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Mendelssohn
ORCHESTRA - BAND
CLASSICAL - BAROQUE - ROMANTIC
Soli, Mixted choir and accompaniment
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
(+)
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Elias (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX....
(+)
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Nur ein Jahr vor seinem Tod erzielte Felix Mendelssohn Bartholdy mit seinem Oratorium 'Elias' einen Erfolg, der ihn bis heute zu einem der beliebtesten Oratorienkomponisten gemacht hat. Von packender Dramatik und gleichzeitig von einer Innigkeit des Gottvertrauens, wie sie zu Mendelssohns Lebzeiten durchaus nicht mehr selbstverständlich war, bietet dieses Oratorium den Aufführenden eine Vielzahl an musikalischen Ausdrucksmöglichkeiten. Der alttestamentliche Bibeltext ist in den Rezitativen, Arien und Chorsätzen recht genau aufgenommen; um die Dramatik zu steigern, legt Mendelssohn ihn zum Teil dialogisch an und kommentiert ihn aus den Prophetenbüchern und demPsalter. Dadurch entsteht ein biblisches Drama, dessen 22 Abschnitte zu ausgedehnten, dramatischen Szenen zusammengefaßt sind. Allerdings können ohne weiteres auch einzelne Chorsätze aus dem 'Elias' herausgelöst und zu passenden liturgischen Gelegenheiten im Gottesdienst oder in geistlichen Konzerten aufgeführt werden. 'Bei einem solchen Gegenstand wie Elias . . . muß das Dramatische vorwalten. . . die Leute lebendig redend und handelnd eingeführt werden, . . . eine recht anschauliche Welt, wie sie im alten Testamente in jedem Kapitel steht, ' schrieb Mendelssohn an seinen Librettisten. Die 'anschauliche Welt' setzte er in packenden Baalschören, dramatisch durchkomponierten Szenen und schlichter Engelsmusik um. Die Carus-Neuausgabe von R. Larry Todd, Duke University/USA, gibt ausführliche Informationen über Entstehungsgeschichte und Quellenlage. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Elias (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX....
(+)
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Nur ein Jahr vor seinem Tod erzielte Felix Mendelssohn Bartholdy mit seinem Oratorium 'Elias' einen Erfolg, der ihn bis heute zu einem der beliebtesten Oratorienkomponisten gemacht hat. Von packender Dramatik und gleichzeitig von einer Innigkeit des Gottvertrauens, wie sie zu Mendelssohns Lebzeiten durchaus nicht mehr selbstverständlich war, bietet dieses Oratorium den Aufführenden eine Vielzahl an musikalischen Ausdrucksmöglichkeiten. Der alttestamentliche Bibeltext ist in den Rezitativen, Arien und Chorsätzen recht genau aufgenommen; um die Dramatik zu steigern, legt Mendelssohn ihn zum Teil dialogisch an und kommentiert ihn aus den Prophetenbüchern und demPsalter. Dadurch entsteht ein biblisches Drama, dessen 22 Abschnitte zu ausgedehnten, dramatischen Szenen zusammengefaßt sind. Allerdings können ohne weiteres auch einzelne Chorsätze aus dem 'Elias' herausgelöst und zu passenden liturgischen Gelegenheiten im Gottesdienst oder in geistlichen Konzerten aufgeführt werden. 'Bei einem solchen Gegenstand wie Elias . . . muß das Dramatische vorwalten. . . die Leute lebendig redend und handelnd eingeführt werden, . . . eine recht anschauliche Welt, wie sie im alten Testamente in jedem Kapitel steht, ' schrieb Mendelssohn an seinen Librettisten. Die 'anschauliche Welt' setzte er in packenden Baalschören, dramatisch durchkomponierten Szenen und schlichter Engelsmusik um. Die Carus-Neuausgabe von R. Larry Todd, Duke University/USA, gibt ausführliche Informationen über Entstehungsgeschichte und Quellenlage. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Elias (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX....
