Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

for soloist and string orchestra. Par CURTIS MIKE. Featuring largely original writing and five highly descriptive movements. The solo part in C treble clef is playable by oboe or flute, and the string parts incorporate a variety of arco, pizzicato and spiccato techniques./ Répertoire / Instrument Solo en Do et Orchestre à Cordes

Flute Solo. Par GRGIN ANTE. / Niveau : Difficile / Répertoire / Flûte Traversière et Orchestre

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe

Violin Clarinet or Flute solo with band. John Williams collected an unprecedented fifth Oscar for his exquisite musical score for Steven Spielberg's monumental movie. Calvin Custer's adaptation allows your band to feature either a violin clarinet or flute soloist on this simple yet poignant theme.

Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.

Pasodoble de Concierto-María Gil Herrero was specially commissioned by Antonio Estevan a great connoisseur and lover of music for wind band. This piece is dedicated to Estevan’s wife María to commemorate the celebration in 2009 of their golden wedding anniversary. It was premiered on 30 January 2010 at the Teatro Cervantes of Sax Alicante province (Spain) by the Banda Unión Musical de Sax under the direction of its conductor D. Roberto Trinidad Ramón.The piece opens with a spectacular introduction leading to an expressive saxophone solo. The rubato accents of the first melodic motif give way to the central section which has a distinct and triumphal character. At Estevan’s request trumpetand flute solos highlight the more flamboyant passages. The soft and harmonious colours of the trio’s exquisite melody lead to a recapitulation of the central section before reaching the final climax.María Gil Herrero a concert pasodoble written in a traditional style will enthral the audience with its outstanding character and typically Spanish musical form.

Solo Book (Flute Clarinet Violin)-Ten folk songs for flute clarinet or violin solo with string orchestra (opt. percussion).

From the blockbuster movie “The Lord of the Rings: The Fellowship of the Ring” comes this hauntingly beautiful ballad sung by Enya. This easy concert band setting by master arranger John Moss begins with a Flute soloor section feature then gradually builds intensity through the skillful handling of the instrumentation. Very effective!

John Williams collected an unprecedented fifth Oscar for his exquisite musical score for Steven Spielberg's monumental movie. Calvin Custer's adaptation allows your band to feature either a violin clarinet or flute soloist on this simple yet poignant theme.

Piano Feature with Concert Band-From the blockbuster movie Twilight here is the hauntingly beautiful main theme. This marvellous setting features a Piano solo as well as beautifully scored woodwind passages. An optional solo Flute part is also included as a substitute for the Piano. This memorable melody is sure to stick with you.

for Flute, Oboe d'amore and Viola d'amore. Par TELEMANN GEORG PHILIPP. Flûte Traversière, Ob-d'a and Alto -d'a Soli - Strings - Basse Continue - Durée: 15 / oeuvre solo et Orchestre / Répertoire / Parties Orchestrales