| Richard Strauss : Suite - Der Rosenkavalier Concert band [Score and Parts] Beriato Music
By Richard Strauss (1864-1949). Arranged by Jan Cober. For Concert band. Symphon...(+)
By Richard Strauss (1864-1949). Arranged by Jan Cober. For Concert band. Symphonic Series. Grade 6. Score and set of parts. Duration 0:22:51
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| Richard Strauss: Also Sprach Zarathustra Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Richard Strauss. Arranged by Robert Longfield. Transcription. Concert Band. C...(+)
By Richard Strauss. Arranged by Robert Longfield. Transcription. Concert Band. Classics. Level: Grade 3. Score and set of parts. Composed 2001. Duration 0:01:28. Published by C.L. Barnhouse.
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| Richard Strauss : Rondo for Horn Concert band [Score and Parts] - Intermediate C.L. Barnhouse
((Concerto No. 1, 3rd Movement)). By Richard Strauss (1864-1949). Arranged by An...(+)
((Concerto No. 1, 3rd Movement)). By Richard Strauss (1864-1949). Arranged by Andrew Glover. Concert band. Spotlight Series. Audio recording available separately (item CL.WFR365). Grade 3.5. Score and set of parts. Composed 2009. Duration 5 minutes, 23 se. Score and Parts.
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| Themes From Strauss Tone Poems Orchestra [Score and Parts] - Intermediate Kendor Music Inc.
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3 - Grade 3.5 (+)
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3 - Grade 3.5 SKU: KN.37861 Composed by Richard Strauss. Arranged by Michael Hopkins. Solo or Ensemble. Apex String Orchestra. Score and set of parts. Kendor Music Inc #37861. Published by Kendor Music Inc (KN.37861). UPC: 822795378610. A leading German composer of both instrumental and vocal music during the late Romantic era and 20th century, Richard Strauss achieved his fame with his tone poems for large orchestras, including Don Juan, Death And Transfiguration, Till Eulenspiegel's Merry Pranks, and Also Sprach Zarathustra. This accessible arrangement for string orchestra of famous themes from his tone poems offers an opportunity for young musicians to experience the power and beauty of Strauss' music. Duration 6:10. $56.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Richard Strauss : Hymne Op. 34/2 (Antheme) Orchestra [Score] Universal Edition
By Richard Strauss (1864-1949). Standard notation. Published by Universal Editio...(+)
By Richard Strauss (1864-1949). Standard notation. Published by Universal Edition .
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| Richard Strauss : Complete Stage Works 18 Volumes (clothbound) Study Sc Orchestra [Score] Boosey and Hawkes
By Richard Strauss (1864-1949). Score. Boosey and Hawkes Scores/Books. Book only...(+)
By Richard Strauss (1864-1949). Score. Boosey and Hawkes Scores/Books. Book only. Boosey and Hawkes #M060117763. Published by Boosey and Hawkes Book only
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| Richard Strauss: Romanze in E-flat Major, o. Op., AV 61 Clarinet, Orchestra [Study Score / Miniature] Eulenburg
For Clarinet and Orchestra. By Richard Strauss. (Study Score). Schott. Size 5.2...(+)
For Clarinet and Orchestra. By Richard Strauss. (Study Score). Schott. Size 5.25x7.5 inches. 25 pages. Published by Eulenburg Germany (Schott).
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| Johann Strauss : Overture to Die Fledermaus Orchestra [Score and Parts] - Easy Alfred Publishing
By Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterw...(+)
By Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks; Part(s); Score; SmartMusic. Highland First Philharmonic. Form: Overture; Transcription. Masterwork Arrangement; Romantic. Grade 2. 216 pages. Published by Alfred Music (
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| Also Sprach Zarathustra String Orchestra [Score and Parts] - Intermediate Belwin
Composed by Richard Strauss (1864-1949). Arranged by Jeffrey E. Turner. Masterwo...(+)
Composed by Richard Strauss (1864-1949). Arranged by Jeffrey E. Turner. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Transcription. 20th Century; Fall; Halloween; Masterwork Arrangement; Romantic. 64 pages. Published by Belwin Music (AP.44812).