(+)
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Nur ein Jahr vor seinem Tod erzielte Felix Mendelssohn Bartholdy mit seinem Oratorium 'Elias' einen Erfolg, der ihn bis heute zu einem der beliebtesten Oratorienkomponisten gemacht hat. Von packender Dramatik und gleichzeitig von einer Innigkeit des Gottvertrauens, wie sie zu Mendelssohns Lebzeiten durchaus nicht mehr selbstverständlich war, bietet dieses Oratorium den Aufführenden eine Vielzahl an musikalischen Ausdrucksmöglichkeiten. Der alttestamentliche Bibeltext ist in den Rezitativen, Arien und Chorsätzen recht genau aufgenommen; um die Dramatik zu steigern, legt Mendelssohn ihn zum Teil dialogisch an und kommentiert ihn aus den Prophetenbüchern und demPsalter. Dadurch entsteht ein biblisches Drama, dessen 22 Abschnitte zu ausgedehnten, dramatischen Szenen zusammengefaßt sind. Allerdings können ohne weiteres auch einzelne Chorsätze aus dem 'Elias' herausgelöst und zu passenden liturgischen Gelegenheiten im Gottesdienst oder in geistlichen Konzerten aufgeführt werden. 'Bei einem solchen Gegenstand wie Elias . . . muß das Dramatische vorwalten. . . die Leute lebendig redend und handelnd eingeführt werden, . . . eine recht anschauliche Welt, wie sie im alten Testamente in jedem Kapitel steht, ' schrieb Mendelssohn an seinen Librettisten. Die 'anschauliche Welt' setzte er in packenden Baalschören, dramatisch durchkomponierten Szenen und schlichter Engelsmusik um. Die Carus-Neuausgabe von R. Larry Todd, Duke University/USA, gibt ausführliche Informationen über Entstehungsgeschichte und Quellenlage. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Felix Mendelssohn Bartholdy: Psalm Non nobis Domine op. 31: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Barenreiter
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' O...
(+)
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
39.00 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Psalm Non nobis Domine op. 31: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Barenreiter
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' O...
(+)
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled ove...
(+)
Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
17.00 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Hymn of Praise - Symphony cantata - MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre
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Mendelssohn-bartholdy F. - Christus Op. 97 - Mixed Choir, Soli, Orchestra
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Breitkopf & Härtel
Composer : Mendelssohn Bartholdy, Felix Edition : Score Separate Parts availabl...
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Composer : Mendelssohn Bartholdy, Felix Edition : Score Separate Parts available on demand
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Elijah Op. 70
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Eulenburg
Mendelssohn and rsquo oratorio de s- and ldquo - Elijah and rdquo - numéros par...
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Mendelssohn and rsquo oratorio de s- and ldquo - Elijah and rdquo - numéros parmi les plus importantes oeuvres chorales du XIXe siècle et devrait fonctionnalité de quiconque and collection de s - accroc de partitions de musique. Avec la nouvelle édition critique, préparée en collaboration avec les éditeurs Carus, ce travail est également disponible dans une édition de première classe dans la série de score de poche Eulenburg. Pièces orchestrales appropriées peuvent être obtenus de Carus éditeurs. / 4 Parties Solo, Choeur Et Orchestre
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Felix Mendelssohn Bartholdy: Der 42. Psalm - Wie der Hirsch schreit op. 42:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a ...
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Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser (As the hart pants after the waterbrooks) for Soloists mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and is anauthentic part of this edition.
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
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Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Felix Mendelssohn Bartholdy: Der 42. Psalm - Wie der Hirsch schreit op. 42:
Soli, Mixted choir and accompaniment
Barenreiter
Psalm with a large Orchestral scoring in an Urtext edition.Bilingual foreword (G...
(+)
Psalm with a large Orchestral scoring in an Urtext edition.Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser (As the hart pants after the waterbrooks) for Soloists mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed criticalcommentary (Ger/Eng). The Piano reduction is by Mendelssohn and is an authentic part of this edition.
43.50 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Paulus MWV A 14: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Oratorium-Mendelssohn composed his first oratorio Paulus under the impression of...
(+)
Oratorium-Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach?s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul for which he was accused by his contemporaries of making a stylistic break using an element unsuitable to church music. In spite of these reservations during Mendelssohn?s lifetime St. Paul was one of his most popular works which received numerous performances throughout Europe. Robert Schuman praised the ?inextinguishable color of the instrumentation? and the ?brilliant play with all the forms of composition.? He described it as a ?jewel of the present.?
18.00 GBP - Sold by Musicroom UK
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Lauda Sion - Op. : 73 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Reihen bei Carus: Stuttgarter Ausgaben (Urtext)...
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Par MENDELSSOHN-BARTHOLDY FELIX. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Kommunion, L Hautbois und Dank - Langue : Latin/Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Mendelssohn-bartholdy F. - Der 98. Psalm Op. 91 - Soli, Mixed Choir, Orchestra
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Composer : Mendelssohn Bartholdy, Felix Edition : Score Editor : Reinisch, Fran...
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Composer : Mendelssohn Bartholdy, Felix Edition : Score Editor : Reinisch, Frank Separate Parts available on demand
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Lobgesang Op. 52 ? Hymn of Praise (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Symphonie-Kantate B-Dur Nr. 2 - Vorwort in Dt. und Engl.. Par MENDELSSOHN-BARTHO...
(+)
Symphonie-Kantate B-Dur Nr. 2 - Vorwort in Dt. und Engl.. Par MENDELSSOHN-BARTHOLDY FELIX. / Date parution : 2023-03-11/ Répertoire / Solistes SST, Ch?ur SSAATB et Orchestre
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Psalm 42 "Wie der Hirsch schreit" Op. 42 (Vocal Score) (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
Peters
Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Choeur SATB et Piano
12.61 EUR - Sold by LMI-partitions
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