Trombone Edition - Bass and Treble Clef-Brian Chapple's A Bit Of A Blow is arranged here for Trombone and Piano transcribed by the composer himself from the original version. Includes the Piano Part Trombone Treble Clef and Trombone Bass/Tenor Clef Parts. This work is featured in the 2016 ABRSM Grade 8 Trombone syllabus.

French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass   À La Manière De Vivaldi composed in 2002 for Trombone and Piano being no exception. With a typical performance lasting about four minutes Defaye's  À La Manière De Vivaldi reflects the compositional techniques of Antonio Vivaldi by use of contrapuntal textures modulations to related keys long and even quaverand semiquaver melodic passages syncopation and contrasts in dynamics. Defaye's passion to explore a variety of preceding composers is clear with  À La Manière De Vivaldi being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire   À La Manière De Vivaldi by Jean-Michel Defaye is essential.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Hommage A Bach for Trombone and Piano is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1957 Bozza's Hommage A Bach reflects thecomposer's admiration of the great J. S. Bach. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass In the Style of Bach composed in 1990 for Trombone and Piano being no exception. With a typical performance lasting about 3 and a half minutes Defaye's In the Style of Bach reflects the compositional techniques of J. S. Bach by use of contrapuntal textures modulations to related keys long even quaver and semiquaver melodic passages and contrasts in dynamics. For all aspiring trombonistswishing to vary and expand their repertoire In the Style of Bach by Jean-Michel Defaye is essential.

Trombone/Baritone B.C. Solo with Piano - Grade 2-The third solo in the timeless Trombone Gems series which is included on nearly every state contest list. Students progress through the ten numbered solos. The full series is also available in a Book/CD set which includesaccompaniment/full performance recordings: Trombone Gems (HL04470002/$12.95)

Trombone/Baritone B.C. Solo with Piano - Grade 2-The fifth solo in the timeless Trombone Gems series which is included on nearly every state contest list. Students progress through the ten numbered solos. The full series is also available in a Book/CD set which includesaccompaniment/full performance recordings: Trombone Gems (HL04470002/$12.95)

Par BOYER PATRICK. Une Pièce originale adaptée pour une audition ou un examen de 1er Cycle A - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Trombone 1 Piano - Niveau de Difficulté : 1/6 - Débutant - Durée : 1 mn 25 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Patrick BOYER - / Niveau : Débutant / Classique, Pédagogique / Répertoire / Trombone et Piano

The celebrated and award-winning series continues with a selection of pieces in a wide range of styles and varieties chosen to give you a superb repertoire of music at an early stage.From well-known classical melodies andshowstoppers of the stage to jazz hits folk songs and film themes - the diversity of these accessible arrangements will provide vital early experience in all manner of performance styles. The music includes full accompanimentsfor Piano Keyboard or Guitar making this volume the perfect companion to A New Tune A Day Book 1. Furthermore a professionally produced audio CD packed with stunning recorded accompaniments and demonstrations willallow you to develop your confidence and skills at home as well as offering spectacular backing tracks for your showcase performances.Take your playing to a new level with this superb collection.Voted Best InShow at NAMM 2006 by Music Inc. Magazine.

The first solo in the timeless Trombone Gems series which is included on nearly every state contest list. Students progress through the ten numbered solos. The full series is also available in a Book/CD set which includesaccompaniment/full performance recordings: Trombone Gems (HL04470002/$12.95)

French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements are mainly for brass À La Manière De Schumann composed in 2000 being no exception. With a typical performance lasting about four and a half minutes Defaye's À La Manière De Schumann is so named due to the composer drawing on compositional techniques of the great Robert Schumann. For all aspiring trombonists wishing to vary and expand their repertoire À La Manière DeSchumann by Jean-Michel Defaye is essential.

1 G. Philipp (1955): 'Zum Anfang'2 C. Czerny (1791-1857): Moderato3 C. Czerny (1791-1857): 'Tanz'4 A. E. Müller (1767-1817): Andantino5 C. Czerny (1791-1857): Aria6 C. Czerny (1791-1857): Walzer7 Anonymus: Courante8 C. Czerny (1791-1857): Moderato9 J. O. Armand (1853-1916): 'Lied'

Dutilleux's Chorale Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire yet it remains a frequent favourite at virtuoso solo competitions. Chorale Cadenza and Fugue is ideal for trombonists seeking something more substantial and varied. Henri Dutilleux (1916-2013) began his career as director of the Musical Illustrations Service on French Radio and Television but he left this position after 18 years to devote himself entirely to composition. As the title suggests Dutilleux's Chorale Cadenza and Fugue is divided in tothree contrasting sections which run seamlessly from one to another. The piece begins with the Trombone playing a lyrical chorale melody accompanied by rich Piano chords. The cadenza is dramatic with the intense Trombone line being played over tremolos from the Piano. This is followed by the angular and rhythmic Fugue initially stated in the low register of the Piano. As the Trombone states the Fugue a countermelody is introduced on the Piano. These themes continue and augment into a virtuosic fanfare motif closing in a grand and dramatic finish. Dutilleux's Chorale Cadenza and Fugue for Trombone and Piano is inspiring challenging motivating and essential to the repertoire of all advanced trombonists.