Par L'ESTRANGE ALEXANDER (Arr.). Oh Shenandoah dates back to the early nineteenth century, with possible origins in Virginia. Sometimes referred to as a ‘shanty’ song because of its refrain (‘away, you rolling river,’ etc.), its lyrics exist in many versions and can be seen as a paean either to the river itself, or perhaps to the (mythical?) daughter of an Indian chief of that name. Regardless of its origins, Oh Shenandoah has become an enduring favourite both in the USA and further afield. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Par L'ESTRANGE ALEXANDER (Arr.). (Is this the way to) Amarillo? is about a man travelling to find his fiancée in Amarillo, Texas. After the second verse and chorus there’s a chance to go a cappella: the piano can leave out the small notes and give the singers a chance to show off what they can do! This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Par L'ESTRANGE ALEXANDER (Arr.). Standing in the Need of Prayer is a simple, meditative melody with a pleasing, repetitive chord sequence. This arrangement gives you a chance to ‘crank it up a gear’ after the modulation; there is also an opportunity to thicken out the vocal harmonies towards the end with some optional alto notes. Once singers get more confident, you may wish to experiment with other improvised harmonies or descants. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Par L'ESTRANGE ALEXANDER (Arr.). When Cecil Sharp transcribed O Waly Waly in 1908, it bore this title but did not contain the title words (beginning instead with ‘Down in the meadows’). It has been suggested since that the version we know now may be a composite of three songs: the Scottish ‘Waly waly’ (meaning ‘a cry of woe or grief’), the Cecil Sharp transcript and an American song, The water is wide, which begins the first verse of our version. This sad song is sometimes set in 3/4 time, but in this arrangement L'Estrange has chosen to give it a gently rocking 4/4 feel, slightly reminiscent of the version by the singer James Taylor. This beautiful folk tune also features in L’Estrange’s hit cantata Ahoy! Sing for the Mary Rose under the tile The water is wide. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Par PARRY BEN. This Spiritual Medley comprises three songs that speak of a journey through trial to eventual salvation and liberty. It should gradually gather pace and energy from a slightly more reflective start, though retaining a lively feel throughout. All My Trials developed into a popular protest song in the 1950s and 60s and has been recorded by, amongst others, Joan Baez, Paul McCartney and Elvis Presley. By and By is a more upbeat song with plenty of syncopated rhythms and more forthright dynamics – it should be sung and played with lots of energy. The medley ends with I Want Jesus to Walk With Me, a true ‘pilgrim journey’ full of trials and breaking hearts, but never giving up on hope and final deliverance. The tempo should really pick up for this final section, galvanised by the walking bass line and more jazzy harmonies, and reaching its climax in the final few measures. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Par L'ESTRANGE ALEXANDER (Arr.). Love’s Philosophy, a beautiful setting by Alexander L’Estrange, explores the marvellous comparison of couplings in nature – the mountains and the river, the moonbeams kissing the sea – and amongst humans. The music is inspired by composers Gerald Finzi and Roger Quilter, two of the most prominent figures in English song in the first half of the twentieth century, and the poem is by Shelley. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano