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Cello and Continuo
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Daniel Sartorius: Sonata a Tre Fiatui: Treble Recorder: Score and Parts
2 Flûtes à Bec Alto, Violoncelle et Basse Continue
[Sheet music]
Amadeus Verlag
2 Sonatas-Also suitable for two treble recorders cello and continuo
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Henry Purcell: Sonata For Trumpet And Strings: Ensemble: Score and Parts
Français
Trumpet, Orchestra
[Score and Parts]
Leduc, Alphonse
For trumpet 2 violins viola cello and double bass continuo.
26.99 GBP - Sold by Musicroom UK
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1ère Suite 'Des Elements' (DESTOUCHES ANDRE CARDINAL / FEUILLIE)
2 Violons, Alto, Violoncelle ou Contrebasse et Bas
Heugel
Par DESTOUCHES ANDRE CARDINAL / FEUILLIE. for 2 violins, viola, cello (or double...
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Par DESTOUCHES ANDRE CARDINAL / FEUILLIE. for 2 violins, viola, cello (or double bass) and bass continuo/ Répertoire / 2 Violons, Alto, Violoncelle ou Contrebasse et Bas
30.41 EUR - Sold by LMI-partitions
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Allegro (S/O)
String Orchestra
Alfred Publishing
Wonderful for teaching Baroque style and bowing concepts, this piece features li...
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Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20) / Orchestre A Cordes
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
Basso (Cello)-Concerto in F major for 3 Violins Strings and Basso continuo TWV ...
(+)
Basso (Cello)-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Cello:
Orchestra
Barenreiter
Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition...
(+)
Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Editionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Sheet music]
Barenreiter
Cello. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Stri...
(+)
Cello. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
9.50 EUR - Sold by LMI-partitions
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Antonio Vivaldi: Concerto G Minor RV 531: String Ensemble: Miniature Score
String Orchestra
Eulenburg
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to ...
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The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678–1741) there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably.More than two dozen of his concertos are dedicated to the violoncello including the probably most famous double concerto: the 'Concerto for Two Violoncellos String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of thesources.
9.99 GBP - Sold by Musicroom UK
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Sonata In A Minor (VIVALDI ANTONIO)
Flûte à Bec Alto ou Flûte Traversière), Basson ou
Amadeus Verlag
For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ...
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For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière), Basson ou
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Carolo: Ten Sonatas Vol. IV: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Loux Music Publications
for two Cellos or Bass Viols & basso continuo
15.30 GBP - Sold by Musicroom UK
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Carolo: Ten Sonatas Vol. III: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Loux Music Publications
for two Cellos or Bass Viols & basso continuo
15.30 GBP - Sold by Musicroom UK
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Carolo: Ten Sonatas Vol. V: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Loux Music Publications
for two Cellos or Bass Viols & basso continuo
15.30 GBP - Sold by Musicroom UK
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Carolo: Ten Sonatas Vol. I: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Loux Music Publications
for two Cellos or Bass Viols & basso continuo
15.30 GBP - Sold by Musicroom UK
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Carolo: Ten Sonatas Vol. II: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Loux Music Publications
for two Cellos or Bass Viols & basso continuo
15.30 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: In The Lord Put I My Trust HWV 248: Orchestra: Parts
Orchestra
[Partitions]
Novello & Co Ltd.
The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The...
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The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord Put I My Trust expertly edited by Damien Cranmer. Arranged for Cello Bassoon Double Bass Oboe Violin I Violin II and Basso Continuo. You can purchase the Full Score separately here.
49.99 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Concerto Grosso In G Major Op.6 No.1: Orchestra: Score
Orchestra
[Sheet music]
Barenreiter
Violin Violoncello and Orchestra-Handel's Concerto Grosso In G major Op.6/1 HWV...
(+)
Violin Violoncello and Orchestra-Handel's Concerto Grosso In G major Op.6/1 HWV 319 is scored for 2 solo Violins solo Cello 2 Oboes Bassoon Strings and Basso continuo. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.
20.00 GBP - Sold by Musicroom UK
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Judith Weir: I Give You The End Of A Golden String: String Orchestra: Study
String Orchestra
Chester
I Give You The End Of A Golden String was commissioned in 2013 by the Royal Phi...
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I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society.The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth.'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake???s lines???I give you the end of a goldenstring;Only wind it into a ball It will lead you in at Heaven???s gate Built in Jerusalem???s wall???and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ???first movement??? is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ???slow movement??? (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast???finale??? led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like') thirds.' - Judith WeirSuggested minimum strings: 8.6.4.4.2 players
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Orchestra:
Orchestra
Barenreiter
Violino piccolo pitch notation - notated the way it sounds-Violin solo part soun...
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Violino piccolo pitch notation - notated the way it sounds-Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F BWV 1046: Orchestra:
Orchestra
[Sheet music]
Barenreiter
Includes original version of the Sinfonia BWV 1046a. Authoritative Urtext editi...
(+)
Includes original version of the Sinfonia BWV 1046a. Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now giveperformers the possibility to play these earlier versions perhaps even alongside the version known today. In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach?s favourite among the six there is no Violino Piccolo part to be found and the Violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the Horns are missing in the later score the Oboe slurs and trills in m.12 are also not to be found. The later version has the Cello separated from the Continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
20.50 GBP - Sold by Musicroom UK
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Telemann G.p - Concerto In G Major - String Orchestra
String Orchestra
Schott
G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - ...
(+)
G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - 2 violas, strings and basso continuo editor: Lebermann, Walter composer: Telemann, Georg Philipp Série: Concertino Difficulté: Intermediate pages: 48
45.00 EUR - Sold by Woodbrass
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Haendel G.f. - Concerto Grosso A Major Op.6/11 Hwv 329
Pocket, Study conductor
[Study Score / Miniature]
Eulenburg
Edition : study score Instrumentation : 2 violins, cello, strings and basso cont...
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Edition : study score Instrumentation : 2 violins, cello, strings and basso continuo Catalogue of works : HWV 329 Date of Composition: 1739 Duration : 19' Number of Pages : 56 Arranger : Nyman, Michael Series : Eulenburg Miniature Scores
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Haendel G.f. - Concerto Grosso F Major Op.6/9 Hwv 327
Pocket, Study conductor
[Study Score / Miniature]
Eulenburg
Edition : study score Instrumentation : 2 violins, cello, strings and basso cont...
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Edition : study score Instrumentation : 2 violins, cello, strings and basso continuo Catalogue of works : HWV 327 Date of Composition: 1739 Duration : 16' Number of Pages : 40 Arranger : Nyman, Michael Series : Eulenburg Miniature Scores
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Haendel G.f. - Concerto Grosso C Major Hwv 318
Pocket, Study conductor
[Study Score / Miniature]
Eulenburg
from Alexander's Feast Edition : study score Instrumentation : 2 violins, cello...
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from Alexander's Feast Edition : study score Instrumentation : 2 violins, cello, 2 oboes, strings and basso continuo Catalogue of works : HWV 318 Date of Publications : 12/12/1985 Number of Pages : 44 Arranger : Schroeder, Felix Series : Eulenburg Mini
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Nico Muhly: Step Team: Ensemble: Score
School Ensemble
St Rose Music Publishing
Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost m...
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Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost militaristic dancing involving the entire body as well as the voice. The routines are highly choreographed and precise but maintain an expressive freedom that comes out of the energy required to pull off the moves. In writing this piece for the Chicago Symphony MusicNOW I wanted to avoid too much delicate pointillistic writing and instead focused on making the nine players function as one team with a singular rhythmic agenda. Whenever the Chicago Symphony comes to New York I am always impressed with the massive steakhouse-style proportions of the brasssound so this score features the Bass Trombone as a guide for the harmonic and lyrical material.At a certain point in the piece the rhythmic unisons begin to break down and individual players or groups of players start slowing down or speeding up against the pulse. The Bass Trombone works as a unifying element here announcing the changes between sections. Some scattered pulses ensue and the brass section continuously shepherds the other instruments back into line. Step Team ends with a duet between the Bass Trombone and the Piano with a series of ornaments from the other players.' - Nico MuhlyInstrumentation: Flute Bassoon Horn in F Tenor Trombone Bass Trombone Piano Violin Viola Cello
24.99 GBP - Sold by Musicroom UK
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Concerto For Violoncello, Strings And Basso Continuo A Minor
Cello, Orchestra
Barenreiter
/ Violoncelle Et Orchestre A Cordes
29.00 EUR - Sold by LMI-partitions
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Sarah Quartel: A Winter Day: Orchestra: Part
Orchestra
Oxford University Press
Orchestral & Instrumental Material for Choral Pieces-Cello part for Sarah Quarte...
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Orchestral & Instrumental Material for Choral Pieces-Cello part for Sarah Quartel's five-movement work celebrating the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane.
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