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Vivaldi
ORCHESTRA - BAND
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Violon, Cordes et Basse Contin… (355)
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Divers (193)
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Flûte Traversière ou Flûte … (25)
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4 Violons, Violoncelle et Cord… (20)
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Marching band (18)
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Easy Piano (18)
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Flûte Traversière, Instrumen… (16)
Flûte Traversière ou Flûte … (16)
4 Violons, Violoncelle, Cordes… (16)
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Flûte-Piccolo, Cordes et Bass… (12)
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String Trio: 2 violins, cello (12)
CD (12)
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2 Violons Obligatoires, Cordes… (11)
1 Piano, 4 hands (11)
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Divers Ensembles Avec Orchestr… (11)
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Flûte à Bec F2, F1, C1 et F (10)
Orchestre à Cordes avec 2 Vio… (10)
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Orchestre à Cordes avec 4 Vio… (9)
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Tenor Saxophone and Piano (9)
Choral 2-part (9)
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Solistes SSAT, Choeur SATB, 2 … (8)
Flute, Orchestra (8)
Flûte Traversière Hautbois, … (8)
2 Trompettes, Cordes et Basse … (8)
2 Violons, Violoncelle et Orch… (8)
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Violon, Orgue Obligatoire, Cor… (8)
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Choral SSAA (8)
Partition D'Orchestre In 16 Po… (8)
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String Quintet: 2 violins, vio… (8)
Recorder Quartet (8)
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:: (7)
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Divers Ensembles Sans Orchestr… (7)
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Piano Trio: piano, violin, cel… (7)
3 Recorders (trio) (7)
Voix et Piano Réduction (7)
Piccolo, Piano (7)
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Bass Trombone and Piano (7)
Treble (Alto) Recorder, Basso … (7)
Ensemble Instrumental (7)
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Descant (Soprano) Recorder (7)
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Musique de chambre (7)
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Exemplaire Complet (6)
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Wind ensemble (6)
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Ensemble de Chambre Mixte (6)
Violin, Viola (duet) (6)
Tenor Saxophone (6)
Flûte à Bec F1, 2 Violons et… (6)
Trombone et Piano ou Orgue (6)
Violon Et 2 Orchestres (6)
2 Violons, Orchestre à Cordes… (6)
Cello, Orchestra (6)
Basse En Bb Et Piano (Orgue) (6)
Violon Solo, 2 Cors, 2 Hautboi… (6)
Accordion ensemble (6)
Saxophone ensemble (6)
2 Trumpets (duet) (6)
Recorder, Piano (6)
High voice, Piano (6)
Tenor voice, Piano (6)
Book (5)
Violon, Hautbois et Orchestre (5)
Voice solo (5)
Flautino, 2 Violons, Alto, Cla… (5)
Solo S, Hautbois, 2 Violons, A… (5)
2 Mandolines et Orchestre d'In… (5)
Descent (Soprano) Recorder, Pi… (5)
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Dulcimer (5)
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Flûte à Bec Alto et Basse Co… (4)
Mandoline, Cordes et Basse Con… (4)
Flûte, Cordes Et Basse Contin… (4)
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2 Violons, Ensembles de Cordes… (4)
2 Sopranos, Alto, Ténor, Bass… (4)
Alto, Cordes et Orgue (4)
2 Altos, Cordes et Basse Conti… (4)
Hautbois et Basse Continue (4)
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Fac-similé (4)
Euphonium (4)
Violin, Guitar (duet) (4)
Flûte Traversière Violoncell… (4)
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Flûte Traversière, 2 Violons… (4)
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Flûte à Bec, Cordes et Basse… (4)
Choeur SATB, Cordes et Orgue o… (4)
