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That\\\'s My Girl - Tuba
ORCHESTRA - BAND
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That's My Girl: Marching Band: Score & Parts
Marching band
[Score and Parts]
Arrangers' Publishing Company
With its brassy horn licks funky rhythms and roaring bass That's My Girl by th...
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With its brassy horn licks funky rhythms and roaring bass That's My Girl by the group Fifth Harmony gives dance lines and bands the necessary ingredients they need to produce an exciting and entertaining performance.
69.99 GBP - Sold by Musicroom UK
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That's My Girl: Marching Band: Score
Marching band
Arrangers' Publishing Company
With its brassy horn licks funky rhythms and roaring bass That's My Girl by th...
(+)
With its brassy horn licks funky rhythms and roaring bass That's My Girl by the group Fifth Harmony gives dance lines and bands the necessary ingredients they need to produce an exciting and entertaining performance.
10.99 GBP - Sold by Musicroom UK
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Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Score]
Schott
Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Motown Revue: Concert Band: Score and Parts
Concert band
[Score and Parts]
Hal Leonard
With this year's 40th anniversary of Motown and its rich history of American pop...
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With this year's 40th anniversary of Motown and its rich history of American popular music here's a musical tribute that includes three classic hits: I Heard It Through The Grapevine (Marvin Gaye) My Girl (The Temptations) and ABC (The Jackson Five).
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2020's Pop Divas on Stage: Concert Band: Score
Concert band
De Haske Publications
Ava Max - Billie Eilish - Dua Lipa. Ava Max, Billie Eilish and Dua Lipa: altoget...
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Ava Max - Billie Eilish - Dua Lipa. Ava Max, Billie Eilish and Dua Lipa: altogether, they possess a great deal of girl power. That was all Peter Kleine Schaars needed to arrange this exciting, great-sounding and playable pop medley. With hits like ?Kings
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Picnic At Hanging Rock: Orchestra: Score
Orchestra
Wilhelm Hansen
Picnic At Hanging Rock (Utflykt til det okända) for Orchestra by Britta Byströ...
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Picnic At Hanging Rock (Utflykt til det okända) for Orchestra by Britta Byström (2010). Programme Note ”What we see and what we seem are but a dream a dream within a dream” – These words opens Peter Wier’s film on Joan Lindsay’s novel Picnic at Hanging Rock from 1967. The story takes place on Valentines Day 1900. A group of school girls go on a picnic at Hanging Rock in Australia and get caught up in a volcanic eruption. Three of the girls disappear without a trace – as if they where swallowed up by the mountain. Inspiredby Peter Weir’s poetic and many layered film I have composed a tone poem – with the emphasis on poem – or poetry – as opposed to programme music. Disappearance is an important motif. The piece is a series of disappearances and transformations – one after another. At the end you can hear how the sound of the orchestra disappears in a swarm of clanging triangles – a way of picturing the girls disappearing into the mountain. I have tried to catch several other of the characteristics of the film: The school girls in their white dresses the dangerous yet alluring mountain where the watches mysteriously stop at 12 the spell that makes the girls climb higher and higher and – at the end – the unanswered hesitant question: what really did happen? Britta Byström
76.99 GBP - Sold by Musicroom UK
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Coffret Scores (BEATLES THE)
Conducteur
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...
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Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
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Sing, Sing, Sing
Ensemble Flexible à 5 Parties
[Score and Parts]
Norsk Noteservice
Par PRIMA LOUIS. Sing, Sing, Sing (With a Swing)' is a 1936 song, with music and...
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Par PRIMA LOUIS. Sing, Sing, Sing (With a Swing)' is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang in February that year. Fletcher Henderson recorded a vocal version in August 1936 One year later, on July 6, 1937, 'Sing, Sing, Sing' was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums and Harry James in the trumpet section. The song was arranged by Jimmy Mundy. Unlike most big band arrangements of that era, limited in length to three minutes so that they could be recorded on one side of a standard 10-inch 78-rpm record, the version which Goodman’s band recorded was an extended work. The 1937 recording lasted 8 minutes and 43 seconds, and it took up both sides of a 12-inch 78. The recording of Goodman's 1938 Carnegie Hall live performance (with impromptu solos) took 12 minutes and 30 seconds. Feel free to extend the song with soloes if wanted! The 1937 Benny Goodman recording was inducted into the Grammy Hall of Fame in 1982.[3] The music has been used in over 30 movies and in TV series as Gilmore Girls, The Sopranos and Everybody loves Raymond. / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 5 Parties
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