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| Festival Procession Concert band [Score and Parts] - Intermediate Belwin
Composed by Richard Strauss (1864-1949). Arranged by Douglas E. Wagner. Concert ...(+)
Composed by Richard Strauss (1864-1949). Arranged by Douglas E. Wagner. Concert Band. Concert Band; Masterworks; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Transcription. 20th Century; Masterwork Arrangement; Romantic. Grade 3. 120 pages. Published by Belwin Music
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| Two Pieces by Strauss Brass Quintet: 2 trumpets, horn, trombone, tuba Cimarron Music Press
By Richard Strauss (1864-1949). Arranged by Robert Wallace. For Brass Quintet (w...(+)
By Richard Strauss (1864-1949). Arranged by Robert Wallace. For Brass Quintet (with Organ). Published by Cimarron Music Press
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| Till Eulenspiegel's Merry Pranks Op. 28 TrV 171 Breitkopf & Härtel
Woodwinds (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - p...(+)
Woodwinds (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str) SKU: BR.OB-5653-30 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Early modern. Set of parts. 196 pages. Duration 15'. Breitkopf and Haertel #OB 5653-30. Published by Breitkopf and Haertel (BR.OB-5653-30). ISBN 9790004348314. 10 x 12.5 inches. Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday. $235.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Till Eulenspiegel's Merry Pranks Op. 28 TrV 171 Breitkopf & Härtel
Violin 1 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - pe...(+)
Violin 1 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str) SKU: BR.OB-5653-15 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-15. Published by Breitkopf and Haertel (BR.OB-5653-15). ISBN 9790004348260. 10 x 12.5 inches. Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Till Eulenspiegel's Merry Pranks Op. 28 TrV 171 Breitkopf & Härtel
Violoncello (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp -...(+)
Violoncello (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str) SKU: BR.OB-5653-23 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-23. Published by Breitkopf and Haertel (BR.OB-5653-23). ISBN 9790004348291. 10 x 12.5 inches. Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Till Eulenspiegel's Merry Pranks Op. 28 TrV 171 Breitkopf & Härtel
Double bass (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp -...(+)
Double bass (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str) SKU: BR.OB-5653-27 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-27. Published by Breitkopf and Haertel (BR.OB-5653-27). ISBN 9790004348307. 10 x 12.5 inches. Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Till Eulenspiegel's Merry Pranks Op. 28 TrV 171 Breitkopf & Härtel
Viola (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc ...(+)
Viola (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str) SKU: BR.OB-5653-19 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-19. Published by Breitkopf and Haertel (BR.OB-5653-19). ISBN 9790004348284. 10 x 12.5 inches. Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Till Eulenspiegel's Merry Pranks Op. 28 TrV 171 Breitkopf & Härtel
Violin 2 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - pe...(+)
Violin 2 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str) SKU: BR.OB-5653-16 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-16. Published by Breitkopf and Haertel (BR.OB-5653-16). ISBN 9790004348277. 10 x 12.5 inches. Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Burleske in D minor for Piano and Orchestra, IRS 11 (TrV 145; AV 85) Concert band LudwigMasters Publications
Concert Band; Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: S...(+)
Concert Band; Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP.36-A212602 Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Masterwork. Score and Part(s). LudwigMasters Publications #36-A212602. Published by LudwigMasters Publications (AP.36-A212602). UPC: 676737597597. English. Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $65.00 - See more - Buy online | | |
| Tod Und Verklärung Op. 24 Orchestra [Score] Schott
Clothbound Orchestra (Score) SKU: HL.49047172 (Death & Transfiguration...(+)
Clothbound Orchestra (Score) SKU: HL.49047172 (Death & Transfiguration) Clothbound Score, Complete Edition in G. Edition Schott. Classical. Hardcover. Duration 1440 seconds. Schott Music #RSW306. Published by Schott Music (HL.49047172). UPC: 196288143406. When the 24-year-old Richard Strauss, assistant conductor in Munich, began the composition of his third tone poem in the summer of 1888, he saw himself close to the aspiration prescribed by his mentor Alexander Ritter: to become the successor of Richard Wagner as a musical dramatist. Strauss had already been working on the text of his first opera Guntram for a year and additionally devoted himself to programmatic orchestral works oriented to the musical language of Liszt and Wagner in order to prepare himself compositionally for his new task. With the aid of Strauss and other musicians including Ludwig Thuille and Friedrich Rösch who had been gathering for “Ritter's round table†in Munich between 1886 and 1889, RitterÂ’s intention was to achieve success on a broad front with the New German School following the death of its two protagonists Wagner and Liszt. We do not know whether Ritter and his supporters jointly planned Strauss's compositional path towards opera, determined the subjectsof his prospective tone poems and considered various strategies of their musical realization, but the influence of this group shouldnot be underestimated. It cannot be ruled out that the number of three tone poems was fixed, as was their sequence of composition, which would progressively achieve its zenith in an increasing orientation to Liszt and Wagner. The circle could possibly have also discussed initial links to literary subjects (Macbeth and Don Juan) and ultimately the abstention from this practice in the third and final tone poem. The subject of the work, or rather in StraussÂ’s formulation its “poetic modelâ€, has occasionally been interpreted from an autobiographical aspect. Strauss however did not experience serious illness until May 1891 and once more in June 1892, long after Tod und Verklärung had been composed. Even without an external reason, the material would have been only too attractive for an admirer of Wagner and Liszt like Strauss, not to mention for his mentor Alexander Ritter. The concept of 'death and transfiguration' had already played a central role in LisztÂ’s symphonic poems Tasso and Prometheus. $380.00 - See more - Buy online | | |
| Burleske in D minor for Piano and Orchestra, IRS 11 (TrV 145; AV 85) [Score] LudwigMasters Publications
Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 ...(+)
Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP.36-A212601 Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Score. LudwigMasters Publications #36-A212601. Published by LudwigMasters Publications (AP.36-A212601). ISBN 9798888520987. UPC: 676737611651. English. Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $40.00 - See more - Buy online | | |
| Macbeth, Op. 23 Orchestra [Score] Schott
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edition Score Band 4. Composed by Richard Strauss. Edited by Stefan Schenk and Walter Werbeck. This edition: Hardback/Hard Cover. Sheet music. Edition Schott. Classical. Hardcover. Composed 1888-1891. Op. 23. 236 pages. Duration 18'. Schott Music #RSW304. Published by Schott Music (HL.49045561). ISBN 9783901974045. Strauss's first tone poem distinguishes itself from all other subsequent orchestral compositions in its existence in three different versions. Even among the operas and other compositions in his hand there is no other work with a comparable history of origin and publication. What is more, the final version of Macbeth is the only valid form of the work and the only variant with further sources (cf. Critical Report) in addition to the autograph score. In contrast, the second version has only been preserved in an autograph score and autograph piano reduction (the orchestral parts which must have existed have obviously not survived). This was never printed and was replaced by the published third version. The two surviving versions should therefore not be considered to be of equal status. Unlike the case of Ariadne auf Naxos in which the earlier version was for a time the sole valid alternative and was yet never completely displaced by the soon dominating later version of the opera, only the final third version of Macbeth is considered as valid. Right from the outset, it was a matter of course for the editors of the present volume to include the second version as a first publication (in addition to the above-mentioned surviving pages of the first version), albeit in different forms. The surviving pages of the first version are reproduced in facsimile and the second version, as a subordinate form of the work, appears alongside Strauss's piano reduction in a modified source edition, i.e. without intervention on the part of the editors. The ultimate third version is published as a full edition (please refer to the Critical Report for further details). In order to facilitate a comparative study of the second and third versions, the relevant page numbers of the score are placed opposite one another (the autograph piano reduction of the second version is included at the end of the music section of the volume). The editors hope that this synoptic representation will prompt interest in further studies on Strauss's art of orchestration: a field of research which has still remained insufficiently examined. A study of Macbeth namely illuminates as clearly as could be wished how much significance Strauss allotted to sound alongside form. The subjects were not merely intended to generate an individual figure, but also specific tonal colours, and the instrumentation was simultaneously designed to provide an optimal communication of thematic-motivic texture to the audience. The 'new path' threw up consequences which caused Strauss a considerable amount of difficulty. He was however a fast learner and had already swum free with Don Juan and all the more with Tod und Verklarung. $350.00 - See more - Buy online | | |