Ukulele (4)
Flûte Traversière, 2 Violons… (4)
C Trumpetor et Trompette Sib/C… (4)
Nursery rhyme (4)
Violon, Orchestre à Cordes et… (4)
Piano Quintet: piano, violin, … (4)
Flûte à Bec Alto ou Flûte T… (4)
Recorder, Bass Continuo (4)
Harp (4)
Flûte à Bec Alto ou Flûte T… (4)
Voix et Orchestre (4)
Flûte à Bec Alto ou Flûte T… (4)
Flûte à Bec Alto, 2 Violons … (4)
Violin, Cello (duet) (4)
Organ, Trumpet (duet) (4)
Violon, Orchestre A Cordes Et … (4)
Saxophone Quintet: 5 Saxophone… (4)
Flûte Traversière Cordes et … (4)
2 Mandolines et Guitare (4)
Biography (3)
Tuba Solo (3)
Choeur Mixte (SATB), Cordes et… (3)
2 Cellos (duet) (3)
Flûte A Bec, Cordes Et Basse … (3)
Contralto Et Basse Continue (3)
Basson, Cordes et Clavecin (3)
3 Violons, Orchestre à Cordes… (3)
Instruments A Vent (3)
Alto, Guitare Et Cordes (3)
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Bass guitar (3)
Violon, Orchestre à Cordes et… (3)
Violin, Violoncello and Double… (3)
Choral TTBB (3)
Parties Supplémentaires (3)
Saxhorn and Piano (3)
Brass Quartet: 4 trombones (3)
Banjo (3)
Soprano voice (3)
High voice (3)
2 Clarinets (duet) (3)
Solistes SATB, Choeur SATB, 2 … (3)
Hautbois, Violon, Orchestre A … (3)
School Ensemble (3)
Descant (Soprano) Recorder, Ba… (3)
Alto, Cordes Et Orgue (Ou Clav… (3)
Recorder Ensemble (3)
String quartet: 4 violins (3)
Voix, Flûte à Bec et Basse C… (3)
2 Violons et Orchestre à Cord… (3)
2 French horns (duet) (3)
Guitare et Instruments Divers (3)
2 Choeurs SATB, Cordes et Orgu… (2)
2 Voix Femmes/Orchestre à Cor… (2)
Harpsichord (2)
Voice and Orchestra (2)
Violoncelle, Orchestre à Cord… (2)
Partition d'Ensemble (2)
Violin ensemble (2)
Basson et Concert Band/Harmoni… (2)
Voix, 2 Violons, Alto Et Basse… (2)
Oboe, Basso continuo (2)
Voice, Guitar (2)
Contreténor et Orchestre à C… (2)
Treble (Alto) Recorder, Piano (2)
Choeur SATB, Cordes Et Orgue (… (2)
Set de Cordes (2)
Piccolo Flûte à Bec ou Flût… (2)
Flute, Oboe, and Cello (2)
Musical Awakening (2)
Violon et Clavier (2)
Ensemble (2)
Tenor (2)
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Flöte, Streicher und Basso c… (2)
Violon, Orchestre A Cordes Et … (2)
Orchestre d´Harmonie (2)
Flûte Traversière, Orchestre… (2)
2 Oboes, Piano (2)
Hautbois solo (2)
2 Hautbois et Orchestre (2)
Voix de femme (Soprano ou Mez… (2)
Partie de Mandoline (2)
Bass Clarinet, Piano (2)
Scores (2)
Vocal duet, Piano (2)
Saxophone Soprano ou Clarinett… (2)
Soprano Solo, Cordes Et Basse … (2)
Violon Solo, 2 Cors, 2 Hautboi… (2)
2 Saxophones (duet) (2)
Trompette Solo (2)
Marimba (2)
2 Flûtes Et Orchestre A Corde… (2)
Mandolin, Piano (duet) (2)
2 Trompettes et Orchestre (2)
Medium voice, Piano (2)
Clavier et Piano (2)
Soprano voice, Orchestra (2)
Alto (Partie séparée) (2)
Flûte Traversière, Orchestre… (2)
Flute Trio: 3 flutes (2)
Violon (2), Cordes Et Basse Co… (2)
Violon, Violoncelle Et Basse C… (2)
Octavin Et Piano (Ou Clavecin)… (2)
Clarinet Ensemble (2)
Trompette et Piano ou Orgue (2)
ELECTRONIC KEYBOARD GROUPS (2)
ContreTénor et Cordes (2)
Cordes Et Basse Continue (2)
2 Sopranos, Alto, SATB Choeur,… (2)
Basse (2 Basses) Et Piano (2)
Pocket, Study conductor (2)
5 Trompettes (2)
Choeur Mixte Sans Accompagneme… (2)
Saxophone Alto et Piano ou Org… (2)
2 Violoncelles, Basse Continue… (2)
Harmonica (2)
2 Flûtes à Bec Alto ou Flût… (2)
2 SATB Choeur, Cordes et Orgue… (2)
2 Mandolines (2)
Violon et Instruments à Corde… (2)
Choeur A 4 Voix Mixtes, Violon… (2)
2 Flutes, Piano (2)
Carte Postale (2)
4 Sopranos, 2 Choeurs à 4 Voi… (2)
Accordion (2)
Alto Solo (2)
Orgue Sans Pédale (2)
Solistes:2 Sopranos, Alto, Ten… (1)
Chant et Réduction Piano (1)
2 Sopranos, Alto, Choeur SATB,… (1)
Catalogue des Oeuvres (1)
Orchestre à Cordes et 4 Violo… (1)
Partition D'Etude (1)
Flûte, Violon Et Piano (1)
Violon 2 (1)
Ensemble de Flûtes à Bec (3 … (1)
3 Violons et Piano (1)
Instruments à Cordes (1)
4 Contrebasses (1)
Mixed Ensemble (1)
2 Violes d'Amour et Basse Cont… (1)
4 Violons, 2 Altos, Violoncell… (1)
CLT/ENS::Clarinette/Ensemble d… (1)
1 Ou 2 Mandoline(s) (1)
Livres Education (1)
6 Violoncelles (1)
Percussion (1)
2 Parties Voix Aigües (SS) et… (1)
Opéra Strumentali Di Antonio … (1)
