Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. / Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et

Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!

Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!

Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Alto, Violon 3 et Ensemble

selection for fanfare band. Par BARRY JOHN / DE MEIJ JOHAN (Arr.). Dans cette sélection de mélodies célèbres James Bond, l?arrangeur Johan de Meij a repris les thèmes suivants, dans l?ordre de leur apparition : All Time High (de Octopussy, le dernier rôle de Roger Moore comme agent secret 007), James Bond Theme (du film Dr. No), For your eyes only et Goldfinger (du film du même avec Sean Connery dans le rôle principale). C?est sans doute John Barry (1933 ? 2011) qui a été le principal compositeur de musique pour les films Bond. Il a á son actif, outre la musique de Goldfinger, de Octopussy et de bien d?autres encore, les thèmes de Thunderball, From Russia with Love, Moonraker et Diamonds are Forever. Il a écrit de plus, la musique d?autres films célèbres tels que The Deep, Midnight Cowboy, Born Free et Out of Africa./ Répertoire / Fanfare Band

Recreating the excitement from the blockbuster Hans Zimmer film score, this medley includes 'Look to the Stars,' 'If You Love These People,' 'Goodbye My Son,' 'Oil Rig,' and 'What Are You Going to Do When You Are Not Saving the World?' Contrasting tracks are all combined in this energetic through-played medley. (5:00) / Concert Band

A master of music in all forms Beethoven brought his genius to works as mighty as the great 'Choral' Symphony and as intimate as the charming 'Spring' Sonata. Less well known but no less ingenious are his delightful works scored for small Wind Ensembles. Intimate melodious and full of rhythmic life this charming music brings a breath of fresh air to the world of fine chamber music.Scored for various combinations of Winds (three works also include solo Strings) the music in this compilation includes the Three Duos WoO 27; the Trio Op. 87; two Sextets Opp. 71 and 81b; the Septet Op. 20; and the Octet Op. 103. Beethoven's Serenade Op. 25 andRondino WoO 25 round out this collection of the master's complete music for Wind ensembles.Reproduced from authoritative early scores Ludwig Van Beethoven: Complete Music For Wind Ensembles offers an inexpensive yet comprehensive volume to all lovers of chamber music.

Nicolai Rimsky-Korsakov (1844-1908) came from an aristocratic family which lived near Novgorod. When he appeared to be musically gifted as a child his parents did not hesitate one moment to map out a more honourable profession for him – he wasto make a career in the navy as a marine officer. Rimsky-Korsakov however succeeded in secretly studying the cello next to his studies at the Naval Academy at St Petersburg. Through his cello teacher he came into contact with the composerBalakirev. In this way he suddenly became a member of The Mighty Five (a group of Russian composers consisting of Balakirev Moussorgsky Cui Borodin and Rimsky-Korsakov himself). Rimsky-Korsakov turned out to be so talented that he evenbecame a teacher at the St Petersburg Conservatory.‘Procession of the Nobles’ comes from the opera-ballet ‘Mlada’.The opera has a remarkable history for between 1868 and 1870 five different composers worked on this project. The finalresult was never executed however. Twenty years later Rimsky-Korsakov started work on the opera once more and composed his own version of Mlada.The theme of the opera is a tragic love story that is set in the early Middle Ages in a realm on theBaltic Sea. In ‘Processsion of the Nobles’ all the princesses of the country gather for a grand feast on the occasion of the summer holidays.

In this composition Jacob de Haan sees the 'Ross Roy' as a metaphor for the years spent at school (a monument in time) where one's personality is formed. So the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion which strides along in the lower register and percussion at the beginning of the next section is typical of 'Tempo di Marcia'. This movement accompanied by repetitions of sound is a metaphor for the structure and discipline in school. This is the introduction to a march theme symbolic of 'passing through' the classes up to the final examinations.Then the Ross Roy theme is dealt with again now in aplayful humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds constituting the modulation to the final theme are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture for the school years can be considered the 'overture' to the rest of one's life.

For this experimental film Nyman had the idea of building his music for the marriage masque scene experimentally layering Voices by different sorts of singers to build texture. He arranged the work for brass quintet almostimmediately in 1991.Nyman is a contemporary British composer of richly layered modular minimalist pieces often incorporating period instruments or instrumentation outside the normal Orchestral offerings. He is particularly wellknown for his film scores including The Piano The Cook The Thief His Wife and Her Lover Prospero’s Books and The Claim among many others. His work is widely performed and recorded.

The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument

Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 1 Tableau 2. Les laudes” which tells of the moment when Saint Francis his requests to God to meet a leper and to be able to love him. This tableau depicts Saint Francis and the “Mineurs Brothers” singing the morning service until the bells ring leaving Saint Francis alone to pray. It includes Saint Francis’ prayers some parts of Cantique descréatures on Brother Wind Sister Water Brother Fire and Mother Earth and the Sanctus. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.

Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.

Par TIN CHRISTOPHER. The well-known melody from the video game Civilization IV is exquisitely captured in this G major string orchestra arrangement by Robert Longfield. Based on a Swahili translation of the Lord\'s Prayer, this arrangement is simplified enough to make it accessible while retaining the intricate rhythms of the original. Your students will love playing this infectious tune, which was the first piece of video game music to receive a Grammy! / Date parution : 2022-09-14/ Répertoire / Ensemble de Cordes