Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition NUN DANKET ALLE GOTT / Bach arr. Peter Knudsvig - Quintette de Cuivres and Orgue qui a été écrite pourQuintette De Cuivres Et Orgue. Les éditions De Haske Publications qui ont éditées cette oeuvre l'ont répertoriée sour la référence DHP 1084582-070. / Quintette De Cuivres Et Orgue / niveau : Elémentaire / Partition

Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht aus den schönsten klassischen Meisterwerken reizvoll arrangiert für kleines Orchester in der Besetzung: 1./2. Klarinette in Bb Alt-Saxophon in Eb Klavier Percussion 1./2. Violine Cello Bass Hier Johann Sebastian Bachs Choral Jesu bleibet meine Freude (BWV 147) - arrangiert für kleines Orchester. Stimmensatz.

German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass

Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Editionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

J.S. Bach?s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suites now presents the Urtext as found in the ?New BachEdition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.Full scores study scores & performance material available for sale

J.S. Bach?s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suites now presents the Urtext as found in the ?New BachEdition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.Full scores study scores & performance material available for sale

Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18Cantata for Sunday Sexagesimae Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasionssuch as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale

Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour flûte de Johann Sebastian Bach que Barthold Kuijken a préparé. Les chercheurs ont longtemps douté de la paternité de ce travail pour des raisons stylistiques, même si les pièces de performance de la principale source ont été écrits par Bach lui-même, mais malheureusement il a oublié, ou n'ont pas jugé nécessaire, d'ajouter son nom à la musique. Kuijken roule quelques arguments convaincants qui réfutent la thèse selon laquelle le jeune Carl Philipp Emanuel Bach a travaillé sur la version trio de la Sonate pour violon BWV 1022. L'édition examine également une variété de nouvelles découvertes sur l'origine de l'oeuvre dans la préface, et offre un Urtext irréprochable avec une partie style magistralement réalisé continuo, tous reflétant les normes les plus élevées de rédaction. / Musique De Chambre

from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien Bach ne contient qu?une vingtaine de cantates profanes dont la Cantate du café (BWV 211) la Cantate du mariage (BWV 202) Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208) dont est extrait l?air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu?il accepta en 1713 une invitation à Weißenfels pour l?anniversaire du duc Christian de Saxe-Weißenfels. À cette occasion il composa la Cantate de la chasse une cantate de félicitations à l?adresse du duc passionné de chasse. Par la suite Bachremania cette cantate pour célébrer d?autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane Pales Endymion et Pan) un ensemble orchestral assez large (incluant des flûtes/flûtes à bec des hautbois et des cors) et un Chœur mixte. Le texte chantant les vertus de la chasse est un panégyrique à peine déguisé du duc régnant. Accompagnée par deux flûtes (flûtes à bec) Palès déesse des troupeaux et des pâtures entonne l?air Sheep May Safely Graze. Bien que de caractère profane le texte utilise l?image du berger comme l?image même de la grâce en référence à une parole fondamentale de Jésus.

from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien Bach ne contient qu?une vingtaine de cantates profanes dont la Cantate du café (BWV 211) la Cantate du mariage (BWV 202) Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208) dont est extrait l?air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu?il accepta en 1713 une invitation à Weißenfels pour l?anniversaire du duc Christian de Saxe-Weißenfels. À cette occasion il composa la Cantate de la chasse une cantate de félicitations à l?adresse du duc passionné de chasse. Par la suite Bachremania cette cantate pour célébrer d?autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane Pales Endymion et Pan) un ensemble orchestral assez large (incluant des flûtes/flûtes à bec des hautbois et des cors) et un Chœur mixte. Le texte chantant les vertus de la chasse est un panégyrique à peine déguisé du duc régnant. Accompagnée par deux flûtes (flûtes à bec) Palès déesse des troupeaux et des pâtures entonne l?air Sheep May Safely Graze. Bien que de caractère profane le texte utilise l?image du berger comme l?image même de la grâce en référence à une parole fondamentale de Jésus.

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Zum Brandenburgischen Konzert Nr. 3 G-Dur Von Johann Sebastian Bach. Par PENDERECKI KRZYSZTOF. Penderecki a déjà ajouté une cadence de Concerto pour trompette de Haydn à notre série de Cadenza réussie. Ce qui était si particulière à ce sujet, a été l'utilisation de deux cornes orchestre dans les cadences de trompette. Avec Bach trop, Penderecki avéré pour être inventif : au lieu de / Cadenza 5 / Répertoire / Alto, Violoncelle et Clavecin

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.5 in D Major BWV 1050. Includes the ''Early Version'' BWV 1050a.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications taken from the New Bach Edition now give performers the possibility toplay these earlier versions perhaps even along side the version known today.