Standard US Set (without european suppl. parts)-Commissioned by the Michigan State University Alumni Band this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement the Brass section concertises in groupsof four Brass quintets (2 Trumpets Horn Trombone and Tuba or Baritone) spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets and the Woodwinds occupy the front of the stage withPercussion on the left and right side. These groups like the Brass quintets play in the concertante style particularly in the first and last movements. 'At the same time each movement contains individual solo passages(for example Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today andby the incredible growth of Wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.'

Par BEETHOVEN LUDWIG VAN. 'His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia op. 103 that had been sent as evidence of the composer's progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: The Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven's great skill. Our Urtext edition also contains additional parts for horns in F./ Répertoire / Octuor à vent

Mixed Bag No. 21-Mixed Bag. This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three orfour main parts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are also included for beginners. These have very simplerhythms and notes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folk tunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.

Mixed Bag No. 8-Mixed Bag. This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three orfour main parts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are also included for beginners. These have very simplerhythms and notes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folk tunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.