for Violin and Orchestra-Nous sommes heureux de pouvoir vous présenter avec ce recueil une nouveauté mondiale dans le domaine de la pédagogie instrumentale pour violon : la première édition d?un recueil d?études connues pour violon de Charles Dancla Heinrich Ernst Kayser Hans Sitt et Franz Wohlfahrt avec accompagnement d?orchestre. Nous souhaitons donner avec cette édition pratique une impulsion et une motivation nouvelles à tous les violonistes pour l?exercice quotidien des études. Avec de nouveaux arrangements pouraccompagnement d?orchestre les études connues ressemblent à des concertos pour violon en miniature. Ainsi le travail des études deviendra une expérience dun type nouveau qui apportera aussi beaucoup de plaisir aux débutants.1-4 Charles Dancla (1817-1907): Etüde in G-Dur4-8 Charles Dancla (1817-1907): Etüde in A-Dur9-12 Heinrich Ernst Kayser (1815-1888): Etüde in C-Dur13-16 Heinrich Ernst Kayser (1815-1888): Etüde in A-Dur17-20 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 4 in G-Dur21-24 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 14 in D-Dur25-28 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 17 in D-Dur29-32 Hans Sitt (1850-1922): Etüde op. 32 Nr. 1 in C-Dur33-36 Hans Sitt (1850-1922): Etüde op. 32 Nr. 2 in G-Dur37-40 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 3 in G-Dur

This flamboyant waltz by Franz Lehar is arranged here for the solo Violin with Piano accompaniment. Gold Und Silber is a warm light-hearted entertaining piece.

A superb Violin method intended simply and solely for children. Throughout this book the more difficult keys have been excluded neither being suitable for primary instruction. Franz Wohlfahrt thought it unnecessary to give directions for the position of the body holding the violin and bow etc. for any good teacher can explain such matters better than written directions especially in the case of children. The composer has purposely inserted several little pieces with accompaniments like those usually employed in dance music; their aim is not only to interest the pupil but also to simulate his sense of rhythm.

A great way for beginning violinists to practice and build up their technique this classic book of exercises has served generations of music students and their teachers. The studies provide practice in string crossing bow strokes shifting and finger patterns.A native and lifelong resident of Leipzig Germany Franz Wohlfahrt (1833–84) studied with one of the world's greatest violinists Ferdinand David. Wohlfahrt's Sixty Studies for the Violin  has remained a mainstay of the beginning violinist's education from the nineteenth century to today. The sixty etudes are divided into two volumes: Volume 1 focuses on studies in the firstposition and Volume 2 advances to third position employing more complex rhythms and bowings. Diligent practice of these studies will improve students' sight reading advance their rhythm skills and prepare them for a more difficult repertoire. Reprint of the G. Schirmer Inc. New York edition.

Composer's NoteThe study of the violin presents certain difficulties for beginners which are frequently the cause of a sudden abatement in the pupil's zeal and ambition even before he has mastered the first rudiments.The blame for this is commonly laid on the teacher who is called incapable or negligent; losing sight of the fact that the pupil began his studies without the slightest notion not merely of the difficulties to be encountered but also of the regular and assiduous industry indispensable for surmounting them. It is important therefore to smooth these first asperities by showing their utility and making them agreeable; to this end myViolin Method was published and the present Exercises have been written which latter may be considered as forming a supplement to the former. If practiced carefully and intelligently they will serve as a solid foundation for the technique of any player ambitious to become an artist. Franz Wohlfahrt.

1st to 7th Position-Concertino in A Minor Op.225 1st to 7th position composed for Violin and Piano by Franz Drdla.

Heinrich Johann Franz Von Biber was a celebrated virtuoso Violinist in late 17th century Salzberg holding the exclusive position of Musical Director to the Court of the Archbishop. This Passacaglia is a showpiece seeminglywritten to display the talents of a great soloist packed with complex textures and spectacular passages. Suitable for the advanced player this is an inriguing challenge for the confident soloist.

12 valses, 10 danses allemandes et 8 landler de Franz Schubert sont contenues dans cette populaire et, depuis des décennies, collection établie de longue date. Schott présente maintenant une version complètement reset et révisée, qui même se réunit le peuplement de gravure et de la lisibilité dernier / Violon Et Piano

36 bekannte Weihnachtslieder für Violine und Klavier. Par KANEFZKY FRANZ. 36 bekannte Weihnachtslieder für Violine und Klavier, einfach bearbeitet in der 1. Lage für Anfänger und Fortgeschrittene./ Recueil / Violon

A further volume containing 26 scales, each presented as an exercise with a second part to be played by the teacher, or the CD. The book introduces other aspects such as tonality, harmony and how scales are constructed to give the beginner an all round knowledge of how music is constructed. The three speed CD that is included with both these volumes contains the second part at different speeds so the pieces can be played at a tempo suitable to the level of the violinist. Both volumes also include stickers to be used when a particular scale has been mastered, making these suitable for the younger player. 1 Jean Pennequin: Nr. 1 A-Dur 2 Franz Wohlfahrt: Nr. 2 Es-Dur 3 Luigi Cherubini: Nr. 3 e-moll 4 Franz Wohlfahrt: Nr. 4 d-moll 5 Charles-Auguste de Bériot: Nr. 5 As-Dur 6 Franz Wohlfahrt: Nr. 6 g-moll 7 Charles-Auguste de Bériot: Nr. 7 Es-Dur 8 Jacques-Féréol Mazas: Nr. 8 d-moll 9 Jacques-Féréol Mazas: Nr. 9 As-Dur 10 Jacques-Féréol Mazas: Nr. 10 a-moll 11 Michel-Joseph Gebauer: Nr. 11 Es-Dur 12 Michel-Joseph Gebauer: Nr. 12 g-moll 13 Luigi Cherubini: Nr. 13 C-Dur 14 Charles-Auguste de Bériot: Nr. 14 d-moll 15 Luigi Cherubini: Nr. 15 As-Dur 16 Franz Wohlfahrt: Nr. 16 a-moll 17 Jacques-Féréol Mazas: Nr. 17 Es-Dur 18 Jacques-Féréol Mazas: Nr. 18 g-moll 19 Luigi Cherubini: Nr. 19 d-moll 20 Charles-Auguste de Bériot: Nr. 20 a-moll 21 Charles-Auguste de Bériot: Nr. 21 g-moll 22 Michel-Joseph Gebauer: Nr. 22 d-moll 23 Luigi Cherubini: Nr. 23 g-moll 24 Charles Dancla: Nr. 24 g-moll 25 Luigi Cherubini: Nr. 25 es-moll 26 Luigi Cherubini: Nr. 26a Ces-Dur 27 Luigi Cherubini: Nr. 26b H-Dur