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Sonata In C For Organ
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Small Pieces Composed In Homage To The Saxon Court
Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
321.00 EUR - Sold by LMI-partitions
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
178.71 EUR - Sold by LMI-partitions
(Seller in french langage)
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Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue
[Sheet music]
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograp...
(+)
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo Mass, CV 40. 616]/ Répertoire / 2 Clarinettes, 2 Violons, Orgue et Basse Continue
4.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue
[Sheet music]
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograp...
(+)
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo Mass, CV 40. 616]/ Répertoire / 2 Clarinettes, 2 Violons, Orgue et Basse Continue
4.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue
[Sheet music]
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograp...
(+)
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo Mass, CV 40. 616]/ Répertoire / 2 Clarinettes, 2 Violons, Orgue et Basse Continue
2.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Details
Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograp...
(+)
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo Mass, CV 40. 616]/ Répertoire / 2 Clarinettes, 2 Violons, Orgue et Basse Continue
7.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Details
Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue
[Sheet music]
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograp...
(+)
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo Mass, CV 40. 616]/ Répertoire / 2 Clarinettes, 2 Violons, Orgue et Basse Continue
4.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Sonate In C (MOZART WOLFGANG AMADEUS)
2 Clarinettes, 2 Violons, Orgue et Basse Continue
[Sheet music]
Carus Verlag
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograp...
(+)
Epistelsonate. Par MOZART WOLFGANG AMADEUS. Edition based on the Mozart autograph in the Saltikov-Shtchedrin Library in St. Petersburg. Carus editions of the Mozart masses for which the Epistle Sonata KV 263 would be suitable. Missa in C KV 259 [Organ Solo Mass, CV 40. 628]; Missa longa in C KV 262 [CV 51. 262, in prep. ]; Missa in C KV 258 [Spaur Mass, CV 40. 627]; Missa in C KV 257 [Great Credo Mass, CV 40. 616]/ Répertoire / 2 Clarinettes, 2 Violons, Orgue et Basse Continue
12.00 EUR - Sold by LMI-partitions
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Wolfgang Amadeus Mozart: Missa in C major K.337: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coro...
(+)
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317; 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317 this work together with a new church sonata (K. 336/336) will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes solo bassoon trumpets and timpani (but without horns) only serves to strengthen such a supposition. What is striking about the work is the rigorously contrapuntal Benedictus which forms a stark contrast to the similarly unusual Agnus Dei in which a solo organ alternating with theconcertante wind instruments (oboe and bassoon) provides a framework for the coloratura-rich part of the solo soprano. Urtext of the “New Mozart Edition” Ideal for church services and concert performances Full score & performance material (BA4881) and vocal score (BA4881-90) for sale
31.50 GBP - Sold by Musicroom UK
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