Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

Par SINATRA FRANK. Frank Sinatra, chanteur et acteur de l'Academy Award-winning, signé avec Capitol Records dans les années 1950 et a sorti plusieurs albums acclamé par la critique (In the Wee petites heures, Songs For Swingin ' Lovers, Come Fly With Me, seuls le Lonely et Nice 'n' Easy). Plus tard, il quitte Capitol pour créer son propre label, Reprise Records, fait des tournées internationales et fraternisait avec le ' Rat Pack ' et le président John f. Kennedy. En 1965, Sinatra enregistré la rétrospective septembre de mes années et a marqué des hits avec des inconnus dans la nuit et My Way. Arrangement de Mark Freeh rassemble trois chansons classiques dans une suite pour instruments solo et bande : I've Got vous Under My Skin (flugel solo), All The Way (solo de trombone) et New York, New York (solo de cornet ou euphonium). / Pédagogie / Répertoire / Brass Band

Jazz Play-Along Vol.131. Retrouvez une sélection des plus grands standards Section Rythmique : Steve Allee (p)- Tyrone Wheeler (b)- Jonathan Higgins (d)/ Recueil / Flûte Traversière, Violon, Guitare, Clarinette, Tr

Par BULLA STEPHEN. CANZONE ANTICA translates as “ancient song”. The dark mystery of the Middle Ages, from plainsong and cowled robes to shrouded medieval architecture, permeates a misty atmosphere as your band roams the catacombs in this powerful composition. Steeped in ancient history and opening with a short basso ostinato, this is a unique and significant work. Stephen Bulla masterfully weaves a tapestry of mystic percussion sounds, enigmatic harmonies that are sometimes open and sometimes dense, in a style which evokes ancient choral traditions. If your quest is a truly distinctive work for your next concert or contest, your crusade is at an end! / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band

With his cantata 'Meine Seel erhebt den Herren? which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the 'New Bach Edition?.- Festive cantata based on the Urtext of the 'New Bach Edition?- With a duration of 20-25 minutes / Conducteur De Poche

Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, 'Stone and Steel' is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked 'Molto pesante,' which depicts the limestone quarries that first earned Joliet the nickname 'City of Stone' in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the 'City of Steel.' Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, 'stone' and 'steel,' are then further developed, and the piece culminates in a majestic, celebratory final statement of the 'steel' theme. (6:00) / Orchestre A Cordes

Par SPARKE PHILIP. Second to None est un titre qui convient parfaitement à ce morceau, même s’il fait en fait référence à « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait ! / Niveau : 5 / Répertoire / Brass Band

Par SPARKE PHILIP. Second to None est un titre qui convient parfaitement à ce morceau, même s’il fait en fait référence à « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait ! / Niveau : 5 / Répertoire / Concert Band ou Harmonie

Arr. Roland Kernen. Nicky, Shane, Mark, Kian and Bryan together form the Irish boy-band Westlife. During the past few years they have taken the charts by storm with six number one hits in the UK. The ballad My Love was a smash hit across the whole of Europe and this special arrangement succeeds in keeping the feel of the original song. / Niveau : 3 / Pop and rock / Recueil / Concert Band ou Harmonie

Jazz Play-Along Vol.132. ection Rythmique : Steve Allee (p)- Tyrone Wheeler (b)- Jonathan Higgins (d)/ Recueil / Flûte Traversière, Violon, Guitare, Clarinette, Tr

Par BON JOVI / HOLT JACK (Arr.). Although recorded by Bon Jovi in 2000, this powerful hit has remained one of the band's most popular songs through the years. With a driving moderate tempo and memorable lines, you can't go wrong with this one!/ Répertoire / Marching Band

The timeless quality of music by the Beatles shines through in this nicely paced medley of hits. Perform this with band alone, or combine with choir and strings for a memorable production. Includes: Here Comes the Sun, In My Life, and Cant Buy Me Love. / Orchestre D'Harmonie

Arr. Masato Myokoin. Par JONES QUINCY. Trompettiste, compositeur, arrangeur et producteur, Quincy Delight Jones, surnommé Q composa en 1962 le titre Soul Bossanova dans un temps record de 20 minutes selon ses dires. Ce hit expressif a marqué les esprits de très nombreuses générations d’auditeurs. Inutile de tenter de résister au très swinguant arrangement de Masato Myokoin. / Niveau : 4 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Par PROKOFIEV SERGEI. The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being 'uncivilised'. Prokofiev himself wrote after this first performance '. . . The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, createdby the blaring brass, on account of his sick wife and three children. . . '. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties