In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

Where You Are - How Far I'll Go - You're Welcome - We Know the Way-Skillfully arranged for flexible or incomplete instrumentation here is an entertaining medley that features catchy songs from the composer of Broadway`s Hamilton Lin-Manuel Miranda. Includes: Where You Are - How Far Ill Go - You`re Welcome - WeKnow the Way.

1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can be sung with choir only or with congregation together. Each song is presented two ways?an anthem version and a call to worship version?enabling the worship leader to beginthe service with the main thematic statement of the song and proceed from there. Titles include: Sing Out All the Earth Will Sing Your Praises Welcome in this Place It Is Good Hear Our Praises Glorious This Is YourHouse Praise Adonai Let the Praises Ring and Come and Worship. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 3 (Tenor Sax/BaritoneTC) Percussion Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. Instrumentation varies. SATB Listening CD CD Accompaniment Trax CD 10-Pack and Preview Pack(CD) also available.

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

Disney's blockbuster animated film features catchy songs from the composer of Broadway's Hamilton Lin-Manuel Miranda. Here's an entertaining medley for the concert stage that includes: 'How Far I'll Go' 'We Know the Way' 'Where You Are' and 'You're Welcome'.

Sung by the character Maui (Dwayne Johnson) from the Disney hit movie Moana, this catchy tune features a light-hearted style and a melody that sticks with you. Perfect for a change of pace on any concert.

Sing Sing Sing written in 1936 by Louis Prima has become one of the definitive songs of the big band and Swing Era. Although written by Prima it is often most associated with Benny Goodman. Easily accessible to concert audiences due to its big beat and showy drum breaks structure this arrangement by Mark Freeh is a welcome inclusion in any concert programme. Brass Band Grade 4: Advanced Youth and 3rd Section.Duration: 6 minutes.

from Suite for Variety Orchestra No. 1-The Suite for Variety Orchestra No. 1 (1956) is a work by Dmitri Shostakovich in eight movements that draws from the composer's earlier themes. The first of these movements is the delightful March originally found in Korzinkina's Adventures Op. 59 (1940). James Curnow has skillfully adapted this work for band sure to become a welcome addition to the repertoire for your band.

Par STORY MICHAEL (Arr.). A must for any regal ceremony. The traditional 'Pomp and Circumstance' has been scored for young full orchestra or strings alone. It includes a processional and the majestic 'Rondeau' from Premiere Suite as the recessional. This arrangement would be an outstanding graduation choice for any level orchestra performing without graduating seniors. A welcome necessary arrangement for every library. (3:45) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Orchestre Flexible

(Fantasia for Concert Band)-Taking inspiration from the lakes of northern New York state as well as Niagara Falls Falling Water is composed in the form of a fantasia featuring multiple sections of varied textures restless tonality and dramatic energy. Breaking free from some of the usual conventions of traditional concert band writing this work is fresh sounding and a welcome addition to the repertoire for young bands.

Inspiring popular music from the Ukraine. Perhaps one would only expect original folk-music to come out of this part of Europe but nothing could be further from the truth. By the Way is a delightfully swinging little piece which allows you to pull out all stops: a very welcome addition to the popular genre indeed. Your musicians will have great fun in performing this little piece.

Eric Segnitz brings us this welcome edition of a symphonic classic written for a mature string group. Your players will love to prepare and perform this version that displays the power and intensity of the original orchestral score.