| Oboe Concerto in D Major Oboe and Orchestra [Study Score / Miniature] G. Henle
Oboe; Orchestra (Study Score) SKU: HL.51487248 Study Score. Compos...(+)
Oboe; Orchestra (Study Score) SKU: HL.51487248 Study Score. Composed by Richard Strauss. Edited by Hansjö and rg Schellenberger. Henle Music Folios. Classical. Softcover. 99 pages. G. Henle #HN7248. Published by G. Henle (HL.51487248). UPC: 196288308195. 6.75x9.5x0.27 inches. âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist and soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for the first time in a Henle Urtext edition in both full score and piano reduction! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Violin in D minor, Op. 8 Orchestra [Set of Parts] LudwigMasters Publications
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP.36-A213048 Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A213048. Published by LudwigMasters Publications (AP.36-A213048). ISBN 9798892705271. UPC: 659359875526. English. Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $8.00 - See more - Buy online | | |
| Concerto for Violin in D minor, Op. 8 Orchestra [Score] LudwigMasters Publications
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP.36-A213001 Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A213001. Published by LudwigMasters Publications (AP.36-A213001). ISBN 9798892705264. UPC: 659359870385. English. Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $55.00 - See more - Buy online | | |
| Concerto for Violin in D minor, Op. 8 Orchestra LudwigMasters Publications
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP.36-A213002 Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A213002. Published by LudwigMasters Publications (AP.36-A213002). UPC: 659359873225. English. Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $150.00 - See more - Buy online | | |
| Death and Transfiguration Op. 24 TrV 158 Orchestra [Score] Breitkopf & Härtel
Orchestra (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str) SK...(+)
Orchestra (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str) SKU: BR.PB-5654 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Late-romantic. Full score. 104 pages. Duration 24'. Breitkopf and Haertel #PB 5654. Published by Breitkopf and Haertel (BR.PB-5654). ISBN 9790004215517. 10 x 12.5 inches. Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions. $130.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Death and Transfiguration Op. 24 TrV 158 Breitkopf & Härtel
Violin 2 (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str) SKU...(+)
Violin 2 (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str) SKU: BR.OB-5654-16 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Late-romantic. Part. 12 pages. Duration 24'. Breitkopf and Haertel #OB 5654-16. Published by Breitkopf and Haertel (BR.OB-5654-16). ISBN 9790004348437. 10 x 12.5 inches. Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Elektra Op. 58 Schott
Complete Edition Score Orchestra; Voice (Complete Edition) SKU: HL.49046752(+)
Complete Edition Score Orchestra; Voice (Complete Edition) SKU: HL.49046752 Tragedy in One Act by Hugo von Hofmannsth Complete Edition Half-C. Composed by Richard Strauss. Edited by Adrian Kech, Alexander Erhard, and Sebastian Bolz. Edition Schott. Classical. Hardcover. 508 pages. Duration 6300 seconds. Schott Music #RSW104. Published by Schott Music (HL.49046752). UPC: 196288021803. Richard Strauss was pressed for time. While he was still composing at Elektra, he took care of the piano reductions and the orchestral material for the world premiere at the Royal Opera House in Dresden. The present critical revision is based on all sheet music documents authorized by Strauss. The editors also evaluate all text sources, such as the letters to the publisher Adolph Furstner. The result is a corrected version with a precise articulation designation and with autograph stroke options. In a piano reduction edited by Strauss there was even an indication of where a break could be arranged. $552.00 - See more - Buy online | | |
| Death and Transfiguration Op. 24 TrV 158 Breitkopf & Härtel
Viola (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str) SKU: B...(+)
Viola (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str) SKU: BR.OB-5654-19 Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Late-romantic. Part. 12 pages. Duration 24'. Breitkopf and Haertel #OB 5654-19. Published by Breitkopf and Haertel (BR.OB-5654-19). ISBN 9790004348444. 10 x 12.5 inches. Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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