Partie de Violon (1)
Brass Sextet, 3 Trompettes, Co… (1)
Flûte à Bec Solo (1)
Trombone Solo (1)
3 Violons et Orchestre (1)
Basse (1)
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Choeur de Femmes et Piano (1)
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Alto voice, Piano (1)
Hautbois Et Orchestre A Cordes… (1)
Flûte Traversière, Hautbois,… (1)
3 Flûtes A Bec Soprano (1)
2 Trompettes en Do et Piano (1)
Flûte Traversière Et Hautboi… (1)
Violoncelle Ou Contrebasse (1)
2 Violons, 2 Violoncelles, Cor… (1)
3 Violoncelles et Piano ad lib… (1)
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Soprano Et 3 Contraltos, Choeu… (1)
Medium Voice (1)
Violon Solo (1)
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Flute, Bassoon, and Piano (1)
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Soprano and Alto Soli, Soprano… (1)
Violoncelle ou Contrebasse (Pa… (1)
Piccolo Et Orchestre A Vent (1)
2 Pianos, 4 hands (1)
Violoncelle Et Clavier (1)
Affiche (1)
2 Choeurs SATB sans Accompagne… (1)
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4 Pianos Et Cordes (1)
Oeuvres Théâtrales/Oratorios… (1)
All Instruments (1)
2 Violins, 2 Cellos, Strings a… (1)
Soprano et 3 Contralto Soliste… (1)
Trumpet ensemble (1)
Choeur Mixte Et Ensemble (1)
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1 ou 2 Violoncelles et Piano (1)
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Alto ou Violoncelle et Piano (1)
Music Theory (1)
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2 Sopranos, 2 Choeurs A 4 Voix… (1)
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VLN/ORCH::Violin, Orchestra (1)
1 ou 2 Xylophones, Timbales, P… (1)
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Guitare et Accompagnement Pian… (1)
Vibraphone Et 3 Marimbas (1)
Flûte Traversière ou Plusieu… (1)
Flûte Traversière Et Piano O… (1)
Chorale (1)
2 Flûtes Traversières et Orc… (1)
2 Flûtes A Bec Alto Et Basse … (1)
Flûte Traversière, Hautbois,… (1)
Choeurs (1)
Violoncelle et Accompagnement … (1)
Piano Accompaniment (1)
Violine und Basso continuo, V… (1)
GTR/STR ORCH::Guitar, String O… (1)
Recorder, Violin, Basso contin… (1)
Viola da Gamba (1)
Flûte A Bec Tenor Et Piano (1)
Hautbois et Basse Continue (Fa… (1)
Flûte Traversière ou Hautboi… (1)
Livret Italien Anglais (1)
Flûte Traversières (Hautbois… (1)
Violon 1 (1)
Violoncelle Solo (1)
Violoncelle (Partie Séparée)… (1)
Saxophone Baryton (1)
Accessoire (1)
2 Flûtes Traversières et Bas… (1)
Voix, Instrument(s) Et Basse C… (1)
Clarinette Solo (1)
Soprano, Alto, Voix D'Hommes (1)
Instruments à Vent (1)
2 Trombones (duet) (1)
Instruments Divers dont le Bas… (1)
Flûte à Bec Alto et Basse Co… (1)
Vibraphone et Marimba (1)
Viole d'Amour (1)
Soli/Choeur et Orchestre (1)
ORCH/VLN::Orchestre/Violon (1)
Saxophone en Sib ou Clarinette… (1)
Solistes (SSA), Choeur Mixte (… (1)
Flûte à Bec et Piano (1)
Contralto, 2 Violons, Alto Et … (1)
Trompette et Cordes (1)
String Quartet : 4 violas (1)
8 Ensembles De Cuivres (1)
Guitare ou Luth (1)
Trompette (B) et Piano (1)
Ensemble Mixte (1)
Clarinette Ou Saxophone En Sib… (1)
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Flûte à bec (1)
Instruments En Si Et Ut (1)
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2 Sopranos, 2 Choeurs et 2 Orc… (1)
Flûte Traversière, Violon, B… (1)
Soprano, Violon Unisson, Alto … (1)
Parties Séparées (1)
2 French horns, Piano (1)
Choeur d'Enfants (1)
2 Clarinettes en Sib et Piano (1)
Cor en Mib et Piano ou Orgue (1)
Piccolo et Orchestre à Vent (1)
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Solistes Et 2 Choeurs A 4 Voix… (1)
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Violon, 2 Violons 'Per Eco' Et… (1)
Voix Mixtes (1)
Chant (1)
Tenor voice (1)
Cor en Fa Solo (1)
Voix Elevée(s)/Moyenne(s) Et … (1)
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3 Ou 4 Violons Et Piano (1)
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VLC/ENS/PFA::Violoncelle/Ensem… (1)
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Sonate In C-Dur (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
Doblinger
Für Flöte Und Gitarre (Basso Continuo). Par VIVALDI ANTONIO. Fl Git/ Répertoi...
