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ORCHESTRA - BAND
Soli, Mixted choir and accompaniment
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Trio De Cuivres (1)
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voix soprano, voix alto (1)
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Requiem: Mixed Choir and Accomp.: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Carus Verlag
Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 f...
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Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen Odenwald. This followed the Miserere of 1773 and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical “Sturm und Drang.” With all its youthful unconcern towards compositional technique this music displays his seriousness and strength of expression together with a dark instrumental timbre as well as an abruptness or at times brusqueness. The publication of the Requiem in the Complete Edition is the first historical and critical edition of the work
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Georg Friedrich Händel: Acis And Galatea HWV 49b 2nd Version: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Serenade in three parts-Handel set the myth about the love of the shepherd Acis ...
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Serenade in three parts-Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) the masque Acis and Galatea HWV 49a (1718) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) of which the original version is now made available in its complete form for the first time.A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English as was required for the first performance. However Handel’s Italian singers were criticised for their poor command of English so in the end many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. Performance material available for hireUrtext edition based on the Halle Handel EditionEnglish and Italian original text with singable German translation Extensive foreword in two languages (Ger/Eng)Clear straightforward piano reduction
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Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled ove...
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Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.
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Johann Sebastian Bach: Cantata BWV 4 Christ Lag In Todes Banden: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshro...
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Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshrouded / Christ lay in grim death's prison ) BWV 4Cantata for Easter SundayUrtext of the New Bach Edition.Original German text with English singing translation.Idiomatic and easy-to-play Piano reduction.Performance material (BA10004) vocal score (BA10004-90) & study score (TP1004) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprisingconsidering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Tr...
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Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exult...
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Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter DayPerformance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Our editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardlysurprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 6 Bleib Bei Uns: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full sc...
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Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full score & performance material (BA10006) vocal score (BA10006-90) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such ascouncil inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Franz Joseph Haydn: The Seasons Hob.XXI: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Joseph Haydn’s oratorio ‘The Seasons’ was composed directly ...
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Joseph Haydn’s oratorio ‘The Seasons’ was composed directly after the first successful performances of ‘The Creation’.‘The Seasons’ has however been greatly overshadowed by ‘The Creation’ for a long time and yet this work has far greater changes of style between popular Singspiel and great oratorio than ‘The Creation’. ‘The Seasons’ continues to impress and remains part of the core repertoire to the present with its overwhelming richness of musical character and its immense formal variety. Scarcely another oratorio is able to so captivate an audience with such variety.- Urtext edition from theComplete Edition ‘ Joseph Haydn Works’ published by G. Henle Verlag Munich.- Duration: approx. 140 minutes.- Full score & parts (BA4647) & vocal score (BA4647-90) available for sale.
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
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Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositi...
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Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Johann Sebastian Bach: Mass In B Minor BWV 232 - Revised Edition: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Paperback full score.The New Bach Edition (NBA) volume of J. S. Bach?s Mass in B...
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Paperback full score.The New Bach Edition (NBA) volume of J. S. Bach?s Mass in B Minor BWV 232 has been the definitive edition for generations of singers and musicians. However the Bach Archive Leipzig in conjunction with Bärenreiter are constantly striving to bring new discoveries of editorial research to the fore. It is precisely for this reason that a new revised edition of the Mass in B Minor will now appear. The Urtext performing edition is based on the first volume of the new 15 volume series New Bach Edition-Revised (NBA rev).
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Johann Sebastian Bach: Cantata BWV 132 Bereitet Die Wege: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 13...
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Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 132Cantata for the 4th Sunday of Advent.The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for thatoccasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.- Urtext of the New Bach Edition- Full score & performance material (BA10132) vocal score (BA10132-90) available for sale.
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Olivier Messiaen: Saint Francois d'Assise - Volume 4: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Leduc, Alphonse
Saint Francois D'Assise is an Opera in three acts by Olivier Messiaen (1908-199...
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Saint Francois D'Assise is an Opera in three acts by Olivier Messiaen (1908-1992). Written in 1972 to 1983 it concerns the Catholic preacher Saint Francis of Assisi and displays the composer's devout Catholic faith. The third volume contains the complete third act of the Opera comprising the final two scenes; Stigma and Death and New Life. Despite his studies of Mozart and Wagner's operas Messiaen vowed that he would never compose one himself however he was eventually convinced by the French president. After feeling unworthy to dramatise either Christ's Passion or Resurrection he eventually chose to portray the life of SaintFrancis of Assisi whose life often reflected Christ's chastity humility poverty and suffering. This unique Opera by the individual Messiaen is a significant contribution to the repertoire and was notably semi-staged as part of the BBC proms series in 2008.
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Franz Schubert: Alfonso und Estrella D 732: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Voice &
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate - Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for sale Barenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Mass in C major (BEETHOVEN LUDWIG VAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again...
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Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again?? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression for the liturgical text, opening up new avenues for the further development of mass compositions in the 19th century. This important work of choral literature can now be performed by smaller forces thanks to this arrangement for soloists, choir and chamber orchestra. Instead of 12, just 5 wind instruments are required. The string parts can also be played by single soloists; the performance material contains suggestions about how to deal with the divisi passages. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.-Large mass also performable for smaller choirs-Wind instruments of the original version reduced to five single instruments-Vocal and choral scores of the original version can be used-carus plus: the work (original version) is available in the app carus music, the Choir Coach, as well as in the series Carus Choir Coach (audio only) / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orchestre
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
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Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
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Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Johann Sebastian Bach: Cantata No. 132 Bereitet Die Wege: SATB: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the...
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Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for that occasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.
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