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Horn, Piano, Oboe
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Go (FUJIKURA DAI)
Piano, Hautbois, Clarinette, Cor et Bassen
[Score]
-
Intermediate
Ricordi
for piano, oboe, clarinet, horn and basson 2016. Par FUJIKURA DAI. English / Niv...
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for piano, oboe, clarinet, horn and basson 2016. Par FUJIKURA DAI. English / Niveau : Intermédiaire / Date parution : 1905-07-10/ Répertoire / Piano, Hautbois, Clarinette, Cor et Bassen
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Diamond Dust - Piano Concerto No. 2 (FUJIKURA DAI)
Chamber Orchestra
-
Intermediate/advanced
Ricordi
Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, vi...
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Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, viola, cello, dbass. Par FUJIKURA DAI. English / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-08/ Répertoire / Ensemble de Chambre
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Konzert In Es Für Klavier Und Orchester Nr. 9 (MOZART WOLFGANG AMADEUS)
Piano and Orchestra
[Sheet music]
Barenreiter
KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestr...
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KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsalpurposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano et Orchestre
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Roussel A. - Divertissement Op.6 - Quintette A Vents Et Piano
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Salabert
Musical Category : musica da camera pour flute, hautbois, clarinette, basson, c...
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Musical Category : musica da camera pour flute, hautbois, clarinette, basson, cor et piano avec parties separees
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Carter Elliott - Quintet - Oboe, Clarinet, Bassoon, Horn And Piano
Pocket, Study conductor
[Study Score / Miniature]
Boosey and Hawkes
Edition : study score Instrumentation : oboe, clarinet, bassoon, horn and piano ...
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Edition : study score Instrumentation : oboe, clarinet, bassoon, horn and piano Date of Composition: 1991 Duration : 24' Number of Pages : 88 Series : Hawkes Pocket Scores HPS 1233
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Rhapsody In Blue For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Barenreiter
Tout le monde connaît la célèbre ouverture de glissando de clarinette dans la...
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Tout le monde connaît la célèbre ouverture de glissando de clarinette dans la 'Rhapsody in Blue' de Gershwin, mais combien savent que la version originale a été écrite pour deux pianos et que le glissando était initialement juste une échelle ascendante?Arrangement superbe de Joachim Linckelmann de ce classique moderne est basée sur cette version originale et, à l'exception de deux passages solo de piano qui ne peuvent être réalisées avec un quintette à vent, l'ensemble des travaux est présenté. Un ajout important à la littérature quintette à vent Comprend un score et 5 parties Le niveau moyen de difficulté / Quintette A Vent
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Wie Schön Leuchtet Der Morgenstern (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And F...
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Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day. The cantata “ Wie Schön Leuchtet Der Morgenstern ” BWV 1 was written for 25 March 1725, when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach ’s cantata cycle of 1724/25. The anonymous librettist retained the outer verses 1 and 7 of Philipp Nicolai’s text (1599) which is assigned to the feast of Epiphany according to old tradition but was also sung at the Annunciation of the Blessed Mary. Verses 2 to 6 form the basis for the Tenor and Bassrecitatives and the Soprano and Tenor arias. Bach ’s composition has a particularly festive brilliance with his use of 2 Horns, 2 Oboes Da Caccia and the two concertante solo Violins. The Violins’ lively figurations clearly reflect an image of the shining morning star. - Urtext of the New Bach Edition. - Original German text with English singing translation. - Idiomatic and easy-to-play Piano reduction. - Performance material (BA10001), vocal score (BA10001-90) & study score (TP1001) available for sale./ Répertoire / Partition de Poche
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Mecanic Song
Français
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Billaudot
oeuvre contemporaine originale pour quintette à vent et piano.Commande du méc...
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oeuvre contemporaine originale pour quintette à vent et piano.Commande du mécénat musical Société Générale pour 'Les Vents Français'. Création du 9 février 2007 à Ota-Ku, Tokyo (Japon) dans le cadre de la tournée 'Les Vents Français' par Emmanuel Pahud (flûte), François Leleux (hautbois), Paul Meyer (clarinette), Gilbert Audin (basson), Radovan Vlatkovik (cor) et Eric Le Sage (piano). Durée : 15 mn / Sextuor Pour Instruments A Vent Et Piano / Partition
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Fantasy In F Minor, K. 594
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Hal Leonard
These two extraordinary works of late Mozart, KV 594 and KV 608, were both compo...
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These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They are also variously titled 'Adagio und Allegro in f für ein Orgelwerk? and 'Allegro und Andante (Fantasie in f) für eine Orgelwaltze.?The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. / Quintette A Vent
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Fantasy In F Minor, K. 608
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Hal Leonard
These two extraordinary works of late Mozart, KV 594 and KV 608, were both compo...
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These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They are also variously titled 'Adagio und Allegro in f für ein Orgelwerk? and 'Allegro und Andante (Fantasie in f) für eine Orgelwaltze.?The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. / Quintette A Vent
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Kelterborn Rudolf - Sinfonie I In Drei Satzen - Conducteur Poche
[Study Score / Miniature]
Barenreiter
Series : Bärenreiter Studienpartituren - Study scores Edition : Study Score ...
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Series : Bärenreiter Studienpartituren - Study scores Edition : Study Score Binding : stapled Instrumentation : 2 Flute, Flute 3/ Piccolo, 2 Oboe, Oboe 3/ English horn, 2 Clarinet (b flat), Clarinet (b flat) 3/ Bass clarinet, 2 Bassoon, Contrabassoon 4 Hn, 3 Trumpet, 3 Trombone, Tuba, Kettledrum, Drums (3), Harp, Piano, Strings Duration : 20'
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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Alpha Beth (Sextuor) (AMY GILBERT)
Partition In 8 Poche
[Sheet music]
Heugel
Par AMY GILBERT. for flute, oboe, clarinet, horn, bassoon and piano/ Répertoire...
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Par AMY GILBERT. for flute, oboe, clarinet, horn, bassoon and piano/ Répertoire / Partition In 8 Poche
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Sextet Ebmaj Op. 6 Fl Ob Clar Bs (THUILLE)
Sextuor
[Sheet music]
IMC (International Music Co.)
Par THUILLE. For chamber woodwind ensemble. Flute, Oboe, Clarinet, Bassoon, Horn...
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Par THUILLE. For chamber woodwind ensemble. Flute, Oboe, Clarinet, Bassoon, Horn, and Piano./ Répertoire / Sextuor
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Hope Arises
Concert band
Southern Music
for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises...
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for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano. / Date parution : 2023-07-31/ Répertoire / Concert Band
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Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
Conducteur
[Sheet music]
Barenreiter
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contai...
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Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open sense of form and an expansion of tonality. The edition of the 'Concerto da Camera' shows, for the first time, the extend of Martinu's modifications to the work since its composition and publication, particularly on the solo violin part. The edition of the 'Rhapsody-Concerto” takes into account, among others, the discovery of previously unknown contemporary performance materials. This volume of the Bohuslav Martinu-Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions created in collaboration with Martinu./ Répertoire / Conducteur
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