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Ike
ORCHESTRA - BAND
Piano Trio: piano, violin, cello
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Simon Holt: Piano Trio - Los Ojos: Chamber Ensemble: Score and Parts
Piano Trio: piano, violin, cello
Chester
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cell...
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Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt
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Felix Mendelssohn Bartholdy: Piano Trios No.1 - 2 Op.49 - 66: Piano Trio: Score
Piano Trio: piano, violin, cello
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Advanced
Dover Publications
Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In...
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Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In D minor Op.49 and Piano Trio No.2 in C minor Op.66. Upon hearing the first trio Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach Mozart and Beethoven. Like the other German composers of his generation Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words.
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Michael Nyman: The Photography Of Chance (Piano Trio): Violin & Cello: Score and
Piano Trio: piano, violin, cello
[Sheet music]
Chester
For Violin Cello and Piano. Composer's Notes 'Even though this work was inten...
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For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
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Judith Weir: Distance And Enchantment: Chamber Ensemble: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Distance and Enchantment is a musical essay considering the strikingly common oc...
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Distance and Enchantment is a musical essay considering the strikingly common occurrence of people who disappear from home never to return. It takes the form of two meditations on traditional songs which are playedtogether without a break amounting to a single movement of about eleven minutes duration. The first song The Dark Eyed Gipsy tells of a woman who of her own accord leaves her home to roam the unknown world with a band ofgipsies; and the second A ghaoil lig dhachaigh gu m'mathair mi tells of a girl who wanders a little too far from home on a dark night and is stolen away by the fairies. Scored for Violin Cello Viola and Piano. Scoreand parts included.
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Peter Maxwell Davies: A Voyage To Fair Isle: Violin & Cello: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
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Intermediate/advanced
Chester
This piece was written as a tribute to the people of Fair Isle a remote communi...
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This piece was written as a tribute to the people of Fair Isle a remote community that lies between Orkney and Shetland which is also the home of the composer. The work was composed for the Grieg Trio of Norway and reflect theensemble's virtuosity with striking cadenzas that showcase the performers. The music is rugged ever-changing and full of the energy of this unique landscape.
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Michael Nyman: The Photography Of Chance (Piano Trio): Piano: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this ...
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Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
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Bedrich Smetana: Piano Trio In G Minor Op. 15: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
G. Henle
When Smetana composed his Piano trio in the autumn of 1855 it was an act of cat...
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When Smetana composed his Piano trio in the autumn of 1855 it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chambermusic. Its first public performance in December 1855 was regrettably not a great success and so Smetana embarked on a protracted process of reworking it. By the late 1850s it had reached its current form. Smetana always liked toperform it but only found a publisher for it in 1880 when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Posp Å¡il has based this Henle Urtext edition on thefirst edition by Pohle but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.
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Palm Court Trios Vol. 1: Piano Trio: Instrumental Album
English
Piano Trio: piano, violin, cello
[Score and Parts]
Boosey and Hawkes
Popular classical and light music-Recapture the lost elegance of a bygone age wi...
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Popular classical and light music-Recapture the lost elegance of a bygone age with this wonderful collection of popular classics. Many of these charming pieces were firm favourites of bands and orchestras that once graced hotel lounges amd luxury liners the world over. In these new highly imaginative arrangements for Piano trio they will once again delight performers and audiences alike.
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Fritz Kreisler: Love's Joy - Love's Sorrow: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Schott
from the Old Viennese dance tunes-Apart from the collection of 'Classical Manusc...
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from the Old Viennese dance tunes-Apart from the collection of 'Classical Manuscripts' composed by Fritz Kreisler (1875-1962) and passed off by him as transcriptions of movements by old masters the violonist published original works very early. Kreisler himself liked to play them as encore pieces sweetening many a concert with such pieces of 'musical confectionary'. The most famous miniatures are undoubtedly 'Love's Joy' and 'Love's Sorrow' two 'old Viennese dance-tunes' in which Kreisler evoked the coffee-house atmosphere of his home town with wonderful melodies and beguiling harmonies. The miniatures are endearing lively and catchy yet with an elegiac air but full of charm and elegance. Thesemagnificent salon pieces are now available in an arrangement for piano trio by Wolfgang Birtel.
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Felix Mendelssohn Bartholdy: Klaviertrio Nr. 1 d-moll Opus 49: Chamber Ensemble:
Piano Trio: piano, violin, cello
G. Henle
Piano Trio no. 1 in d minor op. 49. Mendelssohn is considered a self-critical co...
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Piano Trio no. 1 in d minor op. 49. Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839: it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn?s d minor Trio was immediately received with enthusiasm. Robert Schumann wrote: ?It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time: a very beautiful composition which after years will still delight grandchildren and great-grandchildren.? Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
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Maurice Ravel: Piano Trio: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
G. Henle
Klaviertrio-As with all of his mature chamber music works Ravel also emerges as ...
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Klaviertrio-As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio composed in 1914. Thus the ?Passacaglia? movement corresponds to the underlying form of theBaroque Period. The music on the other hand was according to Ravel ?like that of Saint-Saëns? which was surely meant ironically. For the historicizing template only served as a framework for experiments with musical idiom: froma constant oscillation between major and minor to combinations and overlaying of the most diverse metres. The fingering for our edition of this technically extremely demanding work was provided by the renowned French pianistPascal Rogé.
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