Par MOZART WOLFGANG AMADEUS. Mozart les plus célèbres opéras dans une nouvelle édition bon marché 'Idoménée', 'Le Mariage de Figaro', et 'La Clemenza di Tito' apparaît pour la première fois dans les résultats de l'étude Bärenreiter. 'L'Enlèvement au sérail', 'Don Giovanni', 'Così fan tutte', et 'La Flûte enchantée' arrondir le canon de sept grands opéras. Ce nouveau coffret présente donc le texte musical des partitions complètes de la Nouvelle Edition Mozart dans une pratique, format à échelle réduite. Chaque volume contient une préface en allemand, avec des informations sur la genèse, les sources et l'historique des performances de l'opéra concerné. - La première série complète de Mozart les sept grands opéras du score étude - Savante critique édition avec la Urtext de la Nouvelle Edition Mozart / Opéra-opérette / Répertoire / Scores

Overture. Par MOZART WOLFGANG AMADEUS. In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto, based on the play Le mariage de Figaro by Beaumarchais, was written by Lorenzo da Ponte who also made the libretti of Mozart’s opera’s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro, Count Almaviva tries to seduce the fiancée of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music. / Niveau : 5 / Transcription / Répertoire / Concert Band

Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart?s and Lorenzo Da Ponte?s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart?s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work?s spread outside the German-speaking countries. At least equally responsible for the opera?s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing. Many of the sources for Mozart?s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ?New Mozart Edition? volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor?s copy from the first performance of 1786. These original sources, now available again, offer compelling solutions to several previously unresolved questions. Edition based on the Urtext of the ?New Mozart Edition? reflecting the latest musicological research With findings from original sources now available again Detailed foreword (Ger/Eng) Full score (BA4565-01), Vocal score (BA4565-92), study score format 22. 5 x 16. 5cm