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Für Flöte Und Gitarre (Basso Continuo). Par VIVALDI ANTONIO. Fl Git/ Répertoire / Guitare et Musique de Chambre
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Sonate Nr. 5 E-Moll (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
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Easy
Doblinger
Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez...
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Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre
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VIVALDI ANTONIO - CONCERTO IN D-DUR RV 91
Chamber Orchestra
Amadeus Verlag
Concerto in D-dur · RV 91
VIVALDI, Antonio (1678-1741)
für F...
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Concerto in D-dur · RV 91
VIVALDI, Antonio (1678-1741)
für Flöte, Violine, Fagott und Bc.
Das Quadro zeugt erneut von Vivaldis nie versiegenden Erfindungsreichtum. Der formale Aufbau folgt weitgehend nach dem Schema der Ritornellform, überrascht aber zudem durch ein stark kontrastierendes Klangspektrum zwischen den Instrumentengruppen.
/ Partitions classique / Ensemble et orchestre / Musique de chambre / AMADEUS
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Conc. Pour Vl., Archi E B.C. Delle Raccolte Edite In Vita Di Antonio Vivaldi: Op. III 'L'Estro Armonico': Vol.II (VIVALDI ANTONIO)
Violon, Cordes et Basse Continue
[Sheet music]
Ricordi
Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii....
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Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii. Par VIVALDI ANTONIO. Contents: Vivaldi: Concerto, Op. 3 No. 7 'Con quattro Violini e Violoncello obligato', RV 567 Vivaldi: Concerto, Op. 3 No. 8 'Con due Violini obligati', RV 522 Vivaldi: Concerto, Op. 3 No. 9 'Con Violino Solo obligati', RV 230 Vivaldi: Concerto, Op. 3 No. 10 'Con quattro Violini e Violoncello obligato', RV 580 Vivaldi: Concerto, Op. 3 No. 11 'Con due Violini e Violoncello obligato', RV 565 Vivaldi: Concerto, Op. 3 No. 12 'Con Violino Solo obligato', RV 265/ Répertoire / Violon, Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
[Score]
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
[Score]
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
[Score]
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
[Score]
-
Intermediate/advanced
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
[Score]
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Intermediate/advanced
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Il Teuzzone, RV 736 (ANTONIO VIVALDI)
Voice and Orchestra
[Sheet music]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
(+)
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
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Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
-
Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Catone In Utica
Conducteur
[Score]
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Conducteur
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Antonio Vivaldi: Il Teuzzone RV 736: Orchestra: Score
Orchestra
[Score]
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Concerto Per Flauto Traversiere, Archi, Bc Rv 431A (VIVALDI ANTONIO)
Flûte Traversière Cordes et Basse Continue
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Intermediate
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a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many f...
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a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses. The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is verypossibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as partof a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432belonged to this group of works, the last known collection of its kind in Vivaldi’s oeuvre. This critical edition places these closely related works side by side for the first time, placing them in their historical context and making them performable through its reconstruction of some lost parts. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Flûte Traversière Cordes et Basse Continue
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Allegro for Double Orchestra (VIVALDI ANTONIO / SIEVING ROBERT (Arr)
Orchestra
Hal Leonard
FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVI...
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FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a musical conversation through fugal writing. Sieving has maintained Vivaldi\'s writing and sound, as the two orchestras battle it out to be the reigning orchestra. Each orchestra and section have interesting parts, with string crossings, minimal shifting, stylistic Baroque bow use, and call and response sections or echo sections. Invite a neighboring orchestra to perform this wonderful double string piece or divide your orchestra in two groups. Such a wonderful addition to our Vivaldi repertoire by Robert Sieving at Level 3. / Date parution : 2022-07-30/ Répertoire / Orchestre
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Antonio Vivaldi: Concerto in D Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most pro...
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Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar(capotasto). Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar(capotasto).
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Concerti Op. VIA Cinque Strumenti (VIVALDI ANTONIO)
Ensemble Mixte
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Edizione Critica A Cura Di Alessandro Borin / Critical Edition By Alessandro Bor...
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Edizione Critica A Cura Di Alessandro Borin / Critical Edition By Alessandro Borin. Par VIVALDI ANTONIO. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was most likely modest – even to assume that the publishing occurred without hisauthorization - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, consisting of three movements and with the participation of a single Soloist. This critical edition – mainly based on the firstprinted edition and its following reprints – takes in consideration also all the printed sources related to each single concert of op. VI found into anthologies and the manuscript ones kept at the Wiesentheid and Dresda libraries. The informationcollected through the comparative study of the manuscript tradition and the printed one made possible not only to reconstruct the links among the sources and clarify some problematic choices but also to formulate hypotheses about the genesis and theintrinsic nature of the whole collection. / Date parution : 1905-07-08/ Répertoire / Ensemble Mixte
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Antonio Vivaldi: Concerto in D Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most pro...
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Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
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Concerto, Rv 817 (VIVALDI ANTONIO)
Violon, Cordes et Basse Continue
[Score]
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Ed. Critica F. M. Sardelli - Per Violino Solo, Archi E Basso Continuo. Par VIVAL...
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Ed. Critica F. M. Sardelli - Per Violino Solo, Archi E Basso Continuo. Par VIVALDI ANTONIO. Among the many new works by Vivaldi discovered in recent years are not merely works completely unknown previously, but also ones that had already been noticed but for a variety of reasons were set aside. This is the case with the violin concerto RV 817, which has come down to us via a copy lacking the name of its composer. A reexamination of it in the light of the system of “musical concordances” - the great schema of Vivaldi’s reuse of thematicmaterial - has permitted its attribution to him without any further doubts and its recognition as one of the virtuosic concertos of his full maturity. Intended for his pupil and advocate Georg Pisendel, the concerto reflects a predilection for doublestopping and the exploration of the ultra-high register common to the works written for him. With this twenty-second violin concerto in A major, another precious piece is added to the mosaic of the Vivaldi catalogue. / Date parution : 1905-07-06/ Répertoire / Violon, Cordes et Basse Continue
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Antonio Vivaldi: The Four Seasons (Cembalo): String Orchestra: Part
String Orchestra
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
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One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
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L'Estro Armonico Op. 3/1-12 (VIVALDI ANTONIO)
4 Violons, 2 Altos, Violoncelle, Violon et Claveci
Eulenburg
Concerti Grossi. Par VIVALDI ANTONIO. 12 Concertos de Vivaldi ont été d'abord ...
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Concerti Grossi. Par VIVALDI ANTONIO. 12 Concertos de Vivaldi ont été d'abord publiés en 1711 par Roger à Amsterdam. Ces 8 livres de cadre élégant a aidé à établir la réputation de Vivaldi dans toute l'Europe et au cours duquel il a fourni les règles de laquelle des auteurs comme Quantz, Marcello et Mattheson jugés et informé les autres compositeurs. Très imité, les concertos continuent d'influencer les oeuvres de compositeurs plus tard et, en fait, j. s. Bach./ Répertoire / 4 Violons, 2 Altos, Violoncelle, Violon et Claveci
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Antonio Vivaldi: The Four Seasons (Viola): String Orchestra: Part
String Orchestra
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
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One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
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Scenes From The Four Seasons. Stringsets (Les quatre saisons) (VIVALDI ANTONIO)
String Orchestra
[Sheet music]
Faber Music Limited
Par VIVALDI ANTONIO. Vivaldi's popular classic, The Four Seasons, is a piece eve...
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Par VIVALDI ANTONIO. Vivaldi's popular classic, The Four Seasons, is a piece every aspiring string player wants to play. But to perform it in its original form - four substantial concerti, each with a virtuoso solo part - is beyond the reach of many school or amateur orchestras. These arrangements, Scenes from the Four Seasons, aim to bring Vivaldi's music within the scope of students and amateurs while keeping much of its original form and character. Includes the Birdsong (from 'Spring'), Harvest Home (from 'Autumn') and Fireside (from 'Winter')./ Répertoire / Set de Cordes
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Antonio Vivaldi: The Four Seasons (Violin I): String Orchestra: Part
String Orchestra
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
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One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
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