as well as contrast and echo effects of all kinds. It is not known who wrote the non-liturgical text. - Urtext of the New Mozart Edition - Full score & performance material (BA4899) and vocal score (BA4899-90) for sale
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Wolfgang Amadeus Mozart: Batti Batti O Bel Masetto: Opera: Vocal Work
Piano, Voice
[Vocal Score]
Ricordi
Batti Batti O Bel Masetto is taken from the Opera Don Giovanni. Don Giovanni i...
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Batti Batti O Bel Masetto is taken from the Opera Don Giovanni. Don Giovanni is widely regarded as one of the greatest pieces of music ever composed and of the many operas based on the legend of Don Juan Mozart's is thought to be beyond comparison. The opera was billed as dramma giocoso or playful drama belonging to a genre neither completely comic nor completely tragic. In the original production the actors alternated between spoken recitative and sung aria but most modern productions use the secco-recitatives composed by Mozart in place of the spoken text.
7.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Die Entführung Aus Dem Serail: Mixed Choir: Vocal Score
Piano, Voice
[Sheet music]
Barenreiter
German singspiel in three acts-?I know for a fact that the Emperor is proposing ...
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German singspiel in three acts-?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)
45.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Cantolopera - Mozart Arias For Tenor: Opera: Vocal
Piano, Voice
[Sheet music + CD]
Ricordi
Cantolopera - Mozart Arias For Tenor
20.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Cosi Fan Tutte: Mixed Choir: Vocal Score
Piano, Voice
[Sheet music]
Schirmer
Long neglected and misunderstood 'Cosi Fan Tutte' (Thus Do All Women) emerged f...
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Long neglected and misunderstood 'Cosi Fan Tutte' (Thus Do All Women) emerged from obscurity in the twentieth century and has come to be regarded as among Mozart's finest works. The Libretto is by Lorenzo da Ponte and tells of two friends Ferrando and Guglielmo who wager with Don Alfonso that their lovers Fiordiligi and Dorabella will remain constant in their absence. To prove the point they depart under false pretences and return as 'Albanians' to try to woo the women away. Each of the six characters receives an equally insightful musical portrayal for example Fiordiligi transcends her role as the victim of cruel manipulation revealing a complex personality that issincere capable of growth and inarguably sympathetic. In contrast Guglielmo never progresses beyond concern for his own ego and interests; his music therefore remains within the stock traditions of opera buffa. The ambigous nature of the ending (who actually loves whom?) can be seen as appropriate given the emotional issues aired during the drama. This is the Schirmer edition of the Vocal Score with an English version by Ruth and Thomas Martin.
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Wolfgang Amadeus Mozart: The Marriage of Figaro (Le Nozze di Figaro): Mixed
Piano, Voice
Schirmer
Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical...
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Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere di Siviglia' 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count who is determined to exercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the Vocal Score with an English translation by Ruth and Thomas Martin and an essay by Nathan Broder.
32.50 GBP - Sold by Musicroom